THE NUCLEAR FAMILY 19769
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
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- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
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- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
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|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
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- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
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- |
4 |
Second Total |
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- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
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- |
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Essence of Number |
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E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
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- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
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- |
7 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
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- |
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Essence of Number |
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A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
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- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
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- |
11 |
Second Total |
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- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
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- |
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Essence of Number |
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T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
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- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
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- |
8 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
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- |
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Essence of Number |
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3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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9 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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I |
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R |
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|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
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R |
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|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
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I |
|
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R |
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O
NAMUH
DIVINELOVEDIVINE
MATTERMINDMINDMATTER
OSIRIS ISISIS HORUS ISISIS OSIRIS
SPIRIT ISISIS SPIRIT ISISIS SPIRIT ISISIS SPIRIT
NINETYNINENAMESOFGODGODOFNAMESNINETYNINE
LIVE EVIL EVIL LIVE LIVED DEVIL LIVED LIVE EVIL EVIL LIVE
LIFE LIVE LOVE LIGHT 9 LOVE 9 LOVE 9 LOVE 9 LIGHT LOVE LIVE LIFE
973 THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA 973
RA THE RA THE RA THE RA THE RA THE RA 99 RA THE RA THE RA THE RA THE RA THE RA
EARTH HEART HEART EARTH EARTH THERA THERA THERA EARTH EARTH HEART HEART EARTH
RAINBOW LIGHT LIVING LOVING LIFE EVOLVING EVOLVING LIFE LOVING LIVING LIGHT RAINBOW
OSIRIS RA FOUR RA OSIRS
The "Hallway Of Records" (HOR)
"The Egyptian Language Was Founded On The Hallway Of Records, left by the Shemsu Hor
And the pyramid is carbon: 6 electrons, 6 protons, 6 neutrons, the 666/999 game as one and the same [caught by the cubeoctahedral crystal hierarchy], just the head and tail of one snake, the head is light: 9, the tail is dark: 6 etc etc ET-C.
DAILY EXPRESS
4th of February 2004
"POLICE TAKE 3 DAYS TO ANSWER 999 CALL"
PEOPLE OF THE WORLD THOU ART ALL ONE ANSWER THEE THAT
999
CALL
SHEMSU HOR
http://phoenix.akasha.de/~aton/HOR.html
THE NEW BOOK OF REVELATION
INNER LIGHT PUBLICATIONS 1995 COMPILED BY TUELLA
THE
HOLY
999
Page 32 Part 6
"3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18) that the perversion of this number made entry, calculated and deliberate in its destructive intent. In the (four) references to this subject that follow, the number becomes a mark that is not My Seal. The few references that follow go on to expand the prized lie that it is the "mark of the beast" and even that it appears in the forehead as well as the hand. Once an awareness is born of these interferences and the motive, the entire proposal is clearly exposed.
4. The number 999 is identified as truly of My Kingdom. It rep-resents a Divine number of the Creation of Life itself in this and other Universes. This is a widely known fact in other worlds. It is a code number within the consciousness of many who have come toPage 32 / this planet to serve the father, and who are actual extensions of myself. To disguise this number as a mark of the fallen ones has dia-bolically and thoroughly confused the souls of this planet, but it was easily accomplished by another source simply by inverting the number upside down."
Page 32 Part 6
"...3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18)..."
4. The number 999 is identified as truly of My Kingdom. It rep-resents a Divine number of the Creation of Life itself in this and other Universes."
"...but it was easily accomplished by another source simply by inverting the number upside down."
simply by inverting the number upside down."
DICTIONARY OF SCIENCE
Siegfried Mandel
1969
Page number (omitted)
"Appendix 5. Symbols Atomic Numbers, and Atomic Weights of Elements (1947)
Dysprosium . Symbol Dy . Atomic Number 66. Atomic Weight of Elements 162.46
Einsteinium. Symbol Es . Atomic Weight 99. Atomic Weight of Elements 253"
Alphabetical sequence as presented in book
ERNEST DENISON
Died 21st June 1979 Aged 73 years
A DEAR HUSBAND DAD AND GRANDAD
AND
NORAH
LOVING WIFE MOTHER AND GRANDMA
Died 28th February 2004 Aged 93 years
GOODNIGHT AND GODBLESS
WAKEFIELD
GRAVE
NUMBER
99
CEMETRY
18
SECTION
N
|
|
|
|
|
|
NINE |
42 |
24 |
|
|
T+Y |
45 |
9 |
|
|
NINE |
42 |
24 |
|
|
NINETY NINE |
- |
- |
|
10 |
|
|
|
|
- |
T+Y |
45 |
9 |
9 |
4 |
NINE - NINE |
84 |
48 |
3 |
10 |
NINETYNINE |
129 |
57 |
12 |
1+0 |
- |
1+2+9 |
5+7 |
1+2 |
1 |
- |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
1 |
NINETYNINE |
3 |
3 |
3 |
14 |
|
|
|
|
- |
NINE |
42 |
24 |
6 |
4 |
NINETY |
87 |
33 |
6 |
- |
NINE |
42 |
24 |
6 |
14 |
NINENINETYNINE |
171 |
81 |
18 |
1+4 |
- |
1+7+1 |
8+1 |
1+8 |
1 |
NINENINETYNINE |
9 |
9 |
9 |
EHT NAMUH 1973
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
VIETNAM MADONNA 1970
EHT NAMUH 1977
THE JOURNEYMAN 1977
THE JOURNEY WOMAN 1978
FOLLOW
THE
PATH OF PTAH
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
A |
B |
R |
|
C |
A |
D |
A |
B |
R |
A |
- |
- |
- |
- |
- |
D |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
A |
|
|
|
|
|
|
|
|
|
A |
|
B |
|
|
|
|
|
|
|
R |
|
|
|
R |
|
|
|
|
|
B |
|
|
|
|
|
A |
|
|
|
A |
|
|
|
|
|
|
|
C |
|
D |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
D |
|
|
|
|
|
|
|
A |
|
|
|
A |
|
|
|
|
|
R |
|
|
|
|
|
B |
|
|
|
B |
|
|
|
|
|
|
|
R |
|
A |
|
|
|
|
|
|
|
|
|
A |
5 |
PEACE |
30 |
21 |
3 |
2 |
BE |
7 |
7 |
7 |
4 |
UPON |
66 |
21 |
3 |
3 |
YOU |
61 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
14 |
|
168 |
60 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
PEACE |
30 |
21 |
3 |
4 |
LOVE |
54 |
18 |
9 |
5 |
LIGHT |
56 |
29 |
2 |
14 |
First Total |
|
|
|
|
Add to Reduce |
1+4+0 |
6+8 |
1+4 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+4 |
- |
5 |
Essence of Number |
|
|
|
I
THE
MESSAGE
unless integral to quoted work.
all arithmetical machinations, emphasis,
comment, insertions subterfuge and insinuations
are those of the Zed Aliz Zed as recorded by the far yonder scribe.
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
HOLY BIBLE
Scofield References
Page 1117 A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947 Page 217
" 'A man may be born ,but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
Thus spake the prophet Gurdjieff.
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 496
" There is both rhyme and reason in what I say, I have made a dream poem of humanity. I will cling to it. I will be good. I will let death have no mastery over my thoughts. For therein lies goodness and love of humankind, and in nothing else."
Page 496 / 497
"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
- And with this -I awake. For I have dreamed it out to the end, I have come to my goal."
After a short meeting with their good and trusted friend Thomas. Alizzed and the scribe thanked him most genuinely for the benefit of his wisdom, in the matter of their quest, and in saying their good byes, wished the other well, a not unusual seven times, and of course, promised, not to leave it quite so long in the future.
SAINT JOHN'S CHURCH
WAKEFIELD
MEMORIAL
TO THE GLORY OF
GOD
IN REMEMBERANCE OF THE MEN FROM WRENTHORPE COLLIERY
WHO FELL IN THE GREAT WAR
1914 - 1918
THEY LOVED NOT THEIR LIVES UNTO THE DEATH
DAILY MAIL
Friday, January 20, 2006
David Wilkes and Andrew Levy
Page 20
"90 years on love letters of soldier's sweetheart have a happy ending"
DAILY MAIL
Friday, January 20, 2006
By Steve Doughty Social Affairs Correspondent
Page 13
"Nine in ten career women would put family before work"
"More than nine out of ten career woman would rather spend more time with their families than be promoted
"Nine in ten"
"More than nine out of ten. . ."
DIAGNOSIS OF MAN
Kenneth Walker 1943
Page 139
"Karma-yoga is the form of yoga that, if it were available, would be most applicable to European and American conditions of life. The principles that it inculcates would not only eliminate that state of fear and anxiety in which nine out of ten of us live, but actually increase the efficiency of the active life to which we are inevitably committed."
"nine out of ten"
DAILY MAIL
Monday, May 1, 2006
Ian Drury
"Injured man dies after six-hour 999 delay in sending ambulance "
"A MAN died after police and ambulance crews took six hours to respond to 999 calls that he was lying unconscious in a street"
"He dialled 999 and told Staffordshire Ambulance Service..."
"It is not clear why the ambulance service did not send paradamedics after the first 999 call."
THE FOUNTAINS OF PARADISE
Arthur C. Clarke 1979
Page 90
" 'And dont forget the Pyramids.' "
"... 'What did you call them? The best investmant in the history of mankind?
|
THE |
33 |
15 |
|
|
GREAT |
51 |
24 |
|
|
PYRAMID |
86 |
41 |
|
2 |
OF |
21 |
12 |
3 |
4 |
GIZA |
43 |
25 |
7 |
21 |
Add to Reduce |
234 |
117 |
27 |
2+1 |
Reduce to Deduce |
2+3+4 |
1+1+7 |
2+7 |
3 |
Essence of Number |
9 |
9 |
9 |
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING NOW RISING IS THE LIGHT
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
S |
= |
1 |
- |
3 |
SEE |
29 |
11 |
2 |
- |
|
I |
= |
9 |
- |
2 |
IT |
29 |
11 |
2 |
- |
2 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
- |
7 |
N |
= |
5 |
- |
3 |
NOW |
52 |
16 |
7 |
- |
7 |
S |
= |
1 |
- |
4 |
SAID |
33 |
15 |
6 |
- |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
6 |
B |
= |
2 |
- |
5 |
BLIND |
41 |
23 |
5 |
- |
- |
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
- |
- |
- |
- |
34 |
|
27 |
First |
|
|
|
|
30 |
- |
- |
3+4 |
- |
2+7 |
Add |
2+7+9 |
1+1+7 |
4+5 |
- |
3+0 |
- |
- |
7 |
- |
|
Second |
|
|
|
- |
|
- |
- |
- |
- |
- |
Reduce |
1+8 |
- |
- |
- |
- |
- |
- |
|
- |
|
Essence |
|
|
|
- |
|
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
- |
- |
41 |
|
53 |
First Total |
|
|
|
- |
- |
4+1 |
- |
5+3 |
Add to Reduce |
6+1+6 |
2+3+8 |
4+9 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
C |
= |
3 |
- |
14 |
COMPREHENSIBLE |
144 |
72 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
T |
= |
2 |
- |
15 |
TECHNOLOGICALLY |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
ADVANCED |
54 |
27 |
9 |
S |
= |
1 |
- |
7 |
SOCIETY |
96 |
33 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
E |
= |
5 |
- |
5 |
EPOCH |
47 |
29 |
2 |
- |
- |
47 |
|
81 |
First Total |
|
|
|
- |
- |
4+7 |
- |
8+1 |
Add to Reduce |
9+3+1 |
4+0+0 |
8+5 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
- |
- |
49 |
|
57 |
First Total |
|
|
|
- |
- |
4+9 |
- |
5+7 |
Add to Reduce |
5+9+8 |
2+3+8 |
5+8 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
2+2 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
- |
- |
19 |
|
28 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+8 |
Add to Reduce |
2+9+9 |
1+1+0 |
2+0 |
- |
- |
10 |
- |
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
2+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
41 |
|
53 |
|
|
|
49 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
C |
= |
3 |
- |
4 |
THAT |
144 |
72 |
9 |
T |
= |
2 |
- |
5 |
WOULD |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
BE |
40 |
13 |
4 |
T |
= |
2 |
- |
14 |
COMPREHENSIBLE |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
TO |
54 |
27 |
9 |
S |
= |
1 |
- |
3 |
ANY |
96 |
33 |
6 |
I |
= |
9 |
- |
15 |
TECHNOLOGICALLY |
23 |
14 |
5 |
A |
= |
1 |
- |
2 |
ADVANCED |
40 |
13 |
4 |
E |
= |
5 |
- |
7 |
SOCIETY |
48 |
29 |
2 |
T |
= |
2 |
- |
2 |
IN |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
ANY |
75 |
21 |
3 |
B |
= |
2 |
- |
5 |
EPOCH |
7 |
7 |
7 |
|
|
47 |
|
81 |
|
|
|
85 |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
|
|
49 |
|
57 |
|
|
|
58 |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
|
|
19 |
|
28 |
|
|
|
20 |
|
|
|
|
|
|
|
|
|
- |
- |
156 |
|
219 |
First Total |
|
|
|
- |
- |
1+5+6 |
- |
2+1+9 |
Add to Reduce |
2+4+4+4 |
9+8+6 |
2+1+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+4 |
2+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTER AND NUMBER
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
S |
- |
19 |
|
26 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+6 |
Add to Reduce |
2+6+1 |
1+0+8 |
1+8 |
- |
- |
|
- |
|
Second Total |
9 |
9 |
9 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
9 |
9 |
9 |
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
|
|
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
The Upside
Down of the Downside Up
ADVENT 2297ADVENT
CITY OF REVELATION
John Michell
1972
Page 109
"At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation.
The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'
The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'
The number 666 in metrology
The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
CITY OF REVELATION
John Michell
1972
Page 109
The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'
STEREOMETRY
THE ART OF LIKENING UNLIKE THINGS
Page 109
Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'
The number 666 in metrology
The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
STEREOMETRY
THE ART OF LIKENING UNLIKE THINGS
LA GRANDE PUPPETEER 1979
OSIRISORIONISORIONISOSIRIS
THE SUPERGODS
Maurice M Cotterell
1997
ANCIENT LANDS AND NEW REVELATIONS
The Supergods
Page 107
"The Amazing Lid of Palenque (Volume 1) tells us there are various desti-nations for the dead (in the story of The Paradises) and of periodic phys-ical destruction (in the story of The Four Previous Ages). It tells us how this destruction comes about: through infertility cycles inspired by solar activity, increases in infant mutations, drought through mini iceages and catastrophic destruction through pole tilting adjustments of the Earth's crust and axis, in response to a variable solar magnetic field.
Volume 2 (see Chapter 5 and plates 9-24) tells us that a choice exists hetween purification of the soul through sacrifice, or alternatively a journey through the underworld, and purgatory, before rebirth on Earth. It tells us of a better place, and a worse one than Earth, and that each of us is born of the one God who created himself along with the universe. It teaches us that I am you and you are me, that night becomes day as certainly as day becomes night; life follows death as certainly as death follows life.
Clues in the Temple of Inscriptions tell us that the man in the tomb was no ordinary man, while the Mosaic Mask tells us that he gave life, and took life away. We learn that the numbering system is built into the Mayas' pyramid and that the duration of the sun-spot cycle is contained / Page 108 / in the lid as well as in the pyramid, just in case we missed it first time around. And we learn from their use of jade that the Maya understood better than we do how the universe works. They have shown us in their art and their decoding system that the mind of Lord Pacal was far supe-rior to that of his contemporaries who were not involved with the 'wrapping up' or 'encoding' of the "information, and far superior to the mind of modern man. When he died he became one with the highest God through purification and sacrifice which makes us ask: 'Who was this man who left behind these living miracles'?
Similarly, many races have spoken of spiritual teachers. In olden times a man called Jesus was said to have performed 'miracles'. They say he could walk upon water and heal the sick by the laying on of hands and stories say that in one single day he fed 5,000 people with the food from one basket. He walked among his own people and spoke of a God not of this Earth and he preached purification through love and sacri-fice, which would lead to rebirth after death, and an everlasting life. And they say that when he died he rose from the tomb and from a mountain ascended to 'heaven'.
This was in our own year of zero, 2,000 years ago. This man Jesus was said to have been born through an 'immaculate conception' without a physical, biological 'father'. They say he was the son of God.
Five hundred years before this the Indian holy book, the Bhagava- Geeta (The Lord's Song), tells the story of a man called Krishna who claimed to represent the living God who created the universe. He too could perform miracles and spoke to the prodigy Arjuna, on the battle- field of Kurekshetra thus: 'Whenever spirituality decays and material- ism is rampant, then O Arjuna, I reincarnate myself...I am reborn from "age to age.. .He who realizes the divine truth concerning my birth and life is not born again; and when he leaves his body, he becomes one with me: (BG, 4:7-9)
These teachers, from 'outside', from 'somewhere else', have visited recent civilizations, bringing over and over again the super knowledge known by the Muvians, Atlanteans, Mayans and others which enabled the flowering of the great civilizations and the evidence suggests they came specifically to teach us of the higher spiritual and scientific orders."
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
First Total |
108 |
63 |
18 |
1+3 |
Reduce |
1+0+8 |
6+3 |
1+8 |
4 |
Final Total |
9 |
9 |
9 |
THE SUPERGODS
Maurice M Cotterell
1997
ANCIENT LANDS AND NEW REVELATIONS
Page 109
"I have chosen to call these visitors 'Supergods', because they brought their super knowledge to mankind, and because they were not from this planet. That these visitors are 'related' became apparent while decoding the Mosaic Mask of Palenque. Was it just coincidence that the compos- ite picture of the god of the East, Xihtechutli, looked very similar to depictions of a stained glass representation of Christ? Was it just coinci-dence that the cross-legged figure covering the nose and mouth of the Christ-like face resembled the praying Buddha of India?
And why was the number 666 missing from the tomb of Lord Pacal? The book of Revelations, in the Christian Bible, tells of the revelation which appeared to St John, a disciple of Christ. It prophesies a future apocalypse and global destruction.
Few can agree on the true meaning of the undoubted allegory of the book, which is both strange and mysterious. Chapter XIII tells of a beast that rises out of the sea. The beast has seven heads and ten horns and 'upon his heads the name of blasphemy' and continues 'here is wis-dom, let him that hath understanding count the number of the beast: for it is the number of a man; and his number is six hundred threescore and six...' (666)."
THE HOLY BIBLE
Scofield Reference
REVELATIONS
C13 V 18
"HERE IS WISDOM LET HIM THAT HATH UNDERSTANDING COUNT THE NUMBER OF THE BEAST FOR IT IS THE NUMBER OF A MAN AND HIS NUMBER IS SIX HUNDRED THREE SCORE AND SIX"
666999999666
5 |
WOMAN |
66 |
21 |
3 |
7 |
MANKIND |
66 |
30 |
3 |
ST JOHN
C21 V 10
JESUS SAITH UNTO THEM BRING OF THE FISH WHICH YE HAVE NOW CAUGHT
V 11
SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES
AN HUNDRED AND FIFTY AND THREE
AND FOR ALL THERE WERE SO MANY YET WAS NOT THE NET BROKEN
153
1 + 5 + 3
ISISIS
9
5 |
GREAT |
51 |
24 |
6 |
6 |
FISHES |
66 |
30 |
3 |
11 |
First Total |
117 |
54 |
9 |
1+1 |
Reduce |
1+1+7 |
5+4 |
|
2 |
Final Total |
9 |
9 |
9 |
153 x 12 = 1836
1836 divided by 34 = 54
7 |
PHARAOH |
67 |
40 |
4 |
7 |
PYRAMID |
86 |
41 |
5 |
14 |
Total |
153 |
81 |
9 |
3 |
NET |
39 |
12 |
3 |
4 |
NETS |
58 |
13 |
4 |
6 |
NETERS |
81 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
8 |
INTERNET |
105 |
42 |
6 |
11 |
First Total |
138 |
57 |
12 |
1+1 |
Reduce |
1+3+8 |
5+7 |
1+2 |
2 |
Second Total |
12 |
12 |
3 |
- |
Reduce |
1+2 |
1+2 |
- |
2 |
THE INTERNET |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
THE NET |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
NET |
39 |
12 |
3 |
6 |
First Total |
72 |
27 |
9 |
- |
Reduce |
7+2 |
2+7 |
|
6 |
THE NET |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
NET |
39 |
12 |
3 |
3 |
TEN |
39 |
12 |
3 |
AKHENATEN
ATEN
A
TEN
HALL OF THE GODS
Nigel Appleby
1998
Page 322
"In John 6: 51, Jesus describes himself as 'that living bread which has come down from heaven'. As I explained earlier, the Egyptian hieroglyph for bread is identical in shape to the King's Chamber seal/boss (see figure 66).
We have already noted previously that the Grand Gallery is 153 feet in length. The number 153 has a long Christian tradition associated with the notion of enlightened souls, primarily drawn from the symbolism of 153 fish as outlined towards the end of John's Gospel. Here the disciples are told to cast their nets to the right, which they promptly do - and so catch the said 153 fish. The King's Chamber floor is exactly 153 courses of masonry below the summit platform. Years after reading about the connections of 153 within the Great Pyramid, and biblical passages that outlined the number in relation to fishing and the specific term of casting the nets to the right, I was not surprised to read almost identical symbolism within the Egyptian Book of the Dead.
Pyramid rituals
The basic concept behind the ancient Egyptian initiate trying to get from this world into the next focused upon passing through 4 frontiers of the sky. This required the departed spirit to convince the guardians to grant a free passage, only granted by knowing secret words and names, which, when repeated, were guaranteed to ward off any aggressor or evil apparition. As a consequence, any person daring to venture into the underworld would require magical skills of the very highest order. In ferrying oneself across the 4 frontiers of the sky the services of a ferryman were essential, and the initiate needed to know the correct answers to the ferryman's questions in order to use his boat, which was of course a celestial boat. The knowledge required involved knowing mythology, the gods' names, and the magic of Egypt, as well as possessing mathematical and practical scientific skills. I see in these rituals a memory that the hitherto unknown pre-dynastic priests, from whom the Egyptians obtained their knowledge, were scientists, technologists and perhaps even metaphysicists."
153 x 12 Disciples = 1836
153 x 12 inches = 1836
THE
MAGIKAL ALPHABET
J |
E |
S |
U |
S |
10 |
5 |
1 |
21 |
19 |
1+0 |
- |
- |
2+1 |
1+9 |
1 |
- |
- |
3 |
10 |
- |
- |
- |
- |
1+0 |
1 |
5 |
1 |
3 |
1 |
J |
E |
S |
U |
S |
1 |
- |
1 |
- |
1 |
- |
- |
- |
3 |
- |
- |
5 |
- |
- |
- |
J |
E |
S |
U |
S |
1 |
5 |
- |
3 |
- |
J |
E |
S |
U |
S |
JESUS
1 occurs x 3 = 3
3 occurs x 1 = 3
5 occurs x 1 = 5
JESUS = 1 5 1 3 1
1 x 3 = 3
5 x 1 = 5
3 x 1 = 3
6 |
CHRIST |
77 |
32 |
5 |
5 |
JESUS |
74 |
11 |
2 |
11 |
First Total |
151 |
43 |
7 |
1+1 |
Reduce |
1+5+1 |
4+3 |
|
2 |
JESUS CHRIST |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
MESSIAH |
- |
- |
- |
- |
ME |
18 |
9 |
9 |
- |
SS |
38 |
20 |
2 |
- |
I |
9 |
9 |
9 |
- |
AH |
9 |
9 |
9 |
- |
MESSIAH |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
SAVIOUR |
- |
- |
- |
- |
SAV |
42 |
6 |
6 |
- |
I |
9 |
9 |
9 |
- |
OUR |
54 |
18 |
9 |
- |
SAVIOUR |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
33 |
THE |
33 |
15 |
6 |
7 |
SAVIOUR |
105 |
33 |
6 |
6 |
CHRIST |
77 |
32 |
5 |
5 |
JESUS |
74 |
11 |
2 |
7 |
MESSIAH |
74 |
20 |
2 |
THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE
HOW GREAT THOU ART MY GOD HOW GREAT THOU ART
3 |
A |
N |
U |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
14 |
21 |
+ |
= |
36 |
3+6 |
= |
9 |
NINE |
9 |
- |
1 |
5 |
3 |
+ |
= |
9 |
- |
- |
9 |
NINE |
9 |
3 |
A |
N |
U |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
5 |
3 |
+ |
= |
9 |
- |
- |
9 |
NINE |
9 |
3 |
A |
N |
U |
- |
- |
- |
- |
- |
- |
- |
- |
I
AND
YOU
?
HOW MANY GODS ?
EIGHT AND ONE
RA ATUM ATUM RA
RA - 1234 - 1234 RA
EUCLID 54 54 EUCLID
EUCLID 27 27 EUCLID
EUCLID 9 9 EUCLID
I |
9 |
9 |
9 |
ME |
18 |
9 |
9 |
ME - EM |
36 |
18 |
9 |
ENERGY- MASS |
126 |
45 |
9 |
DIVINE - PUREST - LOVE |
216 |
81 |
9 |
THOUGHT |
99 |
36 |
9 |
REALITY |
90 |
36 |
9 |
THE - HUMAN - RACE |
117 |
54 |
9 |
DOUBLE - HELIX |
117 |
54 |
9 |
EGO |
27 |
18 |
9 |
CONSCIENCE |
90 |
45 |
9 |
SOTHIS |
90 |
27 |
9 |
OSIRIS - RA |
108 |
45 |
9 |
SOKAR - OSIRIS |
153 |
54 |
9 |
EDFU |
36 |
18 |
9 |
VENUS |
81 |
18 |
9 |
HORUS |
81 |
27 |
9 |
PHARAOH - PYRAMID |
153 |
81 |
9 |
EHYEH - ASHER - EHYEH |
153 |
90 |
9 |
KEBRA - NAGAST |
99 |
36 |
9 |
ZARATHUSTRA |
153 |
45 |
9 |
QUETZALCOATL |
153 |
45 |
9 |
IPSISSIMUS |
153 |
45 |
9 |
RELIGIONS |
108 |
54 |
9 |
FAITHS |
63 |
27 |
9 |
ALBERT - EINSTEIN |
153 |
63 |
9 |
PHYSICS |
99 |
36 |
9 |
OXYGEN |
90 |
36 |
9 |
SUN |
54 |
9 |
9 |
SAGITTARIUS |
144 |
45 |
9 |
THIRTEEN |
99 |
45 |
9 |
CREATORS |
99 |
36 |
9 |
GODS |
45 |
18 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
EIGHTYONE |
108 |
54 |
9 |
EIGHTEENTHIRTYSIX |
225 |
99 |
9 |
NEUTRINOS |
135 |
45 |
9 |
ZERO |
64 |
28 |
1 |
THE ROOTS OF COINCIDENCE
Arthur Koestler
1972
Page 88
"Euclidian geometries, invented by earlier mathematicians more or less as a game, provided the basis for his relativistic cosmology
Another great physicist whose thoughts moved in a similar direction was Wolfgang Pauli.
At the end of the 1932 conference on nuclear physics in Copenhagen the participants, as was their custom on these occasions, performed a skit full of that quantum humour of which we have already had a few samples. In that particular year they produced a parody of Goethe's Faust, in which Wolfgang Pauli was cast in the role of Mephistopheles; his Gretchen was the neutrino, whose existence Pauli had predicted, but which had not yet been discovered.
MEPHISTOPHELES
(to Faust):
Beware, beware, of Reason and of Science
Man's highest powers, unholy in alliance.
You'll let yourself, through dazzling witchcraft yield
To weird temptations of the quantum field.
Enter Gretchen; she sings to Faust. Melody: "Gretchen at the Spinning Wheel" by Schubert.
GRETCHEN:
My rest-mass is zero
My charge is the same
You are my hero
Neutrino's my name."
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
The scribe wondered, wondered at it all, the sheer bloody minded amazein wonder of it all.
THE
INTERNET
RAM
?
WHICH SIDE SHALL I CAST THE NET SAID THE FAR YONDER SCRIBE
CAST IT ON THE RIGHT SIDE SAID
THE
ZED ALIZ ZED
HALL OF THE GODS
Nigel Appleby
1998
Page 323
The Pyramid, nets and Jesus
"What also struck me in these rituals was the similarity to later Christian symbology as regards the casting of nets. In Egyptian magic one of the most important symbols is that of the net. Moreover, in Greek traditions this same net is represented by the net of Hephaestus, with which the vengeful Olympian smith ensnared his beautiful wife Aphrodite and her lover Ares, the god of war. Net symbology nearly always entails linked deities or persons and special knots for undoing the net. In Egyptian myths these two deities are Neith (known as Net) and Thoth. Wallace Budge informs us that in a group of titles, Thoth is called 'Great God in Het Abtit', or the 'Temple of Abtit', which was one of the chief sanctuaries of the god at Hermopolis. As Murry Hope points out in The Sirius Connection, Wallis Budge further states that the hieroglyphs with which the name 'Het Abtit' are written actually mean, 'House of the Net', or more precisely, 'A temple wherein a net was preserved and venerated'. According to the Book of the Dead, a dreaded net was thought to exist in the underworld, greatly feared by the dead themselves. The dying were required to know the name of every single part of it, including ropes, weights, cords, hooks and so forth. Reading this I could not help but see connections with the symbolism displayed within Masonic Lodges. Furthermore, in the Babylonian mythical battle between Marduk and Tiamat, Marduk ensnared Tiamat with his net before cutting her open. Therefore, we see that when Jesus told his disciples to cast their nets to the right and catch 153 fish, it was a continuation of ancient esoteric wisdom which connected the Great Pyramid with Jesus himself, and which included important mathematical values.
Further links between Jesus and the Great Pyramid occur in the book of Isaiah as we saw earlier. In Chapter 19, the future Messianic figure's return is described as follows: 'See how the Lord comes riding swiftly upon a clqud, he shall descend upon Egypt.' What caught my attention was the very fact that he would descend upon Egypt; why not the Holy Land? Later in the same chapter, we are informed that when that day comes, there shall be an altar to the Lord in the heart of Egypt, and a sacred pillar set up for the Lord upon her frontier. In addition, it is stated that it shall stand as a token and a reminder to the Lord of Hosts in Egypt, so that when they appeal to him against their oppressors, he may send a deliverer to champion their cause, and he shall rescue them (Isaiah 19: 19-20).
I pointed out earlier that this passage was extraordinary as it describes exactly the site, nature and significance of the Great Pyramid itself. Please note here that the word translated as altar had' two distinct meanings for the Hebrews. It could mean either the familiar sacrificial stone or the commemorative altar of witness. In the above context, the meaning is clearly that of the commemorative altar of witness. According / Page 324 / to Cruden's Complete Concordance to the Bible, 7 great heaps of stones were raised up as a witness to any form of memorable event and to preserve the remembrance of some matter of great importance, and were the most ancient of monuments among the Hebrews. Such were allegedly built by Moses, Jacob, Joshua and Gideon, to name but a few. Evidently, the Great Pyramid must be the greatest 'heap of stones' bar none. Note, too, that the second sentence uses the word 'it' to refer to both an altar and a pillar. How can a pillar look like a heap of stones? Perhaps, as Peter Lemesurier points out in The Great Pyramid Decoded is the word for pillar is a misleading translation from the Hebrew. In Hebrew it is 'Matstsebah', which means almost any kind of monument. Intriguingly, it is linguistically very close to the Egyptian word 'mstpt' meaning 'funeral bier', and almost identical to the Arabic 'mastaba', a funerary monument."
10 |
MATSTSEBAH |
108 |
27 |
9 |
5 |
MSTPT |
88 |
16 |
7 |
7 |
MASTABA |
57 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
3 |
SUN |
54 |
9 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
" 'mastaba', a funerary monument."
7 |
M |
A |
S |
T |
A |
B |
A |
- |
- |
- |
- |
- |
- |
- |
- |
13 |
1 |
19 |
20 |
1 |
2 |
1 |
+ |
= |
57 |
5+7 |
12 |
1+2 |
3 |
- |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
+ |
= |
12 |
1+2 |
3 |
- |
3 |
7 |
M |
A |
S |
T |
A |
B |
A |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
1 |
- |
1 |
- |
1 |
+ |
= |
4 |
- |
- |
- |
4 |
- |
- |
- |
- |
2 |
- |
2 |
- |
+ |
= |
4 |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
- |
+ |
= |
4 |
- |
- |
- |
4 |
7 |
M |
A |
S |
T |
A |
B |
A |
- |
- |
- |
- |
- |
- |
- |
HALL OF THE GODS
Nigel Appleby
1998
Page 322
Pyramid rituals
"The basic concept behind the ancient Egyptian initiate trying to get from this world into the next focused upon passing through 4 frontiers of the sky. This required the departed spirit to convince the guardians to grant a free passage, only granted by knowing secret words and names, which, when repeated, were guaranteed to ward off any aggressor or evil apparition. As a consequence, any person daring to venture into the underworld would require magical skills of the very highest order. In ferrying oneself across the 4 frontiers of the sky the services of a ferryman were essential, and the initiate needed to know the correct answers to the ferryman's questions in order to use his boat, which was of course a celestial boat. The knowledge required involved knowing mythology, the gods' names, and the magic of Egypt, as well as possessing mathematical and practical scientific skills. I see in these rituals a memory that the hitherto unknown pre-dynastic priests, from whom the Egyptians obtained their knowledge, were scientists, technologists and perhaps even metaphysicists."
THE SUPERGODS
Maurice M Cotterell
1997
"Once we understood the intellectual game of the Maya, in the Temple of Inscriptions, we were invited to count. We counted firstly 11111,22222, 33333,44444,55555, 66... the number of the beast, of blasphemy, is miss-ing from the Temple of Inscriptions at Palenque. But then we began to count the beads on the necklace from the neck of Lord Pacal (see Chap-ter 4). Only when we began the count did the numbers 666 appear, not as themselves but as part of the number 13, which occurred in three sec-tions of the necklace. Then the numbers 777 and 888 appeared in the necklace and then the 9s were found elsewhere: 'Let him that hath understanding count the number of the beast.'
The expression 'Let he that hath an ear, let him.hear' appears no less than eight times in Revelations, and we recall that one of the plaster heads of Lord Pacal found on the floor of the tomb had one ear missing:
'Let he that hath an ear, let him hear' (see Fig 37).
Revelations continues by telling of an angel that came to 'seal the servants of God'
OF TIME AND STARS
Arthur C. Clarke
1972
Page 68
Into the Comet
"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to
999,999,999,999
- or could be divided into separate sections where several independent calculations could be carried out simultaneously."
THE EGYPTIAN BOOK OF THE DEAD
E. A. Wallace Budge
1899
OF LIVING NIGH UNTO RA
Page
397
And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "
"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "
In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.
THE MORNING OF THE MAGICIANS
Lois Pauwels and Jacques Bergier
1963
Page 226
The 'Sun' was the fixed centre round which the electrons revolve"
SUN = 135 = SUN
SUN = 1+3+5 = SUN
SUN = 9 = SUN
THE EGYPTIAN BOOK OF THE DEAD
E. A. Wallace Budge
1899
Page
397
"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "
THE SUPERGODS
Maurice M Cotterell
1997
Page110
"And I saw another angel ascending from the East, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the Earth and the sea, saying 'Hurt not the Earth, neither the sea, nor the trees, till we have sealed the servants of our God in their foreheads: And I saw the number of them which were sealed; and there were sealed an hundred and forty, and four thousand of all the tribes of the childrel} of Israel. (Rev VII 3,4)
It goes on, 'And it was commanded them that they should not hurt the grass of the Earth, neither any green thing, neither any tree, but only those men which have not the seal of God on their foreheads...' (Rev IX, 4).
Look again at The Physical Death of Lord Pacal, Scene 4 (Fig 49 below). Look again at his forehead, and count the number sealed: 144,000.
Like all composites, the picture is made up of two halves which are 'reflected' either side of the centre line of the drawing. It is therefore not possible to show the number 144,000 from left to right and again (the mirror image) from right to left. To overcome this, 1440 is written from left to right. The mirror image of 1440 can be seen from right to left. The missing two zeros (in Mayan notation, an oval embellished with three lines) are shown above this number.
It seems that the man in the tomb at Palenque had much in common with the other Supergods - Jesus, Krishna and Buddha - and that he brought the same message and the same super-knowledge which has powerfully influenced the intellectual ascent of man since time began."
11 |
TUTANKHAMUN |
144 |
36 |
9 |
11 |
KING SOLOMON |
144 |
54 |
9 |
THE SUPERGODS
Maurice M Cotterell
1997
Page 118
"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:
Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wis-dom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from pas-sion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)
"(BG, 18:36-9)"
HARMONIZED
Page number omitted
THE STUDENT'S ASSISTANT
IN
ASTRONOMY AND ASTROLOGY
: CONTAINING
OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
SUN AND SUPERIOR PLANETS,
CALCULATED FOR 44 YEARS TO COME.
Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
every month, from 1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF ONE HUNDRED AND
FORTY-FOUR FIXED STARS, FOR PAST AND FUTURE YEARS.
Eclipses of the Sun visible in England.
ALSO
A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
AND E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.
PREFACE
"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportu-nity of more perfectly understanding the appa-rent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
Page 9 (number omitted)
INTRODUCTION TO ASTRONOMY.
"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."
8 |
DENDERAH |
59 |
41 |
5 |
6 |
ZODIAC |
58 |
31 |
4 |
14 |
First Total |
117 |
72 |
9 |
1+4 |
Reduce |
1+1+7 |
7+2 |
- |
5 |
Final Total |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
GEOCENTRIC |
99 |
54 |
9 |
8 |
HARMONIC |
81 |
45 |
9 |
HARMONIC 288
Bruce Cathie 1977
THE ATOMIC TABLE OF ELEMENTS
AS A HARMONIC SERIES
Page 54
"NATURAL LAW IS NOT ERRATIC. The universe does not rely on chance to manifest within itself the physical substance which we perceive, and call reality. A very strict and ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space.
During my years of research into the complexities of the earth grid system I have gradually built up a picture in my mind of the possible geometric combinations necessary to form matter from resonating, interlocking wave-forms. My limited abilities in the various academic fields have made this task a taxing one at times, but I think I have discovered how to apply the original values, published in my first two books, in a practical mathematical sense, to build up a model which 'demonstrates the harmonic formation of matter.
This model indicates to me that the number of individual elements to be found in the universe will be 144. Each of these elements will have, in theory, six isotopes, which will make up a completed table of separate substances numbering 1008. An isotope is an atom of the same element which has a different nuclear mass and atomic weight.
Mathematically, the progression would create 144 octaves of separate substances giving a theoretical value of 1152. The differen~ between the total number of substances (1008) and the harmonic value in octaves (1152) would be 144, the light harmonic. The table of elements, in octaves, would create a cycle which would be in perfect resonance with the harmonic circumference of every atom from which it is constituted. It will be demonstrated that the harmonic circumference of every atom is 1152 units.
The harmonic values which create the geometric structure of matter can all be derived from the basic harmonic of the speed of light, 144. I have shown in Chapter Four how all the spherical / Page 54 / bodies in the universe are precipitated from space by resonances tuned to the reciprocal harmonic of light (6944). This applies to an atom and to the largest of planetary bodies, as the geometric harmonic diameter of any sized sphere has a constant harmonic affinity with the light reciprocal.
Once the precipitation of physical matter has occurred, the buildup of the substances we know as the elements takes place, according to a very well-ordered mathematical sequence. Light- waves, guided seemingly by superior intelligence, form intricate interlocking grid patterns which graduate from the simple to the more complex, as the elements from hydrogen, at the lower end of the scale, to element 144, come into being.
When we think of reality we must think of mass in relation to any physical manifestation, and the smallest particle of physical matter that we are aware of is the electron. Therefore, electron mass must be the starting point in our quest for a feasible theory to explain the structure of matter. The physics books give the best experimental value for rest mass of 9.11 x 10-31 kg for the electron, (9.2 x 10-31 in some physics books) and all modern- day calculations for mass and energy have a relationship relative
to this figure. To form the basis for a harmonic series we must , find a mass number for the electron which can be derived directly! from the harmonic of light, 144.
The mathematical analysis I carried out on the Great Pyramid, gave me the first clues upon which to base a unit for electron
mass that would show connecting relationships throughout the atomic scale. The theoretical figure proved to be 9.24184 units.
This was a fairly close approximation to the harmonic equiva-lent of 9.11 found by scientific experiment. A difference of 1.426 per cent.'
To form an atomic structure, the electron mass unit must have some sort of constant mass ratio in relation to the protons which form the nucleus of an atom. Most textbooks give an experi- mental value for this ratio of 1836 units. I found again from my work on the Pyramid that the most likely true value was 1833.464944 units. This turned out to be the theoretical length of the Grand Gallery in geodetic inches, and indicated to me that the Gallery was in fact constructed as a wave guide, tuned to light harmonics."
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book their value being 1836 inches, and my theoretical value 1833.46 geodetic inches..."
"...A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted)Page 97 /ratio of the positive hydrogen ion, i.e. the proton to the electron."
Page 86
"A further interesting comment was found in the preface to the third edition of Davidson and Aldersmith's book on the Great Pyramid. The religious symbolism of the displacement factor (the "hollowing-in" of the sides of the pyramid during construc- tion) was discussed as follows: "This aspect of the structural allegory throws a flood of light upon an element of the scriptural allegory that clearly refers to the completion of 'all the building'
. . . 'unto the measure of the fullness of the stature', required by the design. This concerns the symbolic '144000 . . . redeemed
from among men. . . without fault before the throne of God'
(Rev XIV, 1':'5); 'Living stones' . . . without flaw for the perfect casing."
It is the symbolic 144000 that appears to have great signifi-cance in the ancient writings and it is interesting to note that this particular value has been connected in some way by other researchers to the enigma of the Great Pyramid. Considering that the angular velocity of light value in grid seconds is also 144000, as postulated in other sections of this book, it is obvious to me that the structure is in fact a measure of light, and by applying this value it should be possible to solve the mathemati-cal puzzle which has been handed down to us."
HARMONIC 288
Bruce Cathie
1977
EIGHT
Page
80
THE MEASURE OF LIGHT
" THE OBELISK RISING majestically from the sandswept plain has been visible to man for many centuries. Its massive bulk and geometric simplicity of shape have caused wonder and endless speculation to countless generations of wise men throughout history. The meaning, or reason, for such a structure has been lost and those responsible for the building of an edifice such as this must have been in possession of extremely advanced scientific knowledge. Were they an advanced race of this world who destroyed themselves by unwise manipulation of their own scientific achievement? Or, so-called gods? Or, people from other worlds who left amongst us an almost indestructible repository of advanced knowledge in the mathematical com-plexities of the universe?
The obelisk I speak of is not the cold, black, forbidding obelisk depicted in Stanley Kubrick's movie 2001, but a pyramid of shining splendour built on a rocky mile-square plateau ten miles west of Cairo, The plateau is known as Giza; the pyramidal structure of an estimated two-and-a-half million blocks of granite and limestone, is the
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833.46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the clue. If 57.6 (the amount in inches by which the base is inset) is I divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave - forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram omitted)) / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. tf we dare to assume that the value, of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo- grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo- grammes."
"Great Pyramid of Cheops",
MINDOTHDREAMWHATDOTHMINMEAN
3 |
MIN |
36 |
18 |
9 |
4 |
MIND |
40 |
22 |
4 |
6 |
MATTER |
77 |
23 |
5 |
13 |
First Total |
117 |
45 |
9 |
1+3 |
Add to Reduce |
1+1+7 |
4+5 |
|
4 |
Final Total |
9 |
9 |
9 |
TUTANKHAMEN
Christiane Desroches-Noblecourt 1963
Page118
"...The God Min"
Page 109
"His barge, too, was called Splendour of Aten"
Page 83
"SPLENDOUR OF ATEN"
THE
THOUGHT OF THOUGHT
AS IN
THE SPLENDOUR OF AN OUGHT
THE
SPLENDOUR
OF
A TEN AS IN ATEN
THE SPLENDOUR THAT WAS EGYPT
Margaret A Murray 1951
Page 164
"In many countries the Divine King was allowed to reign for a term of years only, usually seven or nine or multiples of those numbers."
"SEVEN OR NINE OR MULTIPLES OF THOSE NUMBERS"
7 OR 9
OR
MULTIPLES
OF
THESE
NUMBERS
TUTANKHAMEN
Christiane Desroches-Noblecourt 1963
Page177
"The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."
Page158 (Chapter 7) 1343
The death of the king and preparations for immortality
"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approxi-mate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page 90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND, WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS, KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
"NINETY CITIES"
"NINETY TOWNS"
"NINE YEARS"
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 - 1955
Page 968
"But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching. And still it has been said to me: 'Call me not Aton, for that is in need of improvement. Call me the Lord of the Aton!' But I, through keeping silent, forgot. See now what the Father does for his beloved son! He sends him a mes-senger and dream-interpreter, who shows him his dreams, dreams from below and dreams from above, dreams important for the realm and for heaven; that he should awake in him what he already knows, and interpret what was already said to him. Yes, how loveth the Father his child the King who came forth out of him, that he sends down a soothsayer to him, to whom from long ages has been
handed down the teaching that it profits man to press on towards the last and highest!" ; "To my knowledge," Tiy coldly remarked, "your soothsayer came up from below, out of a dungeon, and not from above."
"Ah, in my opinion that is sheer mischief, that he came from be-low," cried Amenhotep. "And besides, above and below mean not much to the Father, who when he goes down makes the lower the upper, for where he shines, there is the upper world. From which it comes that his messengers interpret dreams from above and below with equal skill. Go on, soothsayer! Did I say stop? If I did, I meant go on! That wanderer out of the East, from whom you spring, did you not stop at the sun, but pressed on above it?"
"Yes, in spirit," answered Joseph smiling. "For in the flesh he was but a worm on this earth, weaker than most of those above and below him. And still he refused to bow and to worship, even before one of these phenomena, for they were but witness and work, as he himself was. All being, he said, is a work of the highest, and before the being is the spirit of whom it bears witness. How could I commit so great a folly and bum incense to a witness, be it never so weighty - I, who am consciously a witness, whereas the others simply are and know it not? Is there not something in me of Him, for which all being is but evidence of the being of the Being which is greater than His works and is outside them? It is outside the world, and though it is the compass of the world, yet is the world not its compass. .Far is the sun, surely three hundred and sixty thousand miles away, and yet ./ Page 969 / his rays are here. But He who shows the sun the way hither is further than far, yet near in the same measure, nearer than near. Near or far is all the same to Him, for He has no space nor any time; and though the world is in Him, He is not in the world at all, but in heaven. "
"Did you hear that, Mama? " asked Amenhotep in a small voice, tears in his eyes. "Did you hear the message which my heavenly Father sends me through this young man, in whom I straightway saw something, as he came in, and who interprets to me my dreams? I will only say that I have not said all that was said to me in my seizure, and, keeping silent, forgot it. But when I heard: 'Call me not Aton, but rather the Lord of the Aton,' then I heard also this: 'Call on me not as "my Father above," for that is of the sun in the
sky; it must needs be changed, to say: "My Father who art in heaven" !' So heard I and shut it up within me, because I was anxious over the truth for the sake of the teaching. But he whom I took out of the prison, he opens the prison of truth that she may come forth
, in beauty and light; and teaching and truth shall embrace each other, even as I embrace him."
And with wet eyelashes he worked himself up out of his sunken seat, embraced Joseph, and kissed him.
"Yes, yes!" he cried: He began to hurry once more up and down the Cretan loggia, to the bee-portieres, to the windows and back, his hands pressed to his heart. "Yes, yes, who art in heaven, fur-ther than far and nearer than near, the Being of beings, that looks not into death, that does'not become and die but is, the abiding light, that neither rises nor sets, the unchanging source, out of which stream all life, light, beauty, and truth-that is the Father, so reveals He Himself to Pharaoh His son, who lies in His bosom and to whom He shows all that He has made. For He has made all, and His love is in the world, and the world knows Him not. But Pharaoh is His witness and bears witness to His light and His love, that through Him all men may become blessed and may believe, even though now they still love the darkness more than the light that shines in it. For they under- stand it not, therefore are their deeds evil. But the son, who came from the Father, will teach it to them. Golden spirit is the light, father-spirit; out of the mother-depths below power strives upward to it, to be purified in its flame and become spirit in the Father. Im-material is God, like His sunshine, spirit is He, and Pharaoh teaches you to worship Him in spirit and in truth. For the son knoweth the Father~s the Father knoweth him, and will royally reward all those who love Him and keep His commandments -he will make them great and gilded at court because they love the Father in the son who came out of Him. For my words are not mine, but the words of my Father who sent me, that all might become one in light and love, even as I and the Father are one. . ."
ONE
GOD
BEYOND THE JUPITER EFFECT
John Gribbin and Stephen Plagemann
Page 87
"Yet for Numerologists the change from
999 to 1000
is much more impressive than the change from
1999 to 2000.
"YET FOR NUMEROLOGISTS THE CHANGE FROM
999 TO 1000
IS MUCH MORE IMPRESSIVE THAN THE CHANGE FROM
1999 TO 1000
7 |
JUPITER |
99 |
36 |
9 |
6 |
SOURCE |
81 |
27 |
9 |
ANGELSANGLESANGELS
FROM THE ASHES OF ANGELS
Andrew Collins
Page 13
THE SEARCH FOR THE SOURCE
The Antediluvian Pillars
Enoch had many associations with early modern Freemasonry, or speculative Masonry as it is known. According to one legend,7 Enoch, with foreknowledge of the coming Deluge, constructed, with the help of his son Methuselah, nine hidden vaults, each stacked one on top of the other. In the lowest of these he de-posited a gold triangular tablet (a 'white oriental porphyry stone' in one version) bearing the Ineffable Name, the unspoken name of the Hebrew God, while a second tablet, inscribed with strange words Enoch had gained from the angels themselves, was given into the safe-keeping of his son. The vaults were then sealed, and upon the spot Enoch had two indestructible columns constructed - one of marble, so that it might 'never burn', and the other of Latcrus, or brick, so that it might 'not sink in water,.8
On the brick column were inscribed the 'seven sciences' of man-kind, the so-called 'archives' of Masonry, while on the marble column he 'placed an inscription stating that a short distance away a priceless treasure would be found in a subterranean vault'.9 Enoch then retired to Mount Moriah, traditionally equated with the Temple Mount in Jerusalem, where he was 'translated' to 'heaven. In time, King Solomon uncovered the hidden vaults while con-structing his legendary temple and learned of their divine secrets. Memory of these two ancient pillars of Enoch was preserved by the Freemasons, who set up representations of them in their lodges. Known as the Antediluvian Pillars, or Enoch's Pillars, they were eventually replaced by representations of the two huge columns named 'Jachin' and 'Boaz', said to have stood on each side of the entrance porch to Solomon's Temple.'
What exactly the nine hidden vaults constructed by Enoch were meant to represent is completely unknown. They might well refer to the nine levels of mystical initiation contained in the hidden teachings of the Kabbalah, accepted among the Dead Sea communities. On the other hand, perhaps the legends of the hidden vaults referred to actual underground chambers located / Page 14 / somewhere in the Holy Land and constructed to hide sacred objects of importance to the future of mankind.
Walked with God
The patriarch Enoch's legendary status among both Jewish mystics and modern-day Freemasons stems from a very strange assump- tion. In the Bible, Chapter 5 of Genesis contains a genealogical list- ing of the ten antediluvian patriarchs, from Adam down to Noah. In each case it gives only their names, their age when they 'begat' their first son, and the age at which they died, with one notable exception - Enoch. In his case, he is twice said to have 'walked with God', an obscure statement elaborated only in the second instance with the enigmatic words: 'and he was not, for God took him'." Whatever the writer of Genesis had been attempting to convey by these words, they were taken to mean that Enoch did not die like the other patriarchs, but was instead 'translated' to heaven with the aid of God's angels. According to the Bible, only the prophet Elijah had been taken by God in a similar manner, so Enoch (whose name means 'initiated') had always been accorded a very special place in Judaeo-Christian literature. Indeed Hebrew mysticism asserts that on his 'translation' to heaven Enoch was transformed into the angel Metatron.'Z
What does it mean: 'translated to heaven'? As we know, people are not carried off to heaven by angels while still living their life on earth. Either these words are metaphorical or else they need drastic reappraisal. Might Enoch have been simply taken away from his people by visitors from another land who were looked upon as angels by the rest of the community? And where was heaven,
anyway? We know it is deemed to be a place 'in the'clouds', but did this literally mean somewhere beyond the physical world in which we live?."
4 |
A |
Z |
Z |
A |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
26 |
26 |
1 |
+ |
= |
54 |
5+4 |
9 |
NINE |
9 |
- |
- |
2+6 |
2+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
8 |
8 |
1 |
+ |
= |
18 |
1+8 |
9 |
NINE |
9 |
4 |
A |
Z |
Z |
A |
- |
- |
- |
- |
- |
- |
- |
AZZA
1 + 26 26 + 1
AZZA
1 + 8 8 + 1
AZZA 9 9 AZZA
Page 14
"Once in this place called heaven, Enoch would appear to have made enemies immediately, for according to one Hebrew legend, an angel named Azza was expelled from Paradise - the alternative name for the heavenly domain - for objecting 'to the high rank given to Enoch' when he was transformed into Metatron.'3"
KABBALAH
11 + 1 + 2 + 2 + 1 + 3 + 1 + 8 = 38 3+8 = 11 1 +1 = 2
KABBALAH
2 + 1 + 2 + 2 + 3 + 1 + 8 = 20 2 + 0 = 2
1 x 2 = 2
2 x 3 = 6
3 x 1 = 3
8 x 1 = 8
5 |
ENOCH |
45 |
27 |
9 |
6 |
JACHIN |
45 |
27 |
9 |
4 |
BOAZ |
44 |
17 |
8 |
THE
HORIZONS
OF
HORUS
IONS - SNOI
ZIONS SNOIZ
HINOSXZ ZXSONIH
HORIZONS SNOZIROH
HORUS IONS SNOI SUROH
AZAZAZAZAZAZAZAZAZ ZAZAZAZAZAZAZAZAZA
EARTHLIGHTS
Towards an Understanding of the UFO Enigma
Paul Devereux1982
THE SECRET SIDE OF NATURE
Page 94
"An air ion is created when an atom in the atmosphere gains an electron (becoming a negative ion) or loses one (becoming a positive ion). Most atoms in the air are electric-ally balanced-neutral-unless charged in these ways. The process whereby electrons are 'broken off' atmospheric atoms and float free before becoming attracted to other, neutral atoms is called ionization. Ions are the means by which electric charge is distributed in the atmosphere. The process can be generated by various forms of cosmic bombardment, geological radiations and meteorological phenomena such as thunderstorms. A waterfall and other examples of running water are also good generators of ionization. Negative ions have a beneficial effect on humans; with 'healthy' or 'bracing' locations such as mount- ainous and coastal regions being usually relatively rich in negative ions. Negative ions seem able to help relieve certain ailments such as hay fever, asthma and some allergies. Positive ions, on the contrary, seem to aggravate some disorders and lead to irritability and an unsettled frame of mind. Puharich has carried out experiments which show that an environment with an excess of negative ions provides more favourable conditions for the performance of at least some forms of ESP activity. Puharich points out that an ancient magical text, The Key of Solomon, instructs that calm weather is required for certain magical acts, and dowsers have noted their ability to divine water or minerals is adversely affected in poor or thundery conditions. On clear, bright days ions tend to be more highly concentrated than in unsettled weather conditions. The burning of fires also produces ions (of both charges), which can augment the preponderant electrical conditions of a given environment. Thus the use of ritual fires in conditions suitable for ESP performances, such as shamanistic rituals, could add their negative ions to enhance the suitable electrical conditions.
So it would appear that lunar and ionization effects can alter mental states. On the grand scale, there is evidence to indicate that the Moon may somehow influence the incoming rate of meteors into the upper atmosphere, which in turn may affect the production of rain in the lower atmosphere.
But whatever scale we look at, it is clear even from this glimpse at the secret processes of Nature that behind the more obvious effects of our terrestrial environment there are fantastic, wheeling forces acting on or interacting with many processes taking place on our planet, sometimes directly and / Page 95 / sometimes by devious routes that are hard to pin down. We can assemble a necessarily crude picture of Earth being buffeted by all manner of cosmic forces, emanating from Sun, Moon and planets and perhaps from sources far out in interstellar- perhaps even intergalactic-space that affect its atmosphere, its electromagnetic processes, its geology and its inhabitants. The Earth itself responds to these influences and puts out changes of electromagnetic fields which in turn add further inputs for the atmosphere and organic life to respond to.
It is entirely wrong for science to consider that the study of the Earth can be divided into disciplines such as geology, biology,
meteorology, astronomy, and all the rest. The Earth is one whole, living system: aspects of its cosmic environment impinge upon it, and effects in the terrestrial geology create further effects in its meteorology. Changes in its magnetic envelope can funnel further influences back to its geology. The whole system, as it were, resonates. All these forces and reactions play back and forth, creating responses, changes and echoes in all terres- trial structures and processes, from the most dense to the most subtle.
Perhaps the chief battlefield in this gigantic interplay of forces is the Earth's atmosphere, as it is the buffer zone between outer space and the dense surface of the Earth. If this great hinterland of cosmic and global physics manifests any anomalous effects anywhere it is probably in the atmosphere that they are most likely to appear. I consider that the objective component of UFO events is likely to be one such effect, but there are many others that may belong to the same general 'family' of phenomena, even if some are distant relatives.
Possibly amongst the most commonly reported atmospheric effects about which virtually nothing is known are those labelled 'earthquake lights'. These are curious luminous phen-omena sometimes observed in the skies near or adjacent to areas of seismic activity. They can appear as 'slow sheet lightning' or as auroral beams, streamers or columns, sometimes as in- dividuallights. Just before the 1957 earthquake in England, epi-centred on Charnwood Forest in Leicestershire, for example, people in several counties reported seeing lines of 'tadpole- shaped' lights in the sky10 During the Japanese Idu Peninsula earthquake of 1930 a straight row of round masses of light was seen11"
7 |
ELECTRO |
78 |
33 |
6 |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
8 |
HARMONIC |
162 |
45 |
9 |
9 |
RESONANCE |
94 |
40 |
4 |
9 |
VIBRATION |
110 |
47 |
2 |
PYTHAGORUS' TROUSERS
GOD PHYSICS AND THE GENDER WARS
Margaret Wertheim 1996
Page 9 (continues)
Again, I propose that an important part of the explanation for this inequity is to be found in the religious origins and con-tinuing religious currents in contemporary physics. The struggle women have faced to gain entry into science parallels the strug- gle they have faced to gain entry into the clergy. On the one hand, women have had to fight for the right to interpret the books of Scripture, and on the other hand, for the right to in-terpret what was traditionally regarded as God's "other book"- Nature. Yet just as women are now breaking into most denomi- nations of the Christian clergy, except Roman Catholicism, so they are now breaking into most denominations of the "church scientific," except physics. Physics is thus the Catholic Church of science. This analogy is not merely a colorful metaphor, for physics is the science whose roots are most deeply entwined with religion. As the most orthodox denomination of the "church scientific," it too will be the last to accede to female incursion.
The association between religion and mathematically based sci-ence has its origins deep in the mists of history. It goes back to the very dawn of Western culture in sixth-century B.C. Greece. At this seminal time, when the Greeks were turning away from the mytho- logical world picture immortalized by Homer and Hesiod, the Io-nian philosopher Pythagoras of Samos pioneered a worldview in / Page 10 / which mathematics was seen as the key to reality. In place of the mythological drama of the Olympian gods, Pythagoras painted a picture in which the universe was conceived as a great musical instrument resonating with divine mathematical harmonies. It is a vision that has inspired mystics, theologians, and physicists ever since. As Albert Einstein once declared: "The longing to behold harmony is the source of the inexhaustible patience and persever- ance with which [the physicist] devote[s] himself." But to Pythag-oras and his followers, mathematics was the key not simply to the physical world, but more importantly to the spiritual world-for they believed that numbers were literally gods. By contemplating numbers and their relationships, the Pythagoreans sought union with the "divine." For them, mathematics was first and foremost a religious activity."
THE AGE OF FABLE
Thomas Bullfinch
1994
Page 358
Egyptian Deities
"The ancient Egyptians believed in a supreme Being as far back in their history as knowledge extends. From very early times they worshipped the Hidden One, and it was from the various attributes of this god that all his successors in Egypt originated. His chief temple was at Thebes, where he was first worshipped under his distinctive name of Amen. The conception which the Egyptians had formed of him may be seen in the following lines from a hymn which was sung daily in this temple:
God is one and Alone, the Maker of all His creatures.
From endless time hath He been, and shall be henceforth and for ever.
Unknown of Gods and of men, Mysterious, Incomprehensible.
God is Truth, and on Truth doth He live; King of Truth divine is He.
God is Life; and man liveth through Him, the Primeval, alone.
The worship of Ra, the Sun-God, originated at Heliopolis, in the Delta. He was the Apollo of Egypt, but instead of using a chariot he travelled over the heavens in a boat known as "Millions of Years." Each morning he started in the East, after having over-come the powers of darkness, and at: sunset he disap-peared into the Underworld. Throughout the day he noted all that was done on earth, and from his glorious presence shed the energizing power of light and heat. Through the long night-watches the boat sailed along a fearful stream, and Ra carried with him the souls of / Page 359 / those who had died during the day) while he strove with resistless might against the enemies who endeavoured to resist his passage. Eventually Amen incorporated the attributes of Ra with his own and became known as Amen-Ra.
Next to these gods) Osiris the Moon-God was most widely worshipped. He was Judge of the Dead) and every night pronounced judgment upon those brought to his halls by Ra. The hearts of the dead were weighed in a great balance and the god Thoth recorded the result. Isis) the spouse of Osiris) was also his sister. Of this sacred couple a story is told which is the most interesting of all the myths of Egypt; a brief out-line of this is given in the following pages. Isis was the patron goddess of women) and presided over child-birth.
The other gods of Egypt are very numerous. They owe their separate existences to the priests) who repre-sented the different attributes of the Hidden One as different deities. In this way they found it easier to make their explanations to the common people; but nevertheless these were not able to fully comprehend their own religion. Space does not permit of the mention of more than the following:
Set) the brother of Osiris) was the chief power of evil. In the myth to which we have just referred he was finally defeated by Horus) the son of Osiris and Isis, and Horus became in Egyptian mythology the saviour of mankind. Anubis) whose parentage was doubtful) and who) according to some) was the son of Osiris and Nephthys) or to others of Set and Nephthys) or, again) of Osiris and Isis, was conductor of the dead to the kingdom of Osiris) and) later) presided over mummification. Nephthys) the sister of Isis) was also a deity of the dead."
THE SPLENDOUR THAT WAS EGYPT
Margaret A. Murray 1951
Page 164
.
"The underlying basic religion and the three great challenges in creed and ritual affected one another. New ideas of God and of the relation between God and man were evolved by the clash or combination of the varying forms of religion, and this growth from a primitive and savage cult to the highest religious ideals can be best studied in the i worship and ritual of Osiris.-
The cult of Osiris is also the most important of all the Egyptian cults because it belonged to all classes from the highest to the lowest. It is perhaps the most perfect example of that belief which is found in so many countries, viz. that God is incarnate in man, which belief is usually accompanied by the rite of killing the Divine Man.
The chosen man is almost invariably the king. In him dwells the Spirit of God, and he thus becomes God Incarnate. The indwelling Spirit is that of the Creator, the Giver of Life, and to the Incarnate God was therefore ascribed the power to give fertility to his people and land. In the eyes of his subjects the king was actually God.'" The appeal of such a belief is obvious, God Himself living and moving among His people, visible to their eyes, a man amongst men but at the same time possessing the mystic and mighty power of God. With this belief there went another belief, which to the primitive mind was the logical corollary. The Spirit was not necessarily im-mortal, any more than the body in which it was incarnate; nor was it exempt from the failure of the bodily powers which come with age. If the Divine Man grew old and became weaker, the Spirit within him also grew weaker; if the Divine Man died a natural death or was accidentally killed, the Spirit shared the same fate. If the Creator Spirit, the Force of reproduction, were dead, what.could happen to the worshippers but death and destruction: they themselves and all their belongings were doomed. To prevent so disastrous a fate, some means had to be devised for removing the Spirit from its ageing home and housing it in a younger, stronger body. The only way by which the Divine Spirit could be removed was by the death of the man in whom it was incarnate; and as he could not be allowed to die a natural death, he had to be killed. This had to be done with every kind of precaution, every kind of religious ceremony, for it was equivalent to killing a god. It follows then that while the king was young and active he was sacrosanct, not a finger might be raised against him, and his subjects, literally his worshippers, were ready to die in his defence; but when he showed any sign of age and his time had come, not.a finger could be raised to save him.
In many countries the Divine King was allowed to reign for a term of years only, usually seven or nine or multiples of those numbers.
* See Wainwright, The Sky Religion in Egypt.
OSIRIS ISIS SIRIUS
619991 - 9191 - 199931
OSIRIS ISIS SIRIU
IRIS
9991
IRIS
THE AGE OF FABLE
Thomas Bullfinch
1994
Page 360
Myth of Osiris and Isis
Osiris and Isis were at one time induced to descend to the earth to bestow gifts and blessings on its inhabitants. Isis showed them first the use of wheat and barley, and Osiris made the instruments of agri- culture and taught men the use of them, as well as how to harness the ox to the plough. He then gave men laws, the institution of marriage, a civil organiza- tion, and taught them how to worship the gods. After he had thus made the valley of the Nile a happy country, he assembled a host with which he went to bestow his blessings upon the rest of the world. He conquered the nations everywhere, but not with weapons, only with music and eloquence. His brother Typhon saw this, and filled with envy and malice sought during his absence to usurp his throne. But Isis, who held the reins of government, frustrated his plans. Still more embittered, he now resolved to kill his brother. This he did in the following manner: Having organized a conspiracy of seventy - two members, he went with them to the feast which was celebrated in honour of the king's return. He then caused a box or chest to be brought in, which had been made to fit exactly the size of Osiris, and declared,that he would give that chest of precious wood to whoso-ever could get into it. The rest tried in vain, but no sooner was Osiris in it than Typhon and his com- panions closed the lid and flung the chest into the Nile. When Isis heard of the cruel murder she wept and mourned, and then with her hair shorn, clothed in black and beating her breast, she sought diligently for the body of her husband. In this search she was materially assisted by Anubis, the son of Osiris and Nephthys. They sought in vain for some time; for Page361/ when the chest, carried by the waves to the shores of Byblos, had become entangled in the reeds that grew at the edge of the water, the divine power that dwelt in the body of Osiris imparted such strength to the shrub that it grew into a mighty tree, enclosing in its trunk the coffin of the god. This tree with its sacred deposit was shortly after felled, and erected as a column in the palace of the king of Phrenicia. But at length, by the aid of Anubis and the sacred birds, Isis ascer-tained these facts, and then went to the royal city. There she offered herself at the palace as a servant, and, being admitted, threw off her disguise and appeared as the goddess, surrounded with thunder and lightning. Striking the column with her wand, she caused it to split open and give up the sacred coffin. This she seized and returned with it, and concealed it .in the depth of a forest, but Typhon discovered it, and cutting the body into fourteen pieces scattered them hither and thither. After a tedious search Isis found thirteen pieces, the fishes of the Nile having eaten the other. This she replaced by an imitation of sycamore wood, and buried the body at Philoe, which became ever after the great burying-place of the nation, and the spot to which pilgrimages were made from all parts of the country. A temple of surpassing magnificence was also erected there in honour of the god, and at every place where one of his limbs had been found minor temples and tombs were built to commemorate the event. Osiris became after that the tutelar deity of the Egyptians. His soul was supposed always to inhabit the body of the bull Apis, and at his death to transfer itself to his successor.
72 x 14 = 1008 1 + 8 = 9
72 x 13 = 936
13 + 14 = 27
APIS = 1791 = APIS
APIS = 18 = APIS
APIS = 9 = APIS
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 - 1955
Page 890 8 x 9 = 72 2 + 7 = 9
"In all there were two-and-seventy conspirators privy to the plot. It was a proper and a pregnant number, for there had been just sev-enty-two when red Set lured Usir into the chest. And these seventy-two in their turn had had good cosmic ground to be no more and no less than that number. For it is just that number of groups of five weeks which make up the three hundred and sixty days of the year, not counting the odd days; and there are just seventy-two days in the dry fifth of the year, when the gauge shows that the Nourisher has reached his lowest ebb, and the god sinks into his grave. So where there is conspiracy anywhere in the world it is requisite and custom-ary for the number of conspirators to be seventy-two. And if the plot fail, the failure shows that if this number had not been adhered to it would have failed even worse."
8 |
SYCAMORE |
99 |
36 |
9 |
5 |
PENIS |
63 |
27 |
9 |
6 |
VAGINA |
54 |
27 |
9 |
5 |
SHAFT |
54 |
18 |
9 |
4 |
APIS |
45 |
27 |
9 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
ISIS |
56 |
20 |
2 |
5 |
HORUS |
81 |
27 |
9 |
8 |
SYCAMORE |
99 |
36 |
9 |
5 |
PENIS |
63 |
27 |
9 |
6 |
VAGINA |
54 |
27 |
9 |
1 |
YONI |
63 |
27 |
9 |
THE SUPERGODS
Maurice M Cotterell 1997
"So, the clues all point to a numerical matrix the conclusion of which culminates in 9 9 9 9 9. Taking 9 each of the Maya cycles and also 9 of the 260-day Maya years we arrive at the message of the Temple of Inscriptions: 1,366,560.
The sceptic might argue that 'if we looked hard enough then all of these numbers could have been found somewhere'. The point is, firstly, that we have not looked very hard at all, and secondly, you will be hard pressed to duplicate this matrix using other references inside the pyramid. The only exception might be the 2 figurines and the 22 steps mentioned ear-lier. But, like the beads we shall account for these in due course. Finally, another clue to the matrix can be found on the outside of the steps of the pyramid which supports our analysis (see Appendix one vi).
And this is only the beginning because now we embark upon a jour-ney inside the mind of man, through the triangular door and into the Amazing Lid of Palenque..."
THE FAR YONDER SCRIBE WRIT THE WORDS
ATUM-RA - RA- ATUM
AS
NUMBER
1 2 3 4 - 9 1 - 9 1 - 1 2 3 4
ATOM ATUM
A
TOMB AT HOME
THE AGE OF FABLE
Thomas Bullfinch
1994
Page 353/4
"Pythagorus considered numbers as the essence and / principle of all things, and attributed to them a real and distinct existence; so that, in his view, they were the elements out of which the universe was constructed. How he conceived this process has never been satis-factorily explained. He traced the various forms and phenomena of the world to numbers as their basis and essence. The" Monad" or unit he regarded as the source of all numbers. The number Two was imper-fect, and the cause of increase and division. Three was called the number of the whole because it had a begin-ning, middle, and end. Four, representing the square, is in the highest degree perfect; and Ten, as it contains the sum of the four prime numbers, comprehends all musical and arithmetical proportions, and denotes the system of the world.
As the numbers proceed from the monad, so he re-garded the pure and simple essence of the Deity as the source of all the forms of nature. Gods, demons, and heroes are emanations of the Supreme, and there is a fourth emanation, the human soul. This is im- mortal, and when freed from the fetters of the body passes to the habitation of the dead, where it remains till it returns to the world, to dwell in some other human or animal body, and at last, when sufficiently purified, it returns to the source from which it pro-ceeded. This doctrine of the transmigration of souls (metempsychosis), which was originally Egyptian and connected with the doctrine of reward and punishment of human actions, was the chief cause why the Pytha-goreans killed no animals. Ovid represents Pythagoras addressing his disciples in these words: "Souls never die, but always on quitting one abode pass to another".
PYTHAGORUS
TROUSERS
GOD PHYSICS AND THE GENDER WARS
Margaret Wertheim 1996
Introduction
Page 9 First 16 lines.
1. "...tainly isn't); I only wish to represent the historical fact that until
2. the late nineteenth century, with only a few rare exceptions, physi-
3. cists were men. Until that time, women were almost entirely absent
4. from the enterprise of mathematically based science. Indeed, phys-
5. ics remains an overwhelmingly male activity. According to the
6. American Institute of Physics, in the United States today, women
7. constitute only 9 percent of the total physics work force and only 3
8. percent of full physics professors. Yet according to the Bureau of
9. Labor Statistics, in 1990 (the last year for which figures are avail-
10. able), women constituted 41 percent of biological and life scien-
11. tists, 27 percent of chemists, and 36 percent of all mathematicians,
12. statisticians, and computer scientists. In the last half-century
13. women have made tremendous strides in the social and biological
14. sciences, and even in chemistry and mathematics, yet they remain
15. chronically underrepresented in physics..."
11 |
TUTANKHAMUN |
144 |
36 |
9 |
9 |
NEFERTITI |
106 |
52 |
7 |
9 |
AKHENATEN |
79 |
34 |
7 |
ORACLE
691335
2+7
9
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
1
999
Page 193
" The centre of Solomon's courtyard contained a perfect cube, the 'holy of holies', the solid gold 'Oracle' encrusted in jewels. The inner / Page 194 / temple was a marvel of courtyards and balconies, adorned with 1,453 magnificently sculpted Parisian-marble columns, 2,906 decorated pilasters and statues of stone and metal. The buildings and courtyards could hold an estimated gathering of 300,000.
Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the work according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600..."
183,600
"...According to the Biblical account, Chiram returned home following completion of the temple, although according to A. E. Waite (New Encyclopaedia of Freemasonry);
The legend of the Master Builder is the greatest allegory of Masonry. It happens that this figurative story is grounded on the fact of a personality mentioned in Holy Scripture, but this historical background is of the accident and not of the essence; the significance is in the allegory and not in any point of history which may lie behind it."
JUST SIX NUMBERS
Martin Rees 1999
A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
HARMONIC 288
Bruce Cathie 1977
"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."
Page95
"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches."
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."
153 x 12 = 1836
1 x 8 x 3 x 6 = 144
HARMONIC 288
Bruce Cathie 1977
"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."
11 |
SAGITTARIUS |
144 |
45 |
9 |
11 |
TUTANKHAMUN |
144 |
36 |
9 |
11 |
SERENDIPITY |
144 |
63 |
9 |
HARMONIC 288
Bruce Cathie 1977
Page95
"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the ,clue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave-forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."
PARALLEL UNIVERSE
Adi-Kent Thomas Jeffrey 1977
IS TIME THE TUNNEL FROM HERE TO THERE?
Page 90
"One of the most repeated suggestions heard from sci-entists puzzling over the parallel Universe idea is that it is another dimension of time.
Can there be a time other than that which we know and govern our lives by?..."
Page 91
"The old Newtonian concept of a Universe of three-dimensional space completely independent of time crumbled before Einstein's Theory of Rela-tivity in the early years of this century. Physics now recognizes a Universe in which space -and time are indissolubly linked. None of us on Earth.
are standing still. We are all moving through space and because we are moving, we are growing old at a less rapid rate than if the Earth were standing still. The astronauts, soaring through space, age less- rapidly than we back on Earth. In other words, the faster one travels, the more time slows down. Everything is relative, and so the basis of / Page 92 / Einstein's theory establishes the fact that space and time are interrelated and woven together-in-extricably.
For example, man looks up to the sky today and sees a star exploding and at the same time-realizes the event took place millions. of years ago and that he is seeing something that actually no longer is in existence. What is he witnessing? The present, or the past? What is happening is the awesome truth that an event of a distant past is taking place in the present. The light from the explosion has required a length of time to reach man's vision that has far exceeded the life of the star matter that emitted the light. Space has affected time. One cannot exist without the other. Time is no longer the traditional concept, an independent factor. It is part and parcel of space. The Uni-verse incorporates a space-time continuum. All of which forces us to review our concepts of time as a single along-one-line-type of .procession. If space is everywhere at once, then. likewise, would not time have the same characteristic? Why should we think it can occur only in a sequence pattern?- Is not this traditional concept a construct of man's own. creation-a division of time into successive moments for practical advantages-a pattern he imposes upon time which time itself does not possess? Clocks record our sense-of time, but they do not make it. Clearly, man has made it. He has determined that a certain interval elapses between events and so he measures it by insu-uments and then pronounces that the present event is now and / Page 93 / all that happened before is the past and all that is yet to occur is the future. Such reasoning is be-ginning to appear a very faulty one.
One of the first men to tell us so was the late English scientist, J. W. Dunne, who designed the first British military plane. Today he is much better known for his revolutionary theories on time.- His work, An Experiment with Time, is a classic in its field.
An aeronautical engineer with a great interest in physics arid mathematics, Dunne became ab-sorbed in the 1930's with Einstein's Theory of Rel-ativity. He set about to construct a theory of time that would fit in with Einstein's relativistic con-cepts. What he came up with-is roughly this: if time is a series that flows forward, then there must be another kind of time (in which it flows) that measures it.
From this thesis he went on to suggest that human beings also have several levels. There is the first "Me" who lives and experiences in this life and then another "Me" who is conscious of the first "Me." Such an awareness becomes manifest whenever one has the thought of "Myself." It is the second and detached "I" or "Me" who exists,. not in time as we know it, but in Time Two. This "Me" is able to look backwards and forward in time.
There is the one "Me," asserted Dunne, who goes through life dully and in a sequence of events, and then 'there is the second "Me" which observes. That second "Me" Dunne called "mind." This / Page 94 / mind - and all other men's minds-are small aspects of a single Universal Mind. -
The first "Me," the passive one, Dunne felt, has a narrow choice of what it can look at-merely the events of its mortal life. The second "Me" or mind is not so restricted. It reflects; it judges and dis-criminates.. It is a broad observer. When we are asleep the second mind is particularly free. It oc-cupies itself glancing at the past and future as well as the present.
It is the second and detached ','Me" who exists-in Time Two and is able to look forward and back- wards in Time, unlike the limited first "Me" which is restricted to mortal time, Time One.
To sum it up, Dunne argued for a four-dimensional "serial" Universe in which the inner or sec-ond "Me," particularly in sleep, is free of the waking restrictions of viewing time from moment to moment in a one-directional flow. It slips into another dimension of space-time awareness which allows that person to travel freely through time either backwards or forward.
According to this theory, time is related to awareness. I myself can testify to experiencing such a stepping.out-of-time (as we know it). In! a broader sense, the traditional sense of time ceased for me. Let me explain..." (explanation omitted)
I
THAT AM THAT TIME EMIT
MIN DOTH DREAM
WHAT CAN MIN MEAN
AN EXPERIMENT WITH TIME 1969
An Experiment with Time is a book by J. W. Dunne, a British soldier, aeronautical engineer and philosopher, about his precognitive dreams and a theory of time which he later called "Serialism"12. The book was first published in March 1927 and was widely read12. Dunne's experiment with precognitive dreams sparked a great debate in the scientific community and influenced the imaginative literature of the day23.
ME
BY
ANONYMOUS
1977
Authors Preface
Page viii
"And I want the lovers to know, all over again, that at such times a man is never more a man, a woman never more a woman, and that they are joined into a meaning infinitely greater than the sum of their parts, for their coupling is an equation of love.
Why do we debase these lovely words? Because we are ashamed of their true emotional meaning, we are afraid to open our souls and our bodies, as these words demand that they be opened. Love is an open- ness.
The above manifesto signaled the publication of the novel Her, by Anonymous. Since that memorable occasion, I have continued to explore the areas of possibilities within the scope of this manifesto, in successive novels entitled Him, Us, You. . . and now Me. These novels have found a readership numbered in the millions, and I trust they will continue to do so as long as the publisher keeps them in print.
Now, with the publication of Me-this story of twin Candides let loose in our modem world-I think I have done it. I believe I have fulfilled the principles of the manifesto; and I believe that the readers of these novels have, by virtue of their very numbers, accepted with equal honesty of belief these enunciated principles.
So Anonymous will now disappear, returning into that deep part of myself from which he, \ or she, emerged to write these books, for the task is now finished. I will not venture to predict it, but it may be / Page ix / that in some as yet unrealized future he/she will emerge again in another guise, with another manifesto to promulgate in the written word.
But for now, dear readers in your millions, that's all there is: five novels, each complete within itself and yet each forming a part of a linked whole for those perceptive enough, open enough, to divine the linkages; and it is my fondest hope that they will live forever, as, I believe, they deserve to live, in the minds and thoughts and feelings of new readers, and of old readers returning to confirm and resavor an old de- light.
I, Anonymous, have found great fulfillment in writing these books, and perhaps an even greater delight in watching unseen the enormous success they have enjoyed. On numerous occasions I have heard these novels discussed, praised or condemned. con- sidered seriously or dismissed out-of-hand. My own critical opinion has been solicited. to my secret pleasure, though I have always suppressed the im-pulse to proselytize in my own anonymous behaIf.
So I, as my real self, am deeply grateful to Anonymous for emerging so unexpectedly from the
depths of me . . . and for remaining long enough
to write these books. I am grateful to my publishers- who have never been privy to my true identity-for their courage in publishing them, in keeping them on the stands in one printing after another, and for their refusal to exploit them cheaply but, rather, presenting them in discreet and dignified formats worthy of the intent of the text.
But, most of all, I am deeply grateful to the mil- lions of readers who have granted to these books their time and attention, who have reveled in them, reread them, recommended them to their friends and lovers, who have, indeed, kept them alive. And will, I fervently hope, continue to do so.
And so, fondly, and sadly, Anonymous bids you / Page x / farewell. But he / she leaves behind this legacy, five novels, each written in "the earthy language of love . . . the best and truest tongue in the world..."
"Her. Him Us You I"
"ANONYMOUS"
"ME"
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
4 |
OGRE |
45 |
27 |
9 |
10 |
First Total |
|
|
|
1+0 |
Add to Reduce |
9+9 |
6+3 |
3+6 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
2 |
OF |
21 |
12 |
3 |
4 |
SELF |
42 |
15 |
6 |
6 |
ESTEEM |
67 |
22 |
4 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
8+1 |
2+7 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
1 |
I |
11 |
2 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
4 |
OGRE |
45 |
27 |
9 |
10 |
EGOCENTRIC |
99 |
54 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
The meaning of ERGO is for that reason : because of that : therefore, hence.
The conjunction and adverb ergo comes straight from the Latin conjunction ergō, ergo “therefore, consequently, accordingly, and so,” much used in rhetoric and logic.
|
|
|
|
|
|
|
|
|
E |
|
|
|
1 |
E |
5 |
5 |
|
R |
|
|
|
1 |
R |
18 |
9 |
|
G |
|
|
|
1 |
G |
7 |
7 |
|
O |
|
|
|
|
O |
15 |
6 |
|
|
|
|
|
|
ERGO |
45 |
|
27 |
|
|
2+7 |
|
|
|
4+5 |
2+7 |
2+7 |
|
|
|
|
|
|
|
|
|
YOU 763 YOU
GOD 764 764 GOD
GODS 7641 7641 GODS
GODS = 9 9 = GODS
AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA
REMEMBERING
OSIRIS
Tom Hare
1
999
Page185 /6
THREE, TWO, ONE, ZERO
O noble ones in the presence of Lord Atum,
Here am I, come before you,
Fear me, in accordance with what you know.
It is I whom the Sole Lord created before there were yet two things in this land,
When he sent forth his sole eye,
When he was alone, going forth from his own mouth,
When his million ka were there, protection for his retinue,
When he spoke with one who comes to being with him, over whom he rules,
When he took Hu upon his speech.
It is I who am the very son of Who-Bore-All, born before he had a mother,
And I am under the protection of the command of the Sole Lord,
It is I who give life to the Ennead,
It is I who act howsoever I like, father of gods, lofty of standard,
who make the gods effective in accordance with the charge of Who-Bore- All,
August god who eats and speaks with his mouth.
I am fallen silent,
I have bowed down,
I am come shod, a Bulls of the Sky,
I am seated, a Bulls of Nut, in this my dignity, Greatest of Lord of Kas, Heritor of Atum,
I have come.
I take my throne.
I gather unto me my dignity.
All is mine, since before you came to being, Gods.
Go down upon your haunches.
I am Magic.
"O noble ones in the presence of Lord Atum, Here am I, come before you,"
"O noble ones in the presence of Lord 1234, Here am 9, come before 7,"
Page185 /6 Chapter 4
THREE, TWO, ONE, ZERO
O noble ones in the presence of Lord 1234,
Here am 9, come before you,
Fear me, in accordance with what you know.
It is 9 whom the Sole Lord created before there were yet two things in this land,
When he sent forth his sole eye,
When he was alone, going forth from his own mouth,
When his million ka were there, protection for his retinue,
When he spoke with one who comes to being with him, over whom he rules,
When he took Hu upon his speech.
It is 9 who am the very son of Who-Bore-All, born before he had a mother,
And 9 am under the protection of the command of the Sole Lord,
It is 9 who give life to the Ennead,
It is 9 who act howsoever 9 like, father of gods, lofty of standard,
who make the gods effective in accordance with the charge of Who-Bore- All,
August god who eats and speaks with his mouth.
9 am fallen silent,
9 have bowed down,
9 am come shod, a Bulls of the Sky,
9 am seated, a Bulls of Nut, in this my dignity, Greatest of Lord of Kas, Heritor of 1234,
9 have come.
9 take my throne.
9 gather unto me my dignity.
All is mine, since before you came to being, Gods.
Go down upon your haunches.
9 am Magic.
15 x 9 = 135
PARALLEL UNIVERSE
Adi-Kent Thomas Jeffrey 1977
Page 170 (Chapter 12)
THE UNSEEN UNIVERSE OF CONSCIOUSNESS
"In the foregoing chapters we have done a lot of looking at the possibility of an invisible twin Universe, another whole like us, yet different. Proponents call it various terms such as Invisible Universe, Antimatter Universe, Parallel Universe, Fourth Dimension. . . but they all attribute the same characteristics to this unknown unit. It is unmaterial, therefore unseeable by man's eyes or his instruments. It interacts with or interpenetrates our physical universe from time to time, an action known only by reaction. Phenomena inexplicable in scientific terms are occurring, and in these in- / Page 171 / stances, perhaps, we are being notified of the In-visible System's proximity to us.
There is another analysis that we have not dis-cussed in detail. Is this unseen Universe purely a mental state? Are UFO's, Pyramidology, Atmo-spheric Influences and Geographic Influences, De- materialization, etc., all "psychic" construents?
Is the fourth dimension or the great Invisible Universe not a place-either physical or unphysi-cal-but a state of mind? A product of a mortal man's own beliefs about himself and his Universe? An emanation from a subtle repository of material man's thoughts-a universal and collective store-house of suggestions and traditional concepts from which the world's mass mind unconsciously draws and then objectifies?
A typical product of such processing can be seen in the UFO phenomenon. Examined in the light of this "mass mind" one sees a correlation between what is objectified and what is objectifying.
Jacques Vallee, the noted French astrophysicist and UFO investigator, makes this point time and time again: Man has, since the beginning of his days on earth, witnessed unidentified flying ob-jects. UFO's, Vallee asserts, have been seen throughout history and have consistently provided their own explanation within the framework of each culture. In antiquity they were regarded as gods; in medieval times, as magicians; in the nine-teenth century, as scientific geniuses. And, finally, in our own time, as interplanetary travelers. Objectifications from a mortal mass mind?
Page 172
Author and phenomena-investigator John A. Keel would support this theory as he has stated on numerous occasions that he concludes that all paranormal manifestations stem from a common source, no matter what frame of reference they occur within This common source probably is not a tangible, structured technology but a process of thought power. The phenomenon of UFO's illu-strates that this power is able to manipulate the human mind and reality itself to conform to-and support-the beliefs of the witnesses.
Wasn't Dr. Hynek (see Chapter Two) suggest-ing the same thing when he asked, "[Are UFO's] a product of our own minds without our being aware of it?" John White, an editor with Psychic maga-zine, expounds in an article in the February 1976 issue thoughts that arouse and challenge. He con-tends that "These questions bring us slowly but surely to the realization that only by understand-ing the essence of ourselves-the layers of the psyche, including our higher Self and our highest Self-can we understand the nature and structure of the cosmos." And I would add: "and any and all other universes that may exist."
"Where are these higher planes, these hyper-spaces, these other dimensions?" asks White in his summation paragraph. "All sources agree: they are within us, even though they seem to be outside us in physical space; and at the same time, they are indeed out there. . . ." Can these higher dimensions of thought within us affect the physical space outside us?
Page 173
There is mounting evidence that man has the ability through rising concepts in consciousness to overcome physical space dictates even to the ex-tent of bettering his life on earth and his Physical environment as well. When man cleans up the at-mosphere of his mind, many philosophers feel, the Universe will reflect this purified subjective state in clearer skies, fewer storms, tornadoes, earth- quakes, and extremes of heat and cold, With such exalted reasoning we can come to a beautiful conclusion that would have pleased Mark Twain no end. Man, at long' last, is not only talking about the weather, he finds he can do something about it!
The late Oliver Reiser, a philosopher of note, took that theory one step further. There is a kind of exalted transference of thought going on in the Great Whole, he contended. A Supreme Conscious-ness, that is the highest Mind possible which reaches down to humanity-to which humanity in turn reaches up and thus is established the most infinitely, mentally pure Universe possible. And that would be the only true universe there is. Oth-ers could only hint at its perfection.
And so the probe for a greater understanding of our surroundings goes on. In the Christian Science Monitor of June 18, 1975, Robert C. Cowen wrote a piece concerning man's search for life beyond us. He stated:
"There is more than scientific curiosity behind this effort. Many interested scientists believe that mankind faces such awesome problems that it will either destroy itself or find a creative solution that / Page 174 / will amount to the rebirth of civilization. They think that all technological civilizations probably face such a challenge at about our stage of de-velopment. If other worlds are sending messages, they reason, these civilizations probably have sur-mounted this challenge and we might learn from their experience."
Then Cowen concludes his article with the fol-lowing statement:
"The greatest outreach the human race has yet made, an attempt to contact other worlds, is moti-vated partly by a yearning to transcend the prob-lems of 20th-century earth."
In this ultimate transcendence, then, can it not be agreed, man will take his first step out of this world into that other unphysical Universe, wherever it is?"
FROM ATLANTIS TO THE SPHINX
Colin Wilson 1997
The Third Force
Page 321
"The I-Ching, then, may either be regarded as some kind of living entity, or as a kind of ready reckoner which is able to inform the questioner of the exact meaning of the hexagram he has obtained. It is, at aIr events, based upon the notion that there is no such thing as pure chance.
This notion sounds preposterous, but seems to be sup-ported by quantum physics, in which the observer some-how alters the event he is observing. For example, a beam of light shone through a pinhole will cause a small circle of light to appear on a screen (or photographic plate) behind it. If two pinholes are opened side by side, there are two interlinked circles of light, but the portion that overlaps has a number of dark lines, due to the 'interference' of the two beams, which cancel one another out. If the beam is now dimmed, so that only one photon at a time can pass through, you would expect the interference lines to dis-appear when the plate is finally developed, for one photon cannot interfere with another. Yet the interference lines are still there. But if we 'watch' the photons with a photon detector, to find out what is happening at the holes, the interference pattern disappears. . .
Jung seems to be suggesting that, in the same way, our minds affect the patterns of the real world, unconsciously - 'fixing' the results."
THE BOOK OF FATE
Formerly in the possession of
NAPOLEON,
LATE EMPEROR OF FRANCE
And now first rendered into English from a German Translation of an
ANCIENT EGYPTIAN MANUSCRIPT
FOUND IN THE YEAR 1801, BY M SONNINI IN ONE OF THE
ROYAL TOMBS,
NEAR MOUNT LIBYCUS, IN UPPER EGYPT.
BY
H. KIRCHENHOFFER,
Printed
1828
THE SIBYLLINE BOOKS
Page xxvii
"A strange old woman came once to Tarquinius Superbus king of Rome,with
NINE
books, copies of the following work, which she said were the
ORACLES OF THE SIBYLS
and proffered to sell them. But the king making some scruple about the price, she went away and burnt three of them; and returning with the six, asked the same sum as be- fore. Tarquin only laughed at the humour; upon which the old wo-man left him once more; and after she had burnt three others, came again with those that were left, hut still kept to her old terms. The king began now to wonder at her obstinacy, and thinking there might be something more than ordinary in the business, sent for the Augurs to consult what was to be done. They, when their divinations were performed, soon acquainted him what a piece of impiety he had been guilty of, by refusing a treasure sent to him from heaven, and com-manded him to give whatever she demanded for the books that re- mained. The woman received her money, and delivered the writings, and only charging them by all means to keep them sacred, immediately vanished."
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
I
AM
MIND
THE MIND OF A MOUND OF SAND
I
AM
MIND
THE MIND OF A HEAP OF STONES
I
AM
MIND
THE MIND OF A PYRAMID
I
AM
MIND
THE MIND OF A GREAT PYRAMID
I
AM
MIND
THE MIND OF A GOLDEN TIPPED GREAT PYRAMID
I
AM
MIND
THE MIND OF YOU AND I WE ARE MIND
I
ME
YOU
EVERYTHING
ISISIS
THAT
THE MIND OF REALITY
LOVEEVOLVEEVOLVELOVELOVEEVOLVEEVOLVELOVE
THE GALACTIC CLUB
Intelligent life in outer space?
Ronald N. Bracewell 1974
Page 1 Chapter 1
ARE WE ALONE?
"Growing in size and complexity
Living things, masses of atoms, DNA, protein
Dancing a pattern ever more intricate.
Out of the cradle onto the dry land
Here it is standing
Atoms with consciousness
Matter with curiosity.
Stands at the sea
Wonders at wondering
I
A universe of atoms
An atom in the universe."
Richard P. Feynman
1 |
I |
9 |
9 |
9 |
10 |
MIND MATTER |
117 |
45 |
9 |
18 |
THE GREAT LIBERATION |
189 |
90 |
9 |
15 |
AUM MANI PADME HUM |
153 |
63 |
9 |
13 |
ATOMIC NUMBERS |
153 |
54 |
9 |
13 |
QUANTUM THEORY |
198 |
63 |
9 |
13 |
WAVE MECHANICS |
126 |
54 |
9 |
12 |
WAVE PARTICLE |
135 |
54 |
9 |
11 |
DOUBLE HELIX |
117 |
54 |
9 |
14 |
DOUBTING THOMAS |
168 |
6O |
6 |
THE ELEMENTS OF THE GODDESS
Caitlin Mathews
WE ARE ENTERING THE TIME OF THE NINE-POINTED STAR THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US
BROOKE MEDICINE EAGLE
Page 72
THE WAY OF THE DELIVERER IS THAT OF BONDAGE-BREAKER WHATEVER IS TRAPPED DENIED FREEDOM OF MOVEMENT THE DELIVERER PERSONALLY SETS FREE HER METHOD OF LIBERATION IS TO GO TO THE ROOTS OF THE BLOCKAGE AND LITERALY BLAST IT FREE IN THIS THE DELIVERER BEARS A STRONG RESEMBLANCE TO THE SHAPER OF ALL WHO IS WILLING TO BE BROKEN INTO PIECES
THE SYMBOLIC IMAGE OF THIS TRANSFORMATION IS THAT OF THE BUTTERFLY EMERGING FROM THE CHRYSALIS FROM APPARENT DEATH AND DESTRUCTION ARISES A NEW FORM OF LIFE SO ARE WE BORNE OF THE DELIVERER RESHAPED AND TRANSFORMED TO LIVE MORE EFFECTIVELY WITHIN OUR CHOSEN FIELD OF OPERATION
Page 38
THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE THE MOST ADJUSTABLE AND YET ESSENTIALLY UNCHANGING NUMBER HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE 54 72 108 THEY ALWAYS ADD UP TO NINE
HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE
54 72 108
THEY ALWAYS ADD UP TO NINE
Great Pyramid of Giza
pyramid, Egypt.
Also known as: Great Pyramid, Great Pyramid of Cheops, Great Pyramid of Khufu, Khufu
Great Pyramid of Giza, ancient Egyptian pyramid that is the largest of the three Pyramids of Giza, located on a rocky plateau on the west bank of the Nile River in northern Egypt. It was built by Khufu (Cheops), the second king of Egypt’s 4th dynasty (c. 2543–c. 2436 bce), and was completed in the early 25th century bce. The Pyramids of Giza are often collectively considered one of the Seven Wonders of the World, and they are the last of the wonders still standing.
Description
The Great Pyramid is one of the largest buildings ever constructed. It originally stood about 482 feet (147 meters) tall, but erosion and the removal of most of the polished limestone casing stones—which made the structure smooth and caused it to gleam in the sunlight—have lowered the pyramid’s height to 449 feet (137 meters). The base and three sides each measure 755 feet (230 meters) in length. The pyramid’s sides rise at an angle of 51.87° and are accurately oriented to the four cardinal points of the compass. The Great Pyramid’s core is made of yellowish limestone blocks, and the inner passages are of finer light-colored limestone. The interior burial chamber is built of huge blocks of granite. Approximately 2.3 million blocks of stone were cut, transported, and assembled to create the 5.75-million-ton structure, which is a masterpiece of technical skill and engineering ability. The internal walls, as well as those few outer-casing stones that still remain in place, show finer joints than any other masonry constructed in ancient Egypt.
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25 |
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6 |
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6 |
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7 |
7 |
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7 |
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8 |
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9 |
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9 |
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9 |
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GREAT PYRAMID OF CHEOPS
1 |
occurs |
x |
3 |
= |
3 |
- |
- |
3 |
2 |
occurs |
x |
1 |
= |
2 |
- |
- |
2 |
3 |
occurs |
x |
1 |
= |
3 |
- |
- |
3 |
4 |
occurs |
x |
2 |
= |
8 |
- |
- |
8 |
5 |
occurs |
x |
2 |
= |
10 |
1+0 |
= |
1 |
6 |
occurs |
x |
3 |
= |
18 |
1+8 |
= |
9 |
7 |
occurs |
x |
4 |
= |
28 |
2+8 |
= |
10 |
8 |
occurs |
x |
1 |
= |
8 |
- |
- |
8 |
9 |
occurs |
x |
3 |
= |
27 |
2+7 |
- |
9 |
6 |
AUTUMN |
90 |
18 |
9 |
6 |
SPRING |
83 |
38 |
2 |
6 |
SUMMER |
89 |
35 |
8 |
6 |
WINTER |
89 |
35 |
8 |
24 |
First Total |
351 |
126 |
27 |
2+4 |
Add to Reduce |
3+5+1 |
1+2+6 |
2+7 |
6 |
Final Total |
9 |
9 |
9 |
24 |
AUTUMN + WINTER + SPRING + SUMMER |
351 |
126 |
9 |
26 |
NUMERICAL ROOT VALUE OF ENGLISH ALPHABET A TO Z |
351 |
126 |
9 |
10 |
PRECESSION |
123 |
51 |
6 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
9 |
EQUINOXES |
129 |
48 |
3 |
24 |
First Total |
306 |
126 |
18 |
2+4 |
Add to Reduce |
3+0+6 |
1+2+6 |
1+8 |
6 |
Final Total |
9 |
9 |
9 |
MUSIC OF THE SPHERES
"THE MATERIAL UNIVERSE-FROM ATOM TO QUASAR, SIMPLY EXPLAINED
VOL II THE MICROCOSM: MATTER, ATOMS, WAVES, RADIATION, RELATIVITY"
Guy Murchie1967
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8 |
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13 |
21 |
19 |
9 |
3 |
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15 |
6 |
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20 |
8 |
5 |
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19 |
16 |
8 |
5 |
18 |
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2 |
8 |
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3 |
1 |
9 |
3 |
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2 |
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6 |
6 |
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7 |
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8 |
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- |
- |
8 |
- |
- |
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|
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
|
- |
T |
H |
E |
- |
M |
U |
S |
I |
C |
- |
O |
F |
- |
T |
H |
E |
- |
S |
P |
H |
E |
R |
E |
S |
1 |
occurs |
x |
3 |
= |
3 |
- |
- |
3 |
2 |
occurs |
x |
2 |
= |
4 |
- |
- |
4 |
3 |
occurs |
x |
2 |
= |
6 |
- |
- |
6 |
4 |
occurs |
x |
1 |
= |
4 |
- |
- |
4 |
5 |
occurs |
x |
4 |
= |
20 |
2+0 |
= |
2 |
6 |
occurs |
x |
2 |
= |
12 |
1+2 |
= |
3 |
7 |
occurs |
x |
1 |
= |
7 |
- |
- |
7 |
8 |
occurs |
x |
3 |
= |
24 |
2+4 |
= |
6 |
9 |
occurs |
x |
2 |
= |
18 |
1+8 |
= |
9 |
45 |
- |
- |
20 |
- |
98 |
- |
- |
44 |
4+5 |
- |
- |
2+0 |
- |
9+8 |
- |
- |
4+4 |
- |
- |
- |
- |
- |
17 |
- |
- |
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
- |
9 |
- |
- |
2 |
- |
8 |
- |
- |
8 |
THE MUSIC OF THE SPHERES
Musica universalis - Wikipedia
https://en.wikipedia.org/wiki/Musica_universalis
Musica universalis (literally universal music), also called Music of the spheres or Harmony of the Spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latin term for music).
music of the spheres - The William Herschel Society
www.williamherschel.org.uk/wp-content/uploads/.../Harmony-of-the-Spheres.doc
Its founder, Pythagoras (532-497? BC), was probably the first person to associate strictly music and astronomy. He used the word “cosmos” to describe a ...
MUSIC OF THE SPHERES
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5 |
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65 |
29 |
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2 |
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21 |
12 |
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3 |
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33 |
15 |
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7 |
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90 |
54 |
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1 |
1 |
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13 |
4 |
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2 |
1 |
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21 |
3 |
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3 |
1 |
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19 |
10 |
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4 |
1 |
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9 |
9 |
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5 |
1 |
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3 |
3 |
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20 |
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5 |
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65 |
29 |
20 |
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6 |
1 |
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15 |
6 |
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7 |
1 |
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6 |
6 |
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12 |
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2 |
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21 |
123 |
12 |
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8 |
1 |
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20 |
2 |
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9 |
1 |
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8 |
8 |
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10 |
1 |
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5 |
5 |
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15 |
|
3 |
|
33 |
15 |
15 |
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11 |
1 |
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19 |
10 |
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12 |
1 |
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16 |
7 |
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13 |
1 |
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8 |
8 |
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14 |
1 |
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5 |
5 |
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15 |
1 |
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18 |
9 |
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16 |
1 |
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5 |
5 |
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17 |
1 |
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19 |
10 |
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36 |
|
7 |
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90 |
547 |
36 |
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1+5 |
1+2 |
|
1+6 |
1+8 |
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|
65 |
29 |
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|
8+3 |
|
1+7 |
|
21 |
12 |
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|
11 |
|
8 |
|
33 |
15 |
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1+1 |
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90 |
54 |
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2 |
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First Total |
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Add to Reduce |
2+0+9 |
1+1+0 |
2+0 |
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2 |
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Second Total |
11 |
2 |
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- |
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Reduce to Deduce |
1+1 |
- |
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2 |
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Essence of Number |
2 |
2 |
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5 |
|
65 |
29 |
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2 |
|
21 |
12 |
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3 |
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33 |
15 |
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7 |
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90 |
54 |
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1 |
1 |
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13 |
4 |
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2 |
1 |
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21 |
3 |
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3 |
1 |
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19 |
10 |
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4 |
1 |
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9 |
9 |
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5 |
1 |
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3 |
3 |
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6 |
1 |
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15 |
6 |
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7 |
1 |
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6 |
6 |
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8 |
1 |
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20 |
2 |
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9 |
1 |
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8 |
8 |
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10 |
1 |
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5 |
5 |
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11 |
1 |
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19 |
10 |
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12 |
1 |
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16 |
7 |
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13 |
1 |
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8 |
8 |
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14 |
1 |
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5 |
5 |
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15 |
1 |
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18 |
9 |
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16 |
1 |
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5 |
5 |
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17 |
1 |
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19 |
10 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
1+2 |
|
1+6 |
1+8 |
|
|
|
|
|
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8+3 |
|
1+7 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
8 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
90 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
2+0+9 |
1+1+0 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
Second Total |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
Reduce to Deduce |
1+1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
Essence of Number |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
90 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
1+2 |
|
1+6 |
1+8 |
|
|
|
|
|
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8+3 |
|
1+7 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
8 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
90 |
54 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
2+0+9 |
1+1+0 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
Second Total |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
Reduce to Deduce |
1+1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
Essence of Number |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
17 |
MUSIC OF THE SPHERES |
|
|
|
S |
= |
1 |
|
S |
19 |
10 |
1 |
- |
- |
- |
|
S |
19 |
10 |
1 |
- |
- |
- |
|
S |
19 |
10 |
1 |
T |
= |
2 |
|
T |
20 |
2 |
2 |
U |
= |
3 |
|
U |
21 |
3 |
3 |
C |
= |
- |
|
C |
3 |
3 |
3 |
M |
= |
4 |
|
M |
13 |
4 |
4 |
E |
= |
5 |
|
E |
5 |
5 |
5 |
- |
- |
- |
|
E |
5 |
5 |
5 |
- |
- |
- |
|
E |
5 |
5 |
5 |
O |
= |
6 |
|
O |
15 |
6 |
6 |
F |
- |
- |
|
F |
6 |
6 |
6 |
P |
= |
7 |
|
P |
16 |
7 |
7 |
H |
= |
8 |
|
H |
8 |
8 |
8 |
- |
- |
- |
|
H |
8 |
8 |
8 |
I |
= |
9 |
|
I |
9 |
9 |
9 |
- |
- |
|
|
R |
18 |
9 |
9 |
9 |
- |
45 |
- |
MUSIC OF THE SPHERES |
- |
- |
- |
- |
- |
4+5 |
- |
- |
- |
- |
- |
9 |
- |
9 |
17 |
|
- |
|
- |
3
|
SUN |
54
|
9
|
9
|
7
|
MERCURY |
103
|
40
|
4
|
5
|
VENUS |
81
|
18
|
9
|
5
|
EARTH |
52
|
25
|
7
|
4
|
MOON |
57
|
21
|
3
|
4
|
MARS |
51
|
15
|
6
|
7
|
JUPITER |
99
|
36
|
9
|
6
|
SATURN |
93
|
21
|
3
|
6
|
URANUS |
94
|
22
|
4
|
7
|
NEPTUNE |
95
|
32
|
5
|
5
|
PLUTO |
84
|
21
|
3
|
59
|
First Total |
863
|
260
|
62
|
5+9
|
Add to Reduce |
8+6+3
|
2+6+0
|
6+2
|
16
|
Second Total |
17
|
8
|
8
|
1+6
|
Add to Deduce |
1+7
|
- |
- |
7
|
Final Total |
8
|
8
|
8
|
1836 minos the king = 973
3 |
SUN |
54
|
9
|
9
|
5 |
EARTH |
52
|
25
|
7
|
4 |
MOON |
57
|
21
|
3
|
12
|
First Total |
163
|
55
|
19
|
1+2
|
Add to Reduce |
1+6+3
|
5+5
|
1+9
|
3
|
Second Total |
10
|
10
|
10
|
- |
Add to deduce |
1+0
|
1+0
|
1+0
|
3
|
Final Total |
1
|
1
|
1
|
AZAZAZAZAZAZAZAZAZA
THE BOOK OF FATE
Formerly in the possession of
NAPOLEON,
LATE EMPEROR OF FRANCE
And now first rendered into English from a German Translation of an
ANCIENT EGYPTIAN MANUSCRIPT
FOUND IN THE YEAR 1801, BY M SONNINI IN ONE OF THE
ROYAL TOMBS,
NEAR MOUNT LIBYCUS, IN UPPER EGYPT.
BY
H. KIRCHENHOFFER,
Printed
1828
THE
WRITING OF BALASPIS,
BY COMMAND OF
HERMES TRISMEGISTUS,
UNTO THE PRIESTS OF THE GREAT TEMPLE.
Page number (omitted)
PRIESTS OF THEBAIS!
"Servants in the great temple of
HECATOMPYLOS!
Ye who in the sacred city
DIOSPOLIS
have dedicated your lives to the service of the King of the Gods and of men'
HERMES
* the interpreter of the will of
OSIRIS
greets you 'It is the will of the Gods, in grand assembly convened, that ye preserve your lives free from stain and pollution.
It is their will that ye continue to instruct the nations, as far as they may be permitted to know.
It is the pleasure of
OSIRIS
sitting on his throne of clouds, and sur-rounded by the inferior deities, that ye make known to his subjects, his children upon earth, whatever may concern their
DESTINY
and what matters ye shall find written in the book of books
:-THE WRITTEN ROLL OF MAN'S FATE,
now committed to your / Page xxx / safe keeping :-that ye do this strictly and truly, without fear of danger, or hope of reward, according to all questions that may be asked, by individual persons, by tribes, by rulers of states, and by conquerors of nations.
OSIRIS
commandeth the servants in his favoured sanctuary to shew favour unto none, in the answers which it will be their duty to give from this book. Let sacrificices and gifts and invocations be made; let the question be asked in all humility and strong faith, and when the
DIVINER
hath consulted the windings and intricacies of the problem, according to the instt\i{:tions hereunto appended, let the result be written and handed to the chief
PROPHET OR PROPHETESS,
(seated on a stool having three legs;) who shall read and interpret the writing of
HERMES
unto the enquirer, in the face of all the assembled people.
And the
PROPHET OR PROPHETESS
shall read no writing but what hath been truly given to her by the priest who doth officiate in the sacrifice; and the priest shall not add to, nor diminish from, what he findeth to the true answer to the question asked, as in this
ROLL OF MAN'S FATE
contained: neither shall he substitute one answer for another, but in all things he shall do according to the instructions herein given.
'The highest among the Gods, in like way, ordaineth, that no bribe, nor private gift, shall be offered or taken, either by the individual who enquireth, or by the priest who maketh answer to the consulta-tion: let the gift, which is to he offered, be of free will, and let it be put upon the altar after the sacrifice hath been consumed, In the face of all the people. If herein the priests offend, they shall, on the instant, be struck down and pinioned to the earth by the piercing and fiery arrows which the great
OSIRIS
in his anger, speaking from the clouds, hurleth at offending mortals. - Look to it; that, in this, ye offend not.
It is further enjoined that ye take strict charge of this book; that no one but the priests do touch it with their hands, and that it be pre-served in a chest of alabaster, to be placed under the-altar in the midst of the temple. It is in like way commanded that copies of the book be written as occasion requireth, and that they be transmitted unto. the priests of the other temples throughout, the earth: also that they be deposited in the tombs of the
KINGS AND OF THE HIGH PRIESTS.
as followeth: - When the body hath been embalmed and sufficiently swathed in fine cloth, let the roll of writing be placed under the left Breast, and / Page xxxi / let the vestment be bound over it; so that it shall be covered close and hid from view. The body shall then be attended by the princes and priests and people to the place of sepulture, where it is to be interred with honour ;- a strong and durable building being raised on the top thereof.
HOW THE ENQUIRER SHALL OBTAIN A TRUE ANSWER TO THE QUESTION WHICH HE PUTTETH TO
THE
ORACLE
TO
HERMES TRISMEGISTUS
a sage as highly revered among them, as
ZOROASTER
was among the Persians, the Egyptians ascribed the inventions of chief use to human life; and like every people who are unable to settle the antiquity of their origin, they represented his works to have outstood the shock even of the universal deluge. They otherwise called him
THOTH;
and their priests constantly maintained that from the hieroglyphical characters upon the pillars he erected, and the sacred books, all the philosophy and learning of the world has been derived, and all the oracular intelligence has been drawn."
THE BIBLE CODE
Michael Drosnin 1997
CHAPTER FOUR
THE SEALED BOOK
Page 149
"Isaac Newton's search for the Bible code was revealed by the great economist John Maynard Keynes in Essays and Sketches in Biography (Meridian Books, 1956), pp. 280-90, 'Newton, the Man.' Richard S. Westfall, in The Life of Isaac Newton (Cambridge University Press, 1993), p. 125, also quoted Newton's theological note- books, and stated that the physicist 'believed that the essence of the Bible was the prophecy of human history.' See also, Westfall's Never at Rest: A Biography of Isaac Newton (Cambridge University Press, 1980), pp.346ff.
I first saw the report of the Rips and Witztum experiment in the original draft they submitted for peer review, and the abstract quoted is from that draft. The paper was ultimately published in an American math journal, Statistical Science, in August 1994 (vol. 9, no. 3), pp. 429-38, 'Equidistant Letter Sequences in the Book of Genesis,' Doron Witztum, Eliyahu Rips, and Yoav Rosenberg. I spoke to the journal editor, Robert Kass, before the article was published. His editorial note is quoted from the pre-print he read to me. It was later published in Statistical Science, p. 306. The full Rips- Witztum paper is reprinted in the Appendix of this book.
The results Rips and Witztum reported in Statistical Science were that the names had matched the dates against odds of four in a million, but in a series of later experiments the actual odds were found to be one in ten million.
The original results were derived by taking the set of 32 names and 64 dates and jumbling them in a million different combinations, so that only one was a completely correct pairing. Rips and Witztum then did a computer run to see which of the million examples got a better result - where the information came together most clearly in the Bible. 'In four cases the random pairing won,' explained Rips. 'The correct pairing won 999,995 times.'
But in a second experiment where all the correct matches of names and dates were eliminated from the jumbled pairings, and the only correct information appeared in the completely accurate list, and 10 million permutations were checked, the results were one in 10 million.
'None of the random pairings came out higher,' said Rips. 'The results were 0 vs. 9,999,999, or one in 10 million.'..."
CHEIRO'S
BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera- ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
" The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?"
"IS THERE SOME MEANS OF KNOWING WHEN
THE
MOMENT
HAS COME TO TAKE THE TIDE AT THE FLOOD"
THE GARDEN OF THE GOLDEN FLOWER
THE JOURNEY TO SPIRITUAL FULFILMENT
Longfield Beatty 1939
Where is the root of the Golden Flower?
In the garden of the Two Trees.
And where does the Bower bloom?
In the Purple Hall of the City of Jade.
Where is this garden?
In the seed water, the moat of the City.
When does the Bower bloom?
At the end of the far journey.
What journey?
From water to fire, earth to gold, serpent to eagle;
from father to mother, mother to son, son to father.
And the cost of the journey?
The blood of father, mother, and son.
Blood, then, is a password?
No, only the Sphinx can teach the password."
THE GARDEN OF THE GOLDEN FLOWER
THE JOURNEY TO SPIRITUAL FULFILMENT
Longfield Beatty
1939
Page 285
"Common language derives from a common source in which is the harmony of all contradictions and the mean- / Page 286 / ing of all symbols. We have tried to demonstrate some of the intellectual fruit of such symbols, chiefly in regard to the individual; but the highest flights of language are fitted for the cosmic rather than the mystic allegory. The sublimation which from Stone made Fire, from Water, Wine, from Behemoth, Christ the King, carries humanity out of the depths of mortality into a " new heaven and a new earth."
"And he shewed me a river of water of life clear as crystal '.- proceeding out of the throne of God and of the Lamb. In the midst of the street of it and on either side of the river was there the Tree of Life. . . . And the leaves of the Tree were for the healing of nations." (Rev. xxii, 1-2.)
But why do the nations require healing and what is the nature of their wound?
"And I stood upon the sand of the sea and saw a beast rise up out of the sea, having upon his heads the name of blasphemy. . . . And power was given him over all kindreds, and tongues, and nations.
cc And all that dwell in the earth shall worship him. . . . And no man might buy and sell save he had the mark, or the name of the beast or the number of his name. And his number is 666."
(Rev. xiii).
For the individual there is a certain "dark night," and for humanity also. The night is hideous with tempest, earthquake, terrible beasts, and fire. But after these is heard a voice, there is found a treasure, and the Golden Flower blooms in the Purple Hall of the City of Jade.
At this time also the Knight of the Quest crosses th glass drawbridge of the Castle of Souls, and is conducted to the Hall of Roses in which the Rich King Fisher and / Page287 / his company are healed by eucharistic magic and the asking of the Question.
All these ideas, however, are included in one, just as the intricate pantheon of Egypt is implicit in the One
One. For at the end of the night dawns the day" Omega" .
when the Unity itself is known.
" They shall not hurt nor destroy in all my holy mountain: and the earth shall be full of the glory of the Lord as the waters cover the sea."
" Then the eyes of the blind shall be opened,
And the ears of the deaf shall be unstopped,
Then shall the lame man leap as an hart,
And the tongue of the dumb sing. . . .
And an highway shall be there, and a way,
And it shall be called the Way of Holiness;
The unclean shall not pass over it ;
But it shall be for those, the wayfaring men. . . ." (Isaiah.)
In that day man recognises his Father at full stature:
Thou art Ra-Herakhty, the Divine Youth, Heir of Eternity, who begat himself and brought forth himself, King of this land, ruler of the Tuat, chief of the districts of the Other World, who came forth from the water, who emerged from Nun, who reared himself and made splendid his children."
(Papyrus of Nekht, Brit. Mus., No. 10471.)
There is no longer Father and Son but undivided Unity, so that Man proclaims not only the identity of his God, but his own identity also:
" I am the God Atum, I who alone was.
I am the God Re at his first splendour.
I am the great God, self-created, God of Gods,
To whom no other God compares." /Page 288 /
I was yesterday and know to-morrow; the battle-ground of Gods was made when I spoke. . . .
My impurity is driven. away, and the sin which was in me is overcome.
I go on my way to where I wash my head in the sea of the righteous.
I arrive at this land of the glorified and enter through the splendid portal.
Thou, who standest before me, stretch out to me thy hands. It is I, I am become one of thee.
Daily I am together with my Father Atum."
(ERMAN: Aegypten, p. 409.)
Quoted more fully on p. 100.
To this tremendous recognition there is a response:
"And let the Spirit and the Bride say, Come.
And let him that heareth say, Come.
And let him that is athirst come.
And whosoever will, let him take of the waters of life freely." (Rev.)
THE
PROPHET
Kahil Gibran
Page 83/84/85/86
"But you do not see, nor do you hear, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I
am
ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you. .
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
AUM MANI PADME HUM
ALL
HAIL THE JEWEL IN THE CENTRE OF THE LOTUS
WOW O WOW
Search ResultsWow! signal - Wikipedia, the free encyclopedia - 10:31am
The Wow! signal was a strong narrowband radio signal detected by Dr. Jerry R. Ehman on August 15, 1977, while working on a SETI project at The Big Ear radio ...
en.wikipedia.org/wiki/Wow!_signal - Cached - Similar
SETI
From Wikipedia, the free encyclopediaJump to: navigation, search
For other uses, see SETI (disambiguation).
Screen shot of the screensaver for SETI@home, a distributed computing project in which volunteers donate idle computer power to analyze radio signals for signs of extraterrestrial intelligenceSearch for Extra-Terrestrial Intelligence (SETI) is the collective name for a number of activities people undertake to search for extraterrestrial life. SETI projects use scientific methods to search for electromagnetic transmissions from civilizations on distant planets.[1][2] The United States government contributed to earlier SETI projects, but recent work has been primarily funded by private sources.
There are great challenges in searching across the sky for a first transmission that could be characterized as intelligent, since its direction, spectrum and method of communication are all unknown beforehand. SETI projects necessarily make assumptions to narrow the search, and thus no exhaustive search has been conducted so far.
Contents [hide]
1 Radio experiments
1.1 Early work
1.2 Sentinel, META, and BETA
1.3 MOP and Project Phoenix
1.4 The SETI League and Project Argus
1.5 SETI@home
1.6 Allen Telescope Array
1.7 SETI Net
1.8 Interstellar Message Realized and Paper Projects
2 Optical experiments
3 Probe SETI and SETA experiments
4 Fermi paradox
5 Message decoding
6 Public information
7 Criticism
7.1 "Active" SETI
8 See also
9 References
10 External links
11 Further reading
[edit] Radio experiments
Microwave window as seen by a ground based system. From NASA report SP-419: SETI - the Search for Extraterrestrial IntelligenceMany radio frequencies penetrate our atmosphere quite well, and this led to radio telescopes that investigate the cosmos using large radio antennas. Furthermore, the earth emits considerable radio radiation as a byproduct of communications such as TV and radio, and these radiations would be easy to recognize as artificial due to their repetitive nature and narrow bandwidths. If this is typical, one way of discovering an extraterrestrial civilization might be to detect non-natural radio emissions from a location outside our solar system.
[edit] Early work
A 1959 paper by Cocconi and Morrison[3] first pointed out the possibility of searching the microwave spectrum, and proposed frequencies and a set of initial targets.
In 1960, Cornell University astronomer Frank Drake performed the first modern SETI experiment, named "Project Ozma", after the Queen of Oz in L. Frank Baum's fantasy books. Drake used a 26-meter-diameter radio telescope at Green Bank, West Virginia, to examine the stars Tau Ceti and Epsilon Eridani near the 1.420 gigahertz marker frequency. A 400 kilohertz band was scanned around the marker frequency, using a single-channel receiver with a bandwidth of 100 hertz. The information was stored on tape for off-line analysis. He found nothing of great interest.
The first SETI conference took place at Green Bank in 1961. The Soviets took a strong interest in SETI during the 1960s and performed a number of searches with omnidirectional antennas in the hope of picking up powerful radio signals. American astronomer Carl Sagan and Soviet astronomer Iosif Shklovskii together wrote the pioneering book in the field, Intelligent Life in the Universe which was published in 1966.[4]
The first Kraus-style radio telescope was powered up in 1963. It was 360 feet (110 m) wide, 500 feet (150 m) long, and 70 feet (21 m) high. In the March 1955 issue of Scientific American, John Kraus described a concept to scan the cosmos for natural radio signals using a flat-plane radio telescope equipped with a parabolic reflector. Within two years, his concept was approved for construction by Ohio State University. With $71,000 total in grants from the National Science Foundation, construction began on a 20-acre plot in Delaware, Ohio. This Ohio State University radio telescope was called Big Ear. Later, it began the world's first continuous SETI program, called the Ohio State University SETI program.
View of Arecibo Observatory in Puerto Rico with its 300 m dish- the world's largest. A small fraction of its observation time is devoted to SETI searches.In 1971, NASA funded a SETI study that involved Drake, Bernard Oliver of Hewlett-Packard Corporation, and others. The resulting report proposed the construction of an Earth-based radio telescope array with 1,500 dishes known as "Project Cyclops". The price tag for the Cyclops array was $10 billion USD. Cyclops was not built, but the report[5] formed the basis of much SETI work that followed.
In 1974, a largely symbolic attempt was made at the Arecibo Observatory to send a message to other worlds. It was sent towards the globular star cluster M13, which is 25,000 light years from Earth.
The WOW! Signal
Credit: The Ohio State University Radio Observatory and the North American AstroPhysical Observatory (NAAPO).The OSU SETI program gained fame on August 15, 1977 when Jerry Ehman, a project volunteer, witnessed a startlingly strong signal received by the telescope. He quickly circled the indication on a printout and scribbled the phrase “Wow!” in the margin. This signal, dubbed the Wow! signal, is considered by some[who?] to be the most likely candidate from an artificial, extraterrestrial source ever discovered, but it has not been detected again in several additional searches.
In 1979 the University of California, Berkeley launched a SETI project named "Search for Extraterrestrial Radio Emissions from Nearby Developed Intelligent Populations (SERENDIP)".[6] In 1986, UC Berkeley initiated their second SETI effort, SERENDIP II, and has continued with four more SERENDIP efforts to the present day. The latest incarnation of the SERENDIP project is SERENDIP V.v, a commensal all-sky survey using the Arecibo radio telescope began in June 2009.
[edit] Sentinel, META, and BETA
In 1980, Carl Sagan, Bruce Murray, and Louis Friedman founded the U.S. Planetary Society, partly as a vehicle for SETI studies.
In the early 1980s, Harvard University physicist Paul Horowitz took the next step and proposed the design of a spectrum analyzer specifically intended to search for SETI transmissions. Traditional desktop spectrum analyzers were of little use for this job, as they sampled frequencies using banks of analog filters and so were restricted in the number of channels they could acquire. However, modern integrated-circuit digital signal processing (DSP) technology could be used to build autocorrelation receivers to check far more channels. This work led in 1981 to a portable spectrum analyzer named "Suitcase SETI" that had a capacity of 131,000 narrow band channels. After field tests that lasted into 1982, Suitcase SETI was put into use in 1983 with the 26-meter Harvard/Smithsonian radio telescope at Harvard, Massachusetts. This project was named "Sentinel", and continued into 1985.
Even 131,000 channels weren't enough to search the sky in detail at a fast rate, so Suitcase SETI was followed in 1985 by Project "META", for "Megachannel Extra-Terrestrial Assay". The META spectrum analyzer had a capacity of 8.4 million channels and a channel resolut...
Epic of Gilgamesh
Article
From Wikipedia, the free encyclopedia
For other uses, see Epic of Gilgamesh
Epic of Gilgamesh
The Deluge tablet of the Gilgamesh epic in Akkadian
Written c. 2100–1200 BCE[1]
Country Mesopotamia
Language Originally Sumerian, subsequent translations in Akkadian
Media type Clay tablet
Full text
Epic of Gilgamesh at Wikisource
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33 |
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45 |
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Add to Reduce |
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1+8 |
1+5 |
Reduce to Deduce |
1+3+5 |
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Essence of Number |
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THE STAIRWAY TO HEAVEN
BOOK
II
THE EARTH CHRONICLES
Zecharia Sitchin 1980
Page 189
X
Tilmun: Land of the Rocketships
" The epic search of Gilgamesh for Immortality has undoubtedly been the fountainhead of the many tales and legends, in subsequent millenia, of kings and heroes who have likewise gone to find everlasting youth. Somewhere on Earth, Mankind's mythified memories held, there was a place where Man could join the gods, and be spared the indignity of death.
Nearly 5,000 years ago, Gilgamesh of Uruk had pleaded with Utu (Shamash):
In my city, man dies; oppressed is my heart.
Man perishes; heavy is my heart. . .
Man, the tallest, cannot stretch to Heaven. . .
O Utu,
The Land I wish to enter; be thou my ally. . .
In the place where the Shems have been raised up, Let me set up my Shem!
The Shem, we have shown, though commonly translated "Name" (that by which one is remembered), was in fact a rocketship: Enoch vanished upon his "Name" as he was taken heavenward. Half a millenium after Gilgamesh, in Egypt, King Teti made an almost identical plea:
Men fall,
They have no Name.
(O god),
Seize thou King Teti by his arms, Take thou King Teti to the sky,That he die not on Earth among men.
The goal of Gilgamesh was Tilmun, the land where the rocketships were raised up. To ask where he went to reach Tilmun, is to ask where Alexander went, deeming himself a Pharaoh and a god's son. It is to ask: Where on Earth was the Duat?
Because all these destinations, we must conclude, were one and the same."
9 |
GILGAMESH |
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G+I+L+G+A |
36 |
27 |
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M+E+S+H |
45 |
18 |
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9 |
GILGAMESH |
81 |
45 |
18 |
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8+1 |
4+5 |
8+1 |
9 |
GILGAMESH |
9 |
9 |
9 |
"THE WORD FIRST USED FOR MAN IS LULLU"
"THE WORD FIRST USED FOR MAN IS 33333"
"THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
I hereby name it Babylon, home of the great gods.
The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.
ENUMA ELISH
The Babylonian Creation Myth
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
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LULLU |
- |
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L |
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L |
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12 |
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U |
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U |
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U |
21 |
3 |
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U |
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LULLU |
78 |
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15 |
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1+5 |
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LULLU |
15 |
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LULLU |
6 |
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6 |
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
Enuma Elish — The Babylonian Creation Myth 2 — The continued…
The word used in Enuma Elish for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind.
Urmahlullu
Introduction
The Urmahlullu is a monster that has its roots in Mesopotamian mythology, tradition, and folklore. Particularly, stories of their existence suggested that they were highly regarded by society as a whole. As a kind of protection spell for times when they couldn’t be present, clay figurines of the Urmahlullu would be carved into the walls where their services were used. They are quadrupedal felines from the waist down and humanoids from the waist up, and they have appeared in tales and folklore from a number of ancient cultures, as well as in Middle Ages and Early Renaissance paintings in Europe.
From Wikipedia, the free encyclopedia
This article is not about the history of numbers, but rather about the history of numerals, i.e. symbols for representing numbers. See also History of the Hindu–Arabic numeral system.
Part of a series on
Numeral systems
Place-value notation
Hindu–Arabic numerals
East Asian systems
Other systems
History
Ancient
Babylonian
Post-classical
CistercianMayanMuiscaPentadicQuipuRumi
Contemporary
CherokeeKaktovik (Iñupiaq)
By radix/base
Sign-value notation
List of numeral systems
vte
Number systems have progressed from the use of fingers and tally marks, perhaps more than 40,000 years ago, to the use of sets of glyphs able to represent any conceivable number efficiently. The earliest known unambiguous notations for numbers emerged in Mesopotamia about 5000 or 6000 years ago.
Prehistory
Main articles: Prehistoric counting and Tally stick
Counting initially involves the fingers,[1] given that digit-tallying is common in number systems that are emerging today, as is the use of the hands to express the numbers five and ten.[2] In addition, the majority of the world's number systems are organized by tens, fives, and twenties, suggesting the use of the hands and feet in counting, and cross-linguistically, terms for these amounts are etymologically based on the hands and feet.[3][4] Finally, there are neurological connections between the parts of the brain that appreciate quantity and the part that "knows" the fingers (finger gnosia), and these suggest that humans are neurologically predisposed to use their hands in counting.[5][6] While finger-counting is typically not something that preserves archaeologically, some prehistoric hand stencils have been interpreted as finger-counting since of the 32 possible patterns the fingers can produce, only five (the ones typically used in counting from one to five) are found at Cosquer Cave, France.[7]
Since the capacity and persistence of the fingers are limited, finger-counting is typically supplemented by means of devices with greater capacity and persistence, including tallies made of wood or other materials.[8] Possible tally marks made by carving notches in wood, bone, and stone appear in the archaeological record at least forty thousand years ago.[9][10] These tally marks may have been used for counting time, such as numbers of days or lunar cycles, or for keeping records of quantities, such as numbers of animals or other valuable commodities. However, there is currently no diagnostic technique that can reliably determine the social purpose or use of prehistoric linear marks inscribed on surfaces, and contemporary ethnographic examples show that similar artifacts are made and used for non-numerical purposes.[11]
The Lebombo bone is a baboon fibula with incised markings discovered in the Lebombo Mountains located between South Africa and Eswatini. The bone has been dated to 42,000 years ago.[12] According to The Universal Book of Mathematics,: p. 184 the Lebombo bone's 29 notches suggest that "it may have been used as a lunar phase counter, in which case African women may have been the first mathematicians, because keeping track of menstrual cycles requires a lunar calendar." However, the bone is clearly broken at one end, so the 29 notches might only represent a portion of a larger sequence.[12] Similar artifacts from contemporary societies, like those of Australia, also suggest that such notches can serve mnemonic or conventional functions, rather than meaning numbers.[11]
The Ishango bone is an artifact with a sharp piece of quartz affixed to one end, perhaps for engraving. It has been dated to 25,000 years ago.[13] The artifact was first thought to be a tally stick, as it has a series of what has been interpreted as tally marks carved in three rows running the length of the tool. The first row has been interpreted as the prime numbers between 10 and 20 (i.e., 19, 17, 13, and 11), while a second row appears to add and subtract 1 from 10 and 20 (i.e., 9, 19, 21, and 11); the third row contains amounts that might be halves and doubles, though these are inconsistent.[14] Noting the statistical probability of producing such numbers by accident, researchers like Jean de Heinzelin have suggested that the notch groupings indicate a mathematical understanding far beyond simple counting. It has also been suggested that the marks might have been made for a utilitarian purpose, like creating a better grip for the handle, or for some other non-mathematical reason. The purpose and meaning of the notches continue to be debated in academic literature.[15]
Clay tokens
Uruk period: globular envelope with a cluster of accountancy tokens, from Susa. Louvre Museum
The earliest known writing for record keeping emerged from a system of accounting that used small clay tokens. The earliest artifacts claimed to be tokens are from Tell Abu Hureyra, a site in the Upper Euphrates valley in Syria dated to the 10th millennium BCE,[16] and Ganj-i-Dareh Tepe, a site in the Zagros region of Iran dated to the 9th millennium BCE.[17]
To create a record that represented "two sheep", two tokens each representing one unit were used. Different types of objects were also counted differently. Within the counting system used with most discrete objects (including animals like sheep), there was a token for one item (units), a different token for ten items (tens), a different token for six tens (sixties), etc. Tokens of different sizes and shapes were used to record higher groups of ten or six in a sexagesimal number system. Different combinations of token shapes and sizes encoded the different counting systems.[18] Archaeologist Denise Schmandt-Besserat has argued that the plain geometric tokens used for numbers were accompanied by complex tokens that identified the commodities being enumerated. For ungulates like sheep, this complex token was a flat disk marked with a quartered circle. However, the purported use of complex tokens has also been criticized on a number of grounds.[19]
Use with bullae and numerical impressions
Main article: Bulla (seal)
To ensure that tokens were not lost or altered in their type or quantity, they were placed into clay envelopes shaped like hollow balls known as bullae (a bulla). Ownership and witness seals were impressed on bullae surfaces, which might also be left plain. If tokens needed to be verified after the bulla containing them was sealed, the bulla had to be broken open. Around the mid-fourth millennium BCE, tokens began being pressed into a bulla's outer surface before being sealed inside, presumably to avoid the need to break open the bulla to see them. This process created external impressions on bullae surfaces that corresponded to the enclosed tokens in their sizes, shapes, and quantities. Eventually, the redundancy created by the tokens inside and impressions outside a bulla seems to have been recognized, and impressions on flat tablets became the preferred method of recording numerical information. The correspondences between impressions and tokens, and the chronology of forms they comprised, were initially noticed and published by scholars like Piere Amiet.[20][21][22][23]
By the time that the numerical impressions provided insight into ancient numbers, the Sumerians had already developed a complex arithmetic.[24] Computations were likely performed either with tokens or by means of an abacus or counting board.[25][26]
Numerical signs and numerals
Proto-cuneiform
Main article: Proto-cuneiform
In the mid-to-late-fourth millennium BCE, numerical impressions used with bullae were replaced by numerical tablets bearing proto-cuneiform numerals impressed into clay with a round stylus held at different angles to produce the various shapes used for numerical signs.[27] As was true of tokens and the numerical impressions on the outside of bullae, each numerical sign represented both the commodity being counted and the quantity or volume of that commodity. These numerals were soon accompanied by small pictures that identified the commodity being enumerated. The Sumerians counted different types of objects differently. As understood through analyses of early proto-cuneiform notations from the city of Uruk, there were more than a dozen different counting systems,[18] including a general system for counting most discrete objects (such as animals, tools, and people) and specialized systems for counting cheese and grain products, volumes of grain (including fractional units), land areas, and time. Object-specified counting is not unusual and has been documented for contemporary peoples around the world; such modern systems provide good insight into how the ancient Sumerian number systems likely functioned.[28]
Cuneiform
Middle Babylonian legal tablet from Alalakh in its envelope
Main article: Babylonian cuneiform numerals
Around 2700 BCE, the round stylus began to be replaced by a reed stylus that produced the wedge-shaped impressions that give cuneiform signs their name. As was the case with the tokens, numerical impressions, and proto-cuneiform numerals, cuneiform numerals are today sometimes ambiguous in the numerical values they represent. This ambiguity is partly because the base unit of an object-specified counting system is not always understood, and partly because the Sumerian number system lacked a convention like a decimal point to differentiate integers from fractions or higher exponents from lower ones. About 2100 BCE, a common sexagesimal number system with place-value developed and was used to aid conversions between object-specified counting systems.[29][30][31] A decimal version of the sexagesimal number system, today called Assyro-Babylonian Common, developed in the second millennium BCE, reflecting the increased influence of Semitic peoples like the Akkadians and Eblaites; while today it is less well known than its sexagesimal counterpart, it would eventually become the dominant system used throughout the region, especially as Sumerian cultural influence began to wane.[32][33]
Sexagesimal numerals were a mixed radix system that retained the alternating bases of 10 and 6 that characterized tokens, numerical impressions, and proto-cuneiform numerical signs. Sexagesimal numerals were used in commerce, as well as for astronomical and other calculations. In Arabic numerals, sexagesimal is still used today to count time (second per minute; minutes per hour), and angles (degrees).
Roman numerals
The Roman numerals developed from Etruscan symbols around the middle of the 1st millennium BCE.[34] In the Etruscan system, the symbol 1 was a single vertical mark, the symbol 10 was two perpendicularly crossed tally marks, and the symbol 100 was three crossed tally marks (similar in form to a modern asterisk *); while 5 (an inverted V shape) and 50 (an inverted V split by a single vertical mark) were perhaps derived from the lower halves of the signs for 10 and 100, there is no convincing explanation as to how the Roman symbol for 100, C, was derived from its asterisk-shaped Etruscan antecedent.[35]
Greek antiquity
The use of letters to represent general numbers goes back to Greek antiquity. Aristotle frequently used single capital letters or two letters for the designation of magnitude or number (Cajori vol. 2, page 1). Diophantus (fl. about 250-275) used a Greek letter with an accent to represent an unknown.
NUMEROLOGY
Post by hope » 29 May 2016 20:21
Numerology is the practise of attempting to use numbers derived from
people's names,date of birth,phone number, etc to determine that
persons personality and destiny.
It bears many similarities to astrology and some believe that the two
are connected.
Numerology is based on the belief that everything in the universe can
be expressed by numbers, many religions have at some point attempted
to integrate numerology with their beliefs , claiming that numerology
is a message encoded into the universe for them by their deity/deities.
HISTORY OF NUMEROLOGY
Numerology originated from ancient Babylonia, but modern Numerology
contains elements from many cultures and teachings, including;
Ancient Hebrew Kabbalah,
Pythagorean teachings
Hindu Vedas
Early Christian mysticism
Chinese 'Circle of the Dead'
Egyptian 'Book of the Masters of the Secret House'
Many ancient philosophers and mathematicians believed that as mathematical
concepts were provable,unlike physical ones, numbers could be used to discern
links between everything in creation, and predict the future.
St Augustine of Hippo(A.D. 354-430) wrote, "Numbers are the Universal
language offered by the deity to humans as confirmation of the truth"
while Pythagoras once said that "the world is built on the power of numbers"
He also believed that there was nine stages of the cycle of life,each of
which was connected to a number from 1 to 9" and that this was the source
of all the energy in the universe.
During the early stages of Christianity dominance of Europe many attempted
to find links biblical concepts to numerology, resulting in such ideas as the
'Jesus Number' and the 'Number of the Beast' this practise is still found in
some Greek Orthodox churches.
Modern Numerology started to take shape in the early 1970's with the work of
numerologists such as Ruth A. Drayer,Dr Juno Jordan and Lynn Buess, the work
of these Numerologists still comprises much of the belief today and still
used as guides for seminars and those new to the belief.
How Numerology Works
Numerology involves turning your name,date of birth and several other
characteristics into a series of number between 1 and 9, which are then used
to attempt ,determine your personality,future,or heart's desire.
Supposedly numerology can even be used to determine what affect things like
your house or phone number are having on your life, and to overcome any
problems they may be causing.
First you have to turn your name into a number.
In numerology, every letter corresponds to a number from 1-9 as shown
below;
A=1,B=2,C=3,D=4, E=5, F=6
G=7,H=8, I=9, K=2,L=3,M=4
N=5,O=6,P=7,Q=8,R=9,S=1
T=2,U=3,V=4,W=5,
X=6,Y=7,Z=8
IMG_0453.JPG
NUMBERS re-arranged make an interesting pattern - - - 1 2 3 4 5 5 9
14--21-13-2-5-18-19
5-3-4-2-5-9-1
11
2
Last edited by hope on 27 Sep 2017 14:50, edited 2 times in total.
Top
Lola
Posts: 2
Joined: 19 Oct 2016 21:30
Contact: Contact Lola
Re: NUMEROLOGY
Post by Lola » 19 Oct 2016 22:14
My name equals 9 and 0
Top
hope
Posts: 1356
Joined: 16 Jun 2015 16:21
Location: W Yorkshire
Contact: Contact hope
Re: NUMEROLOGY
Post by hope » 28 Apr 2018 23:05
PUZZLE
A=1, B=2 etc
In most cases when someone creates a puzzle for a contest or competition like MIT's Mystery Hunt, the solution to that puzzle is a piece of text, either a word or a phrase,more has an instruction. (Some other solutions are numbers, and
I suppose some could be pictures). But when a puzzle is number-based, how does one get from a number or group
of numbers to a word or phrase?
The most useful tool is a substitution cipher where each letter of the alphabet is represented by a number which
corresponds to that letter's position in th alphabet.
In simplest terms, this can be written as A=1, B=2...Z=26.
So if, upon solving a puzzle you find yourself left with a series of numbers as an apparent "solution", try A=1, B=2... Z=26 cipher on it to see if a word or phrase is represented by the numbers.
If you want to solve this puzzle on your own,do so....
Top
hope
Posts: 1356
Joined: 16 Jun 2015 16:21
Location: W Yorkshire
Contact: Contact hope
Re: NUMEROLOGY
Post by hope » 28 Apr 2018 23:07
This is the code to work out.
Let me know if you solve it.
Top
User avatarKoguntetsu
Posts: 172
Joined: 11 Feb 2018 11:19
Contact: Contact Koguntetsu
Re: NUMEROLOGY
Post by Koguntetsu » 29 Apr 2018 03:10
Re: NUMEROLOGY
Post by Redbeck » 29 Apr 2018 23:13
Lola wrote: ?19 Oct 2016 22:14
My name equals 9 and 0
Lola welcome to, or back to the Oracle Forum community and thank you for joining the conversation. Now if the name you were transposing into number was lola, well we would be looking at a straight 4 resolved down to its lowest tier.
LOLA
12-15-12-1 = 3-6-3-1 = 13 = 4
So the next step is to get down to a selection of given names that resolve down to 9.
My deductive processes are on the case, options, options and more options.
Kind Regards Redbeck
Jean-Eude
Posts: 39
Joined: 21 Mar 2018 21:02
Location: France, Basse-Normandie
Contact: Contact Jean-Eude
Re: NUMEROLOGY
Post by Jean-Eude » 03 May 2018 11:05
My real name is Lucas :
12-21-3-1-19
3-3-3-1-10
3-3-3-1-1
11
2
But I prefer Jean-Eude
10-5-1-14 5-21-4-5
1-5-1-5 5-3-4-5
12 17
3 8
11
2
And some friends call me Enosc
5-14-15-19-3
5-5-6-10-3
5-5-6-1-3
20
2
Moreover, my favorite figure is 2 because I was born on June 2
ZbrahKing
26-2-18-1-8-11-9-14-7
8-2-9-1-8-2-9-5-7
51
6
It was my pseudo on several games. that's the sixth month that's Juine
Hello-Héloards ! Lorem Ipsum Dolor Sit Amet. L'Héritier descendra sur Gaïa pour unir les Hommes. Hello-Héloards ! Une vie sans émotion est une vie sans déception ! Une vie sans déception est une vie sans émotion ! Hello-Héloards !
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hope
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Re: NUMEROLOGY
Post by hope » 05 May 2018 00:17
Today is the 5th of May, 2018
Th 5th day of the 5th month
5-5-2
12
3
The number 5 for balance.
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Re: NUMEROLOGY
Post by hope » 05 May 2018 00:18
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The most common letter in the English language is an E
Last edited by hope on 17 Feb 2019 21:15, edited 2 times in total.
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Re: NUMEROLOGY
Post by hope » 05 May 2018 18:41
IN OUR TIME
Last broadcast on Thur, 18th Dec 2003, 21:30 on BBC Radio 4 "Melvln Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of
words in hundreds of languages.
Did the alphabet really spring into life almost formed? How did it manage to conquer three quarters of the globe?
And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there
essentially only one alphabet anywhere in the world?"
BBC Radio 4 - In Our Time, The Alphabet
Dec 18, 2003 · Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world. Melvyn Bragg investigates how sounds turned into signs and signs became the …
The Alphabet
In Our Time
Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world? With Eleanor Robson, historian of Ancient Iraq and Fellow of All Souls College, Oxford; Alan Millard, Rankin Professor Emeritus of Hebrew and Ancient Semitic Languages at the University of Liverpool; Rosalind Thomas, Professor of Greek History at Royal Holloway, University of London.
THE LETTER E IS THE MOST FREQUENTLY USED IN THE ENGLSH LANGUAGE
AND
HAS THE NUMERICAL VALUE OF 5, BOLSTERED BY THE LETTERS N = 14 [1 + 4] = 5 AND THE LETTER W = 23 [2 + 3] = 5.
NUMBER
9 THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 325
To Sorcerers and Magicians not miner FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of the Pentagon. Five surely is in the classical art and architecture is most found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
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Re: NUMEROLOGY
Post by hope » 05 May 2018 21:16
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Re: NUMEROLOGY
Post by hope » 05 May 2018 22:22
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Re: NUMEROLOGY
Post by hope » 05 May 2018 22:24
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Re: NUMEROLOGY
Post by hope » 05 May 2018 22:25
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Re: NUMEROLOGY
Post by hope » 05 May 2018 22:26
Re: NUMEROLOGY
Post by hope » 05 May 2018 22:33
Redbeck
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Re: NUMEROLOGY
Post by Redbeck » 12 May 2018 15:27
Ancient Numerology
A number is a symbol that expresses an idea, an abstraction. Many scientists agree that there is the distinct possibility of knowledge used by the mind held in abstract form. These figures represent a language of communication. Humankind expresses thoughts through language, based on numerical symbolism.
Carl Jung said that the number preceded the mind, and soon discovered a human, not invented one, or words to that effect. In his view, the numbers are probably the most primitive element of order in mind and subconsciously used as an organising factor. The Pythagoreans of course, believed that all things are numbers and their constituents are components of all things.
As we travel down the centuries, the truth is that the implied power of some numbers was elevated above others. In different cultures, some numbers are esteemed as most sacred, while other characters were considered to possess sorrowful, dangerous or plain deadly implications.
Thus, the numbers 3, 4, 5, 7, 10, 12, 40, 70 and 100 were deemed sacred by many ancient peoples, the most enigmatic among them being the number 3. Perhaps the underlying reason for this was that a number of the significant religions in the world were based on a holy trinity, such as Brahma, Vishnu and Shiva in the Hindu faith whose mantra is “Aum”, the Egyptians worshipped a Trinity of Osiris, Horus and Isis, Sumeria’s Triad of the Great Gods: Anu, Elil and Ea [Sky, Earth and Water] and the Christians with the Father, Son and Holy Spirit [Ghost].
Indeed, Aristotle wrote in Greece in the Fourth Century BC: ‘All things are three, and thrice is all: and let us use this number in the worship of the gods; for, as the Pythagoreans say, everything and all things are bounded by threes, for the end, the middle and the beginning have this number in everything, and these compose the number of the Trinity’.
In Greece they were Zeus, Poseidon and Adonis. The Phoenicians worshipped Ulomus, Ulosuros and Eliun. Rome worshipped Jupiter, Neptune and Pluto. Among Germanic nations they were named Wodan, Thor and Fricco. In terms of the Celts, one source states, ‘…..the ancient heathen deities of the pagan Irish: Criosan, Biosena, and Seeva, or Sheeva.’
Within the Hindu Vedas, the numbers 3, 7, 21, 55, 77 and 99 are regarded as sacred. Number 99 is revered by the Arabs, because of their faith in God’s 99 names. The Persians worshiped 3 and 7, the Greeks and Romans believed that numbers 3, 9 and 12 had magical powers, while the Celts preferred the 3 and 9, and the Slavs 3, 9 and 7.
The knowledge that the ancient magicians attributed to the first ten numbers is both fascinating and intuitive.
One – is a number closest to God, logical one would say. The Egyptians in their hymns offered to Amon Ra declared that he was the ‘single’ or ‘only one’. For the Pythagoreans the number ‘one’ is an expression of the Supreme God, an invisible and all ecompassing entity. The Koran also says that, ‘God – there is one God.’ In astrology, it is a unit represented by the Sun.
Two – the perfect number, a symbol of duality, as well as man and woman. For some it is a sign of matter and the source of evil. However, the ancients, by contrast, often viewed it as a protective symbol. The Egyptians, for example, attributed a lucky charm to the shape of two fingers. In astrology, this number equates to the moon.
Three – is the number that symbolises life, birth and death. This is the sign of the Epiphany (Holy Trinity). Like modern religions, which acknowledge and reflect the ancient triad of deities in Babylonia for instance, Anu, Ea and Bel and in Egypt – Isis, Horus and Osiris. Here again, in classical mythology, the number three is encountered several times: the three Graces, three Harpies and three Gorgons, the three Furies. There were three kings who brought gifts to Jesus, and the three components of man – body, mind, and soul. In astrology, the number 3 corresponds to Jupiter.
Four – in Egypt, it signified the number of the four quarters of the earth and was symbolised by the four sons of Horus, as well as representing the four cardinal directions. In the Bible there are mentions of the four Evangelists, the four beasts in Ezekiel, 4 anchors, 4 horns, 4 elements. Tetragrammaton, the Hebrew name of God transliterated in four letters as YHWH or JHVH and articulated as Yahwehor Jehovah. In astrological terms, this number corresponds to Uranus.
Five – the ancient magicians saw this as the number of happiness and holiness. In the Bible, it is noted that God’s altar was five cubits long, and the same width. Victim of the world included five rams, goats and lambs. There were five foolish virgins and the same wise. The Pentacle of Solomon, or pentagram, is composed of five rays, depicting a man with outstretched hands and legs. In terms of human physiology there are the five physical senses, the skull consists of five bones, coupled with the hands and feet with five toes. In astrology the number five relates to Mercury.
Six – is regarded by many as a member of what are viewed as the ideal numbers, since the world was created in six days. So much light shed by the six-pointed Star of David, where each point symbolises one of the days of creation. Number of the Beast – 666 – in the past was attributed to specific individuals or groups. Is under the control of Venus (under its influence, and therefore receives a dove and a symbol of the United Nations).
Seven – The most mystical number. Manifestations of which are so commonly found in magic, and in religion that it is impossible to mention them all, almost invisible yet symbolic of much: the seven heavens, the planets, Pillars of Wisdom, grains spike, days, weeks, sacraments, deadly sins, the hills of Rome, the colours of the spectrum, the archangels , notes and the seven ages of man. In astrology, the number seven corresponds to Neptune.
Eight – a number that represents the two worlds: the material and spiritual. Meaning sorrow and limitation of anything, which the ancients believed accompanied death and relates to rock. In addition, it is a symbol of justice as a blindfolded woman, who holds a sword in one hand, the edge upwards, and in the other – the balance. The Jews recognise the rite of circumcision on the eighth day after birth. There were 8 sects of the Pharisees. Noah was the eighth descendant of Adam. Occultists often include three eights to Jesus as the judge and the comforter of the world. This number is the opposite number of the beast of the Apocalypse (666). It is subject to Saturn.
Nine – is not just another mystical number. Perhaps the most interesting feature is it that when it is multiplied by any other number and the digits of the result are added together the result is always a nine. It is considered a symbol of spiritual perfection. It symbolises life and its struggles and success in the end and is indispensable. Most significant is that the period of pregnancy in women lasts for nine months. This number has secret meanings representing as it does greatest secrets of the occult. Nine expresses the indestructibility of matter and in this sense is a universal symbol of the underlying cause. In astrological terms it is controlled by Mars.
Ten – The number of changes, being and nothingness. The symbolic is the fact that 10 consists of one and zero, one – a symbol of God’s existence, and zero represents the unmanifested matter, nothingness. Hebrews revered 10 as one of the secret numbers of God. Ten Commandments were 10 and 10 spheres of the Kabbalistic Tree of Life. This number is associated with the Earth.
The symbolism of numbers swirls around us like pollen. People across the world have greatest of faith in the meaning of numbers because it was ever thus, knowledge handed down from antiquity to the present day. The numbers not only help reveal the nature of humankind, but the natural world and events around them, used as protection against unwanted troubles in amulets and to foretell the future.
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adamkings
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Re: NUMEROLOGY
Post by adamkings » 26 Oct 2019 23:42
this is a very useful numerology guide, it will help you understand the true meaning of numerology and how you implement the science of numbers to calculate your birthday
https://numerologyline.com/numerology-meaning/
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Redbeck
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Re: NUMEROLOGY
Post by Redbeck » 28 Oct 2019 21:34
Dear adamkings welcome to the Oracle forum community, thank you for your post, I assume the link is to a purely learning rather than commercial site in keeping with the spirit and essence of 973-eht-namuh-973.com Redbeck
by Seldean Smith
daytranslations.com/blog/origin-english-alphabet
The English alphabet has a fascinating history, and the development of each letter of the alphabet has its own story. Although English is widely spoken, for the non-English speakers, the English language is one of the most difficult languages to learn. Indeed, there are many consistencies in English because several different languages came into the picture during its years of development. Scholars, missionaries and conquerors shaped the English language into what we know and speak today.
The Origins of Alphabetic Writing
The early alphabetic writing started about four thousand years ago. According to many scholars, it was in Egypt that alphabetic writing developed between 1800 and 1900 BC. The origin was a Proto-Sinaitic (Proto-Canaanite) form of writing that was not very well known.
About 700 years after, the Phoenicians developed an alphabet based on the earlier foundations. It was widely used in the Mediterranean, including southern Europe, North Africa, the Iberian Peninsula and the Levant. The alphabet was made up of 22 letters, all of the consonants.
In 750 BC, the Greeks added vowels to the Phoenician alphabet and the combination was regarded as the initial true alphabet. This was seized by the Latins (Romans) and combined with some Etruscan characters such as the letter S and F. Around the third century, ancient Latin script removed the letters G, J, V/U, W, Y and Z. When the Roman Empire was ruling parts of the world, they introduced the Roman alphabet derived from the Latin version, although the letters J, U/V and W were still omitted.
Evolution of the English Alphabet
When the Roman Empire reached Britain, they brought with them the Latin language. Britain at that time was under the control of the Anglo-Saxons, a Germanic tribe that used Old English as their language. At that time Old English was using Futhorc, an older alphabet. It was also called a runic alphabet.
Old English
The combination of the Latin alphabet and the runic alphabet of Futhorc resulted in the modern English alphabet. Some of the additions from the runic alphabets were ‘thorn’ that had a ‘th’ sound and ‘wynn’ that made a ‘w’ sound. Remember that there was no letter ‘w’ in the Latin alphabet. In the Middle Ages, when the people in Britain ceased to use the old runes, the letter thorn was eventually substituted by ‘th’, and the runic ‘wynn’ became ‘uu’ that later evolved into ‘w.’
Later in the same period, the letters ‘j’ and ‘u’ were added and brought the number of letters to 26. However, the letter combinations like ‘æ,’ ‘œ’ and the symbol ampersand (&) were included in the alphabet.
Middle English
When the Normans invaded Britain in 1066 AD, the lowborn were using Old English. The scholars, clergy and nobility were writing and speaking in Latin or Norman. After two centuries under Norman rule, writing in English became popular again, with some of the Old English letters removed. Geoffrey Chaucer used middle English in the Canterbury Tales’ Wife of Bath.
Modern English
In the 15 century, the printing press was introduced to Great Britain by William Caxton. By this time, the English language was standardized. From being used interchangeably, the letters V and U were separated, with the former becoming a consonant while using U as a vowel.
The Table Alphabeticall, the first dictionary in English, published by Robert Cawdrey in 1604. The letter J was also added to Modern English, during this time as well.
What is an Alphabet?
The letters used by a language are collectively called an alphabet. It has a fixed order based on the custom of the users. The alphabet is used for writing and the symbols used for writing are called letters. Each letter represents one sound or a related sound (also called phoneme) used by the spoken language. With the help of a standard reading direction, spaces and punctuation marks, the alphabet forms words which can be easily read by readers.
Stories of the Letters of the English Alphabet
It is probable that you are one of the many people who learned the English alphabet at a very young age. Your parents might have taught you to recite the alphabet as well as sing ‘The Alphabet Song.’ But the time you reach pre-school age, you know most of the letters of the English alphabet and can form simple words. When you started school, you were once again introduced to the English alphabet and learned more words by combining the letters.
Since you started by learning the English alphabet, it is natural that you take it for granted and not have an interest in learning its history and the stories about the formation of each letter.
The modern alphabet with 26 letters started in the 16th century. The development of the English alphabet had influences from the Semitic, Phoenician, Greek and Roman scripts. It’s quite interesting to learn how each letter was formed.
Letter A
The original shape of the letter A was upside down. It was introduced in the 1800s. Being inverted, it looked like the head of an animal with horns or antlers. It was fitting because, in ancient Semitic, the letter translates to ‘ox.’
Letter B
In its original form, the letter B was borrowed from the Egyptian hieroglyphics and with the letter resting on its belly. In its original shape, it looked like a house with a door, a roof and a room. The symbol represented ‘shelter’ about 4,000 years ago.
Letter C
The letter came from the Phoenicians. It was shaped like a boomerang or hunter’s stick. The Greeks called it ‘gamma’, and from being written facing the other direction, it was flipped to the direction it is written today, with the Italians giving it a better crescent shape.
Letter D
‘Dalet’ was the name given to the letter D by the Phoenicians in 800 BC. It originally looked like a rough triangle that faced left. The original meaning of the letter is ‘door.’ When the Greeks adopted the alphabet, they gave it the name ‘delta.’ It was later flipped, and the Romans gave the right side of the letter a semicircle shape.
Letter E
About 3,800 years ago, the letter ‘E’ was pronounced as an ‘H’ in the Semitic language. It looked like a stick figure of a human with two arms and one leg. In 700 BC, the Geeks flipped it, and they changed the pronunciation into an ‘ee’ sound.
Letter F
The letter ‘F’ was from the Phoenicians and it looked more like a ‘Y.’ When it was pronounced at that time, the sound made was close to ‘waw.’ The ancient Greeks renamed it ‘digamma’ and tipped it to resemble the present-day F. The Romans made it look better by giving it a more geometric shape and changed the sound to ‘fff.’
Letter G
The letter ‘G’ came from ‘zeta’ of the Greeks. At first, it looked like an ‘I’, but the pronunciation made a ‘zzz’ sound. The Romans changed its shape around 250 BC, giving it top and lower arms and a ‘g’ sound. Latin did not have a ‘z’ sound. In the course of its development, the straight lines became curved, ending with its present crescent shape.
Letter H
The letter ‘H’ came from the Egyptians and used as a symbol for fence. It made a breathy sound when pronounced so early academicians thought that it was not necessary and the British and Latin scholars eventually dropped the letter H from the English alphabet by around 500 AD.
Letter I
The letter ‘I’ was called ‘yod’ in 1000 BC. It meant hand and arm. The Greeks called it ‘iota’ and made it vertical. In its evolution, it turned into a straight line around 700 BC.
Letter J
The letter ‘I’ also used to stand for the ‘J’ sound in ancient times. It got its shape letter in the 15th century as a contribution of the Spanish language. It was only about 1640 when the letter regularly appeared in print.
Letter K
The letter ‘K’ is an old letter, as it came from the Egyptian hieroglyphics. In the Semitic language, it was given the name ‘kaph’ which translated into ‘palm of the hand.’ In those times, the letter faced the other way. When the Greeks adopted it in 800 BC, it became ‘kappa’ and flipped to the right.
Letter L
In ancient Semitic, the present-day letter ‘L’ was upside down. Thus it looked like a hooked letter. It was already called ‘El,’ which meant ‘God.’ The Phoenicians were responsible for giving it a reversed look, with the hook facing left. They straightened the hook a bit, and they changed the name to ‘lamed’ (pronounced lah-med), a cattle prod. The Greeks called it ‘lambda’ and turned it around to face right. The final look of the letter ‘L’ with the straight foot at a right angle was courtesy of the Romans.
Letter M
The origin of the letter ‘M’ was the wavy vertical lines with five peaks to symbolize water according to the Egyptians. In 1800 BC the Semites reduced the lines to three waves, and the Phoenicians removed one more wave. In 800 BC, the peaks were turned into zigzags and flipped horizontally to form the letter M we know today.
Letter N
Another Egyptian symbol was the letter ‘N’ that originally looked like a small ripple atop a larger ripple that stood for cobra or snake. It was given the ‘n’ sound by the ancient Semites, which symbolized ‘fish.’ Around 1000 BC, only one ripple appeared, and the Greeks named it ‘nu.’
Letter O
The letter ‘O’ came from the Egyptians as well. It was called ‘eye’ in Egyptian and ‘ayin’ in Semites. The Phoenicians further reduced the hieroglyphics, leaving only the pupil’s outline.
Letter P
In the ancient Semitic language, today’s letter ‘P’ looked like an inverted ‘V.’ It was pronounced ‘pe’ that meant ‘mouth.’ The Phoenicians turned its top into a diagonal hook shape. In 200 BC, the Romans flipped it to the right and closed the loop to form the ‘P.’
Letter Q
The original sound of the letter ‘Q’ was like ‘qoph’ that translated into a ball of wool or monkey. It was written initially as a circle traversed by a vertical line. In the Roman inscriptions around 520 BC, the letter appeared as we know it today.
Letter R
The profile of a human facing left was the original shape of the letter ‘R’ as written by the Semites. It was pronounced ‘resh’ that meant ‘head.’ The Romans turned it to the right and added an inclined foot.
Letter S
The letter ‘S’ used to appear like a horizontal wavy W that was used to represent the bow of an archer. The angularity of the shape was from the Phoenicians, who gave it the name ‘shin’ that translated into ‘tooth. The Romans flipped it to a vertical position and named it ‘sigma’ while the Romans flipped it to the position the letter has today.
Letter T
The ancient Semites used the lower case form of the letter ‘T’ we see today. The Phoenicians called the letter ‘taw’ (mark) that sounded like ‘tee’ when pronounced. It was called ‘tau’ by the Greeks. They also added the cross at the top of the letter to distinguish it from the letter ‘X.’
Letter U
The letter ‘U’ initially looked like ‘Y’ in 1000 BC. At that time it was called ‘waw’ that meant ‘peg.’ Under the Greeks, it was called ‘upsilon.’
Letter V
The Romans used V and U interchangeably. The distinction started to appear around the 1400s.
Letter W
The letter ‘W’ started during the Middle Ages, with the scribes of Charlemagne writing two ‘u’s’ side by side, separated by a space. At that time the sound made was similar to ‘v.’ The letter appeared in print as a unique letter ‘W’ in 1700.
Letter X
The letter ‘ksi’ of ancient Greeks sounded like ‘X.’ The lowercase form of the letter ‘X’ were seen at the handwritten manuscripts available during the medieval times. Late 15th century Italian printers also used lower case ‘X’s.’
Letter Y
From starting out as ‘upsilon’ the letter Y was added by the Romans in 100 AD.
Letter Z
The Phoenicians used to have a letter called ‘zayin.’ It meant an ‘ax.’ Initially, it looked like the letter ‘I’ with serifs at the top and bottom. In around 800 BC, the Greeks adopted it as ‘zeta’ and gave it the dz sound. It was not used for several centuries until the arrival of the Norman French and their words that needed the sound of the letter ‘Z.’
https://numerologypedia.com/the-history-of-numerology/
the history and beginning of numbers:
Although the theoretical usage of numbers dates back to the Age of Pisces (870 BC to 1300 AD), the practical effect of numbers is mostly a creation of the Age of Aquarius (1300-3470 AD), an Air Sign associated with the implementation of the Reasoning Communications Activity in human. This is the functionality that encompasses the modern primary school’s “3 Rs” — “reading, writing, and arithmetic.” There was no such thing as an advantaged few-only education in the past – especially in the early stages. Even while the mental aptitude was present in embryo form, Homo Sapiens “born” 200,000 years ago – yesterday in evolutionary history – had no need for such complexity as hunter-gatherers. It has something to do with the formation of the “Left Brain.” Rather than being scientific, the “Right Brain” is aesthetic. Pythagoras suggested approximately in 500 BC that everything can be stated in terms of numbers, which gave rise to numerology. Modern mathematicians appear to be in agreement. The digits 1 to 9 are the basis of numerology. Each number may be shown to have its own cycle, which in turn has a connection with The Cycle Of Growth 12 Stages, resulting in a comparison graphic for each. Although there are some practical applications of Numerology, the primary focus is on seeking to comprehend the archetypal essence of Numbers. Another key tool for understanding the circular structure of numbers is to relate them to Astrological Aspects. Numbers and Attributes, in fact, split the cycle/circle in the same way.
Understanding How Numerology Developed
Egypt and Babylon have some of the first documented traces of numerology. Underneath the impact of the Hebrews, the Chaldean system was formed here. Pythagoras is a well-known thinker and scientist of his time. His surname seems recognizable, it’s probably because you learned about his views in geometry class in high school. Pythagoras began teaching in Crotona, Italy when he was roughly 50 years old. The semi-circle was the name of the school, which was more like a private club. Despite the fact that numerology is perhaps the least well-known and comprehended of the philosophical disciplines, it is regaining prominence. Today, it’s mostly employed for deciphering underlying details and foretelling the coming.
The Basis
Numbers are the characters of this system, and there are ten of them, 0 to 9, as all larger numbers are made out of these basic ten, where each number has a celestial resonance and each letter is allocated a mathematical value, and each number is a mysterious key component. Explaining the spiritual reasoning of the natural world in a comprehensible manner, to the juncture where the interactions of the connections encapsulate our collaborative accumulated realm, and each number encapsulates our personal presence, which includes our life trajectory, life partner, and larger ultimate fate, among other things. As a result, numerology is a source for getting information and perspective of oneself and others. The way we understand universal arithmetic and utilize it to appreciate all aspects of our own existence, such as our love life, work, industry, home responsibilities, wellness, connections, religion, recreational activities, and character, can all be scientifically portrayed and understood through numerology.
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The Roots Of Numerology
The origins of fortune-telling can be traced back thousands of years, and variants of it can be discovered in almost every human civilization all through heritage. The word numerology was not coined until 1907 when it was provided by Dr Julian Stenton, who brought awareness and knowledge to it in modern times. The first book about numerology was “The Philosophy of Numbers: Their Timbre and Hues,” which is widely accepted. Today, a variety of numerology systems are used, including Pythagorean, Chaldean, and others.
Different numerology systems
The Kabbalah is one of the most widely used numerology systems today. The Pythagorean system is the most widely used numerology system today. It is based on Pythagorean’s perspective of numbers and uses a person’s date of birth and letters to unveil their destiny based on the numbers 1 to 9.
The Chaldean is most likely the oldest surviving system of numerology; in this system, the numbers assigned to the letters are ascertained not by chronological order but by the resonant frequency of each individual letter; it is based on measurements 1 to 8, with no alphabet letter assigned to the number 9. The justification for this is that the Chaldeans considered the number 9 to be precious or pure, thus it is kept separate from other frequencies unless when it is used to calculate the final sum.
The Kabbalah is a methodology for evaluating a person’s name. This system has twenty-two resonances ranging from 1 to 400, but because it only analyses the name and not the birth date, it is not widely used among numerologists. A numerology reading entails a lot of calculations, and these calculations can go into many layers of complexity, with different numbers and pairings of numbers holding a multitude of interpretations. However, even a simple reading to look at your core numbers can be very revealing.
How Does Numerology Actually Work?
Numerology is a serious examination of numbers to explore a comprehensive understanding of a particular participant or a particular time period. Numerology can also assist in understanding your decisions and determining, strong points, weaknesses, and emotional outbursts in situations, according to popular belief. Your birth date determines your life path number and birthday number, whereas your birth name determines your expressiveness, character, and soul drive number. Numerology, like astrology, is used to make predictions about what the future has in store for you. Numerology is a type of prediction akin to astrology that focuses on the relationships between numbers and personality characteristics, fate, occurrences, and surroundings. The language of numbers is ubiquitous. Determining certain numbers can help you gain a better understanding of yourself, others, and the world in general. It also uncovers your personality and the existing benefit of the entire. Some numerology charts are generated from your date of birth, while others are based on your name’s letters. Everything else in the universe, according to numerologists, is based on the supernatural characteristics of numbers. The intrinsic resonance of the numbers gives rise to these features. Each number has its own vibration, which gives it specific qualities.
Lucky numbers
A person’s lucky number or lucky day can be determined via a numerological investigation. Many numerologists believe that nothing happens by chance; everything happens because of numbers. A psychic number, a destiny number, and a name number are all assigned to each individual. The planets’ authority over an individual is symbolized by these three numbers. Because of the mysterious relationship between numbers and what is happening around us, several Numerology kinds have acquired prominence. The techniques for interpreting numbers differ based on where they came from and the civilization that shaped them.
this image is related to The Power Of Numerology
The Power Of Numerology
Chaldean Numerology has the ability to change the course of events. The reality that fate cannot be modified implies that if there is birth, death will follow. That is unchangeable. That is frequently misunderstood. Our prayers, numerology, and specific therapeutic actions based on planets and stars all play a part. Furthermore, Numerology can reveal what makes some people excel at the same task while others fail. It shows your personality qualities and assists you in making the best decisions possible in areas such as friendships, healthcare, employment, marriages, romance, and finances. Numbers have a lot of potential replacement, according to academics. The true character is obtained from the syllables in your name, the souls yearning is given by the consonants, and the total of all the letters in one’s name at birth is the only frequency that can alter, such as when one takes on a new name, otherwise, it is how others see you.
A pretty accurate roadmap to your life
The first name offers you the key that activates doorways that are otherwise sealed, and the birthday gives you your destination or the road you should take. When you comprehend your karmic lessons and obstacles, as well as the 9 basic numbers and their definitions, as well as the 11, 22, and 33 power numbers, you can work on them, making you a much better person and more likely to start climbing after dying, because if you don’t, you’ll keep repeating the same mistakes, none of your cornerstones will occur, and you’ll keep coming back to do it all over again. It is a pretty accurate roadmap to your life; most people are already on it without realizing it if they are balanced; numerology simply assists us in discovering who we are and where we came from. It can assist you in finding the ideal partner in life, connection, and job, as well as making sound personal decisions. This is due to the fact that numerology is a branch of astrology that uses numbers to predict a person’s life and future.
Realize your maximum capabilities
Through the use of numbers and mathematical computations, numerology can be utilized to determine an individual’s way of thinking, existence, destiny, professional path, and so on. Knowledge of Numerology aids in identifying our strengths and limitations, as well as assisting us in achieving our goals by fostering a positive atmosphere and removing negative vibes. It lays the road for success in both work and personal life, as well as assisting us in understanding and shaping our future. Numerology can help you realize your maximum capabilities by using the power of the date you were born and the number your name probably amounts to. It’s also worth noting that the syllables and consonants in your name play an important role in your life. While numerology is a science of numbers, a numerologist is an artist who uses the paint of his or her mathematical creativity to colour your aspirations.
Achieve the highest level of success
The more realistic the numerologist’s visualization of your goals, the better your prospects of progress and happiness are. Each letter corresponds to a set of values, which are governed by planetary alignments. The harmonic alterations that occur as a result of the numerologist’s modifications to your orthography are incredible. Numbers construct enchantment by narrowing the gap between one’s wants and the consequences that are predetermined. Numerology is an ability to heal a mechanism of action that teaches people to accept life as it is, rather than trying to change people or places. Instead, it teaches people to be able to confront any challenging problem that life throws at them. Numerology can assist a person in achieving the highest level of success possible in their life journey. It doesn’t change your fate entirely, but it can help you live a more comfortable life within your predetermined fate.
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R |
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7 |
15 |
4 |
9 |
19 |
16 |
5 |
18 |
6 |
5 |
3 |
20 |
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1+2+7 |
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1+0 |
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7 |
6 |
4 |
9 |
1 |
7 |
5 |
9 |
6 |
5 |
3 |
2 |
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6+4 |
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1+0 |
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12 |
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6 |
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6+3 |
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4 |
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4+5 |
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9 |
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6 |
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9+6 |
= |
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1+5 |
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1 |
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9 |
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1+9 |
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1+0 |
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7 |
5 |
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7+5 |
= |
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1+2 |
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- |
- |
- |
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
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- |
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1 |
N |
14 |
5 |
5 |
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1 |
E |
5 |
5 |
5 |
- |
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- |
- |
2 |
A+D |
5 |
5 |
5 |
E |
= |
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6 |
ENNEAD |
43 |
25 |
25 |
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
E |
= |
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6 |
ENNEAD |
7 |
7 |
7 |
THE LETTER E IS THE MOST FREQUENTLY USED IN THE ENGLSH LANGUAGE AND HAS THE NUMERICAL VALUE OF 5, BOLSTERED BY THE LETTERS N = 14 [1 + 4] = 5 AND THE LETTER W = 23 [2 + 3] = 5.
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
- |
CODE |
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2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODE |
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2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODER |
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- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
According to a study done by Lexico, E is the most used letter from the Concise Oxford Dictionary, getting used in about 11% of words. Following E as part of the top five are A, R, I, and O. The list below shows the order of all letters and their frequency percentage from highest to lowest.
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Mar 4, 2024 · The letter ‘E’ is the most-used letter in the English alphabet, appearing in 11.51% of words. The letter ‘S’ is the second most-used letter in English, and the most common …
‘E’ is the most-used letter in the English alphabet, appearing in 11.51% of words.
THE LETTER E IS THE MOST FREQUENTLY USED IN THE ENGLSH LANGUAGE
AND
HAS THE NUMERICAL VALUE OF 5, BOLSTERED BY THE LETTERS N = 14 [1 + 4] = 5 AND THE LETTER W = 23 [2 + 3] = 5.
THE INDEPENDENT MAGAZINE
Wednesday 11 September 2013
Mysteries of the snowflake: The curious world of the ice-crystal experts.
Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”
"The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf,"
Hannah, can you hear me? Wherever you are, look up, Hannah.
The clouds are lifting. The sun is breaking through.
We are coming out of the darkness into the light.
We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.
Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.
He is flying into the rainbow - into the light of hope, into the future,
the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up.
THE HIGH GOD IN THE AGE OF COFFIN TEXTS
Myth and Symbol in Ancient Egypt
Translated by R.T. Rundle Clark, 1959
Page 80
I am Atum, the creator of the Eldest Gods,
I am he who gave birth to Shu,
I am that great He-She,
I am he who did what seemed good to him,
I took my space in the place of my will,
Mine is the space of those who move along
like those two serpentine circles.
'Coffin Texts,' I, 161: ff)
ATUM 1234 ATUM
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4 |
ATUM |
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- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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1+0 |
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4 |
ATUM |
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1 |
1 |
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20 |
21 |
13 |
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1+0 |
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21 |
13 |
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5+5 |
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1+0 |
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occurs |
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occurs |
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occurs |
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occurs |
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1+0 |
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Q |
1+0 |
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ATUM QUANTUM ATOM
QUANTUM
ATUM
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A |
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3 |
A |
1 |
1 |
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3 |
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20 |
2 |
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21 |
3 |
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M |
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M |
13 |
4 |
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3 |
ATUM |
55 |
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10 |
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2+6 |
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5+5 |
1+0 |
1+0 |
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1 |
- |
O |
= |
6 |
- |
3 |
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34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
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58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
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56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
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60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
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42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
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52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
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65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
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49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
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42 |
24 |
6 |
45 |
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- |
34 |
- |
36 |
Add |
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4+5 |
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- |
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3+4 |
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3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
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Deduce |
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- |
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- |
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Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
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0 |
- |
Z |
= |
8 |
- |
4 |
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64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
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34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
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58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
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56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
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60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
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42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
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52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
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65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
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49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
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42 |
24 |
6 |
45 |
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- |
42 |
- |
40 |
Add |
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4+5 |
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4+2 |
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4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
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Deduce |
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THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
WAY OF OF THE PEACEFUL WARRIOR
Dan Millman 1980
Chapter 7
Page 199
"My instincts were wildly signalling danger, but Soc had already entered. Clicking my flashlight on, I left the moaning wind behind me and followed his faint light deeper into the cave. The flickering beam of my light showed pits and crevices whose bottoms I couldn't see.
"Soc, I don't like being buried this far back in the mountain." He glared at me. But to my relief he headed out toward the mouth of the cave. Not that it mattered; it was as dark outside as inside. We made camp, and Socrates took a pile of small logs out of his pack. "Thought we might need these," he said. The fire was soon crackling. Our bodies cast bizarre, twisted shadows, dancing wildly on the cave wall in front of us, as the flames consumed the logs.
Pointing to the shadows, Socrates said, "These shadows in the cave are an essential image of illusion and reality, of suffering and happiness. Here is an ancient story popularized by Plato:
There once was a people who lived their entire lives within a Cave of Illusions. After generations, they came to believe that their own shadows, cast upon the walls, were the substance of reality. Only the myths and religious tales spoke of a brighter possibility.
Obsessed with the shadow-play, the people became accustomed to and imprisoned by their dark reality.
I stared at the shadows and felt the heat of the fire upon my back as Socrates continued.
"Throughout history, Dan, there have been blessed exceptions to the prisoners of the Cave. There were those who became tired of the shadow play, who began to.doubt it, who were no longer fulfilled by shadows no matter how high they leaped. They became seekers of light. A fortunate few found a guide who prepared them and who took them beyond all illusion into the sunlight. "
Captivated by his story, I watched the shadows dance against the granite walls in the yellow light. Soc continued:
"All the peoples of the world, Dan, are trapped within the Cave of their own minds. Only those few warriors who see the light, who cut free, surrendering everyming, can laugh into eternity. And so will you, my friend."
Page 45
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."
ATONEMENT
- |
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- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
-
-
....
GODS = 9 9 = GODS
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
"Pythagoras, the old master philosopher and mathematician, who lived in the sixth century BC, propounded the theory that nothing in the universe could exist without numbers. He established a Mystery School in Italy when he was 52 years old. He was born in Greece and lived between 582 and 507 BC, much of his life spent in study and travel. His Mystery School taught esoteric knowledge, which included the secret of number and vibration."
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
“The World is built upon the power of Numbers” ...Pythagoras – 6th century BC.
T |
= |
2 |
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THE |
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W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
B |
= |
2 |
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BUILT |
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U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
T |
= |
2 |
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THE |
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P |
= |
7 |
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POWER |
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O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
N |
= |
5 |
- |
7 |
NUMBERS |
92 |
29 |
2 |
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First Total |
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- |
- |
4+1 |
- |
3+6 |
Add to Reduce |
2+7+9 |
1+8+0 |
3+6 |
|
|
5 |
|
9 |
Second Total |
|
9 |
9 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
|
|
5 |
|
9 |
Essence of Number |
9 |
9 |
9 |
WHEN THE GODS CAME DOWN
Alan Alford 2000
THE CITY BEYOND THE RIVER
Page 166
"Strangely enough, a text entitled. Kingship in Heaven is one of the most famous legacies from the ancient Hittite culture. The text tells a strange story of gods rising up from the Earth and Challenging the gods in the heavenly 'city' of Kummiya, but it begins with a brief account of a battle in Heaven between two rival god-kings:
Let there listen the gods who are in Heaven and those who are in the
dark -hued Earth... Once in the olden days Alalus was king in Heaven. While Alalus was seated on the throne, the mighty Anus, frst among
the gods, was standing before him.
He [Anus] would sink at his feet and set the drinking cup in his hand. Nine in number were the periods that Alalus was king in Heaven. In the ninth year Anus gave battle to Alalus and he vanquished him. Alalus fled before him and went down to the dark-hued Earth... Anus was seated upon the throne...
Nine in number were the years that Anus was king in Heaven.
In the ninth year... Kumarbis, like Alalus, gave battle to Anus...87
The text records that Anus gave way to 'the Storm-god' in his ninth year, which when added to the nine-year reign of Alalus produces a combined total of eighteen years (or sars). Now, in ancient times, a sar amounted / Page 166 / to 3,600 years, and thus eighteen sars amounted to 64,800 years. Amazingly, this is exactly the same duration as the total reign of the two kings of Eridu - the very first city of kingship in the first part of the Sumerian Kings List. 88
So, perhaps the first Sumerian 'cities' really did drop out of the Sky, just like the Hittite god-kings Alalus and Anus.
Perhaps indeed, because the names Alalus and Anus bear an amazing similarity to the names of the first two Sumerian 'kings' of Eridu Alulim and Alalgar. The correspondence is indeed even more stunning if we take into account a variant reading of the Sumerian Alulim as Aalu (compare again: Hittite Alalus).89
Page 166
"Let there listen the gods who are in Heaven and those who are in the dark -hued Earth... Once in the olden days Alalus was king in Heaven. While Alalus was seated on the throne, the mighty Anus, frst among
the gods, was standing before him.
He [Anus] would sink at his feet and set the drinking cup in his hand.
Nine in number were the periods that Alalus was king in Heaven.
In the ninth year Anus gave battle to Alalus and he vanquished him. Alalus fled before him and went down to the dark-hued Earth... Anus was seated upon the throne.
..
Nine in number were the years that Anus was king in Heaven.
In the ninth year... Kumarbis, like Alalus, gave battle to Anus...87
The text records that Anus gave way to 'the Storm-god'
in his ninth year,
which when added to the nine-year reign of Alalus produces a combined total of eighteen years (or sars).
"Now, in ancient times, a sar amounted to 3,600 years,"
SAR RAS
TSARSARAT
WHEN THE GODS CAME DOWN
Alan Alford 2000
Page 20
"...the darkness of the underworld could be dispelled by the light of the Sungod (Re), Who would unite with Osiris in the bottommost caverns of the underworld, and hence resurrect the dead god to life.
In ancient Egypt, then, all of the ancient mysteries seem to come together. We have the light-in-the-underworld motif (Re). We have the divine child motif (Horus). And we have the life after death, or rebirth,
motif (Osiris).
Unfortunately, we also have once again the forbidden knowledge
motif. .The secrets of Re, Osiris, Isis and Horus are mysteries which have
- been preserved intact for thousands of years, and they are not going to
yield their secrets easily. Isis, for example, was The goddess whose
temple at Sais boasted the following enigmatic inscription:
I, Isis, am all that has been, that is, or shall be. No mortal man hath
ever unveiled me.75
These words seem intended to be not so much a statement of historical fact, but rather a warning tb the initiated: "Will you dare to unveil my secrets?" '"
A similar theme involving Isis was picked up by a Hermetic text,
which was written in Alexandria some two thousand years ago. The text, entitled The Virgin of the World, is a typical example of what we have to deal with - it is .full of metaphors, allegories and code-words. It states, for example, that the highest level of initiation into the Egyptian Mysteries was the 'Black Rite' of Isis, which was connected to a mysterious something called 'Night' - not night as in the mundane sense of the night sky, but rather to Night as a higher power, which moved in Heaven, and 'weaved her web with rapid light' .76 This Night, whatever it
was, sqpposedly honoured Isis and. 'gave her perfection'.77
What could this mean? How could Night be associated with light? The text informs us that the 'rapid light' of Night was 'less than the Sun's', i.e. the light was not that of the Sun. One is reminded of the words of Robert Hewitt Brown cited earlier - the Sun was 'only a symbol of the great Creator'. This, he said, was the crowning secret, along with a
knowledge of what the true God really was.
'Night', then, was a code-word. So was 'light'. And so was 'Sun'. The
uninitiated were not supposed to know what any of this meant.
The mystery is summed up perfectly in one of the most famous passages of The Virgin of the World, where Horns was made to ask Isis about the secret of his divine birth:
And Horu said: "How was it, mother, then, that Earth received God's
Efflux?" And Isis said: "I may not tell the story of (this) birth; for it is / Page 21 /
7 |
|
|
|
|
- |
E+L+E+U+S |
62 |
26 |
8 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
7 |
ELEUSIS |
90 |
45 |
9 |
- |
- |
9+0 |
4+5 |
- |
7 |
ELEUSIS |
9 |
9 |
9 |
WHEN THE GODS CAME DOWN
Alan Alford 2000
Page 98
"Perhaps the most dramatic account of the separation of Heaven and Earth appears in the Egyptian legend of The Destruction of Mankind. 'The god Re had descended to Earth in pnmeval times, had created mankind and had begun to 'rule that which he had made'.41 But mankind later rose up in rebellion agalnsf.Re, complaining that the god had grown old, that his 'bones' had. become like silver, his 'body members' like gold, and his 'hair' like lapis lazuli.42 Re, perceiving the weakness of his 'members', then began to fear a second death, 'as at the first time', and announced his intention to 'depart from the worldof men. Thereupon, Re was lifted up to Heaven on the back of Nut (the latter- in the form of a cow), but with' both of them being supported by Shu. The tale is summarised as follows in.Re' s own words:
"I [Re] am departing from rnankind, and anyone who wants to see me must come after me"... Then the Majesty of this god [Re] looked forth from its '[Earth's?] interior, saying:' "Gather together, and make ready for me an abode for multitudes... Let a great field be produced." Thereupon the Field of Hetep came into being. (And Re said:) "I will make to dwell in it things like stars of all sorts Thereupon the Akhekha-stars came into being. Then the goddess Nut trembled because of the height. And the majesty of Re said: I decree that there
be supports to bear the goddess up." Thereupon the props of Heaven came into being. And the Majesty of Re said:-"O my son Shu, 1 pray thee to Set thyself under my daughter Nut, and guard thou for me the
supports of the millions which are there, and which live in darkness."43 "
|
THE |
33 |
15 |
6 |
|
FIELD |
36 |
27 |
9 |
|
OF |
21 |
12 |
3 |
|
HETEP |
54 |
27 |
9 |
15 |
First Total |
144 |
81 |
27 |
1+5 |
Add to Reduce |
1+4+4 |
8+1 |
2+7 |
6 |
Reduce to Deduce |
9 |
9 |
9 |
7 |
AKHEKHA |
- |
- |
- |
3 |
AKH |
20 |
11 |
2 |
1 |
E |
5 |
5 |
5 |
3 |
KHA |
20 |
11 |
2 |
7 |
AKHEKHA |
45 |
27 |
9 |
- |
Add to Reduce |
4+5 |
2+7 |
- |
7 |
Reduce to Deduce |
9 |
9 |
9 |
2 |
RE |
23 |
14 |
5 |
3 |
SHU |
48 |
12 |
3 |
3 |
NUT |
55 |
10 |
1 |
8 |
First Total |
108 |
36 |
9 |
- |
Add to Reduce |
1+0+8 |
3+6 |
- |
8 |
Reduce to Deduce |
9 |
9 |
9 |
4 |
|
|
|
|
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
4 |
HERA |
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
HERA |
5 |
5 |
5 |
Hera
Wikipedia
https://en.wikipedia.org › wiki › Hera
Hera is the goddess of marriage and childbirth rather than motherhood, and much of her mythology revolves around her marriage with her brother Zeus. She is ...
?Hera (disambiguation) · ?Barberini Hera · ?Hera Farnese · ?Angelos (mythology)
Queen of the Gods
Goddess of marriage, women, marital harmony, and the protector of women during childbirth
Member of the Twelve Olympians
The Campana Hera, a Roman copy of a Hellenistic original, from the Louvre
Major cult center Argos, Mycenae, Samos
Abode Mount Olympus
Animals Cow, cuckoo, peacock
Symbol Pomegranate, sceptre, crown (polos or diadem)
Personal information
Parents Cronus and Rhea
Siblings Poseidon, Hades, Demeter, Hestia, Zeus
Consort Zeus
Children Angelos, Arge, Ares, the Charites, Eileithyia, Eleutheria, Eris, Hebe, Hephaestus
Equivalents
Roman equivalent Juno
Part of a series on
Ancient Greek religion
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Sacred Places
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In ancient Greek religion, Hera (/'h?r?, 'h??r?/; Greek: ??a, translit. H?ra; ???, H?re in Ionic and Homeric Greek) is the goddess of marriage, women, and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offended her, especially Zeus's numerous adulterous lovers and illegitimate offspring.
Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a polos or diadem, sometimes veiled as a married woman.[1] She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo, and peacock. She is sometimes shown holding a pomegranate as an emblem of immortality. Her Roman counterpart is Juno.[2]
Etymology
The name Hera has several possible and mutually exclusive etymologies. One possibility is to connect it with Greek ??a hora, season, and to interpret it as ripe for marriage and according to Plato ??at? erate, "beloved"[3] as Zeus is said to have married her for love.[4] According to Plutarch, Hera was an allegorical name and an anagram of aer (???, "air").[5] So begins the section on Hera in Walter Burkert's Greek Religion.[6] In a note, he records other scholars' arguments "for the meaning Mistress as a feminine to Heros, Master." John Chadwick, a decipherer of Linear B, remarks "her name may be connected with heros, ????, 'hero', but that is no help since it too is etymologically obscure."[7] A. J. van Windekens,[8] offers "young cow, heifer", which is consonant with Hera's common epithet ß??p?? (boopis, "cow-eyed"). R. S. P. Beekes has suggested a Pre-Greek origin.[9] Her name is attested in Mycenaean Greek written in the Linear B syllabic script as ???? e-ra, appearing on tablets found in Pylos and Thebes,[10] as well as in the Cypriotic dialect in the dative e-ra-i.[11]
4 |
|
|
|
|
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
4 |
|
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
|
5 |
5 |
5 |
4 |
|
|
|
|
- |
R |
18 |
9 |
9 |
- |
H |
8 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
A |
1 |
1 |
1 |
4 |
|
32 |
23 |
23 |
- |
- |
3+2 |
2+3 |
2+3 |
4 |
|
5 |
5 |
5 |
4 |
|
|
|
|
- |
Z |
26 |
8 |
8 |
- |
E |
5 |
5 |
5 |
- |
U |
21 |
3 |
3 |
- |
S |
19 |
10 |
1 |
4 |
|
71 |
26 |
23 |
- |
- |
7+1 |
2+3 |
2+3 |
4 |
|
8 |
5 |
5 |
ZEUS Z 531- Z - Z -531 ZEUS
Wikipedia
https://en.wikipedia.org › wiki › Zeus
Zeus is the sky and thunder god in ancient Greek religion and mythology, who rules as king of the gods on Mount Olympus. His name is cognate with the first ...
?Name · ?Mythology
Rhea (mythology)
Wikipedia
https://en.wikipedia.org › wiki › Rhea_(mythology)
rhea zeus from en.wikipedia.org
In it, as storytellers say, Rhea gave birth to Zeus; it is a sacred place and no one is to go near it, whether god or mortal. At the appointed time each year a ...
?Mythology · ?Cult · ?Depiction in ancient literature · ?Descendants
MALTA;THE SKULL OF THE MOTHER GODDESS
By Adriano Forgione (HERA magazine), Rome, Italy
Professor Walter B. Emery (1903-1971), the famous Egyptologist,
author of "Archaic Egypt", who excavated at Saqquara in the 30's,
indeed discovered the remains of individuals who lived in
pre-dynastic epoch. These presented a dolichocephalous skull, larger
than that of the local ethnic group, fair hair and a taller, heavier build.
Emery declared that this stock wasn't indigenous to Egypt but had
performed an important sacerdotal and governmental role in this
country. This race kept its distance from the common people,
blending only with the aristocratic classes and the scholar associated
them with the Shemsu Hor, the "disciples of Horus". The Shemsu
Hor are recognized as the dominant sacerdotal caste in pre-dynastic
Egypt (until approximately 3000 B.C.), being mentioned in the Turin
papyrus and the list of the kings of Abydos."
EUS USE USE EUS
ODYSSEUS
PERSEUS
ZEUS
THESEUS
ORPHEUS
PROMETHEUS
EUS USE USE EUS
5+3+1 3+5+1 3+5+1 5+3+1
- |
ODYSSEUS |
- |
- |
- |
|
O+D+Y+S+S |
82 |
19 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
THESEUS |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
7 |
THESEUS |
|
|
|
|
- |
1+6 |
- |
- |
|
THESEUS |
|
|
|
- |
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
ORPHEUS |
102 |
39 |
17 |
- |
- |
1+0+2 |
3+9 |
1+7 |
7 |
ORPHEUS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
7 |
ORPHEUS |
3 |
3 |
3 |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
10 |
PROMETHEUS |
71 |
17 |
17 |
1+0 |
- |
7+1 |
1+7 |
1+7 |
1 |
PROMETHEUS |
8 |
8 |
8 |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
HERCULES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
HERCULES |
|
|
|
|
- |
1+6 |
- |
- |
|
HERCULES |
|
|
|
|
ACHILLES |
- |
- |
- |
|
ACHIL |
33 |
24 |
6 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
ACHILLES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
ACHILLES |
|
|
|
|
- |
1+6 |
- |
- |
|
ACHILLES |
|
|
|
- |
ZEUS |
- |
- |
- |
|
Z |
26 |
8 |
|
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
82 |
19 |
|
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
58 |
22 |
4 |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
3 |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
- |
- |
- |
|
Z |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
- |
- |
- |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
- |
- |
- |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
E |
U |
S |
|
Z |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
5 |
3 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
5 |
3 |
|
10 |
PROMETHEUS |
- |
- |
- |
Need help with a greek word
ww.usingenglish.com › ... › Pronunciation and Phonetics
1 post - 1 author - 21 Dec 2009
Hi I'm preparing a presentation over the winter break. My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good ...
Hi
I'm preparing a presentation over the winter break.
My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good or well) genēs(born), so the origin of the word means
"Well Born" I just wanted to know if anyone knew how to pronounce each of these
italicized/bolded words.
Thanks and Happy Holidays everyone ;D
English Word Origins: PART THREE
www.class.uidaho.edu/luschnig/EWO/part_three.htm
3rd-1st declension: -us, -eia, -u; -Çn, -ousa, -on. Rules for making Greek words conform to Latin orthographical and morphological conventions [i.e. rules of ...
Thera - 2.3 The Exodus explained
www.riaanbooysen.com/thera?start=3
The Greek word for 'chariot' is harma ('arma'), and the Greek word eus simply means good. Harmaeus (Hermeus / Armais) therefore means something like "The ...
Question for classically-educated forum members [Archive] - JREF Forum
forums.randi.org › ... › General Topics › History, Literature, and the Arts
20 posts - 12 authors - 12 Aug 2003
To make things more complicated, in Greek, words that end in -eus are stressed in the last syllable. Note that -eus is pronounced -efs ...
Prometheus - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Prometheus
Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his ... The ancients believed that the name Prometheus derived from the Greek pro (before) + manthano (learn) and the agent suffix -eus, thus meaning "Forethinker". Plato contrasts Prometheus with his dull-witted brother Epimetheus , "Afterthinker".
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
|
|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
|
- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
U |
= |
3 |
|
|
ULYSSES |
|
- |
|
|
|
|
|
1 |
U |
21 |
12 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
Y |
25 |
7 |
7 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
1 |
S |
19 |
10 |
1 |
U |
= |
3 |
|
7 |
|
|
|
|
|
|
|
|
1+8 |
|
1+2+0 |
5+7 |
2+1 |
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1+2 |
|
U |
= |
3 |
|
|
|
|
|
|
U |
= |
3 |
|
|
ULYSSES |
|
- |
|
|
|
|
|
1 |
U |
21 |
12 |
3 |
|
|
|
|
1 |
L |
12 |
3 |
3 |
|
|
|
|
1 |
Y+E |
30 |
12 |
3 |
|
|
|
|
1 |
S+S+S |
57 |
30 |
3 |
U |
= |
3 |
|
7 |
|
|
|
|
|
|
|
|
1+8 |
|
1+2+0 |
5+7 |
2+1 |
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1+2 |
|
U |
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
1 |
1 |
|
1 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
19 |
19 |
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
3 |
3 |
7 |
|
|
5 |
|
|
|
|
|
|
|
|
|
- |
- |
21 |
12 |
25 |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
- |
- |
- |
21 |
12 |
25 |
19 |
19 |
5 |
19 |
|
|
|
|
|
|
|
|
- |
- |
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
1+6 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3 |
3 |
7 |
1 |
1 |
5 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
|
3 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
|
3 |
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
2 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
ATUM |
55 |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
4+4 |
|
5+5 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
65 |
29 |
2 |
8 |
|
68 |
32 |
5 |
16 |
|
|
|
|
|
|
1+3+3 |
6+1 |
- |
7 |
|
7 |
7 |
7 |
7 |
|
92 |
29 |
2 |
7 |
|
99 |
27 |
9 |
14 |
|
|
|
|
|
|
1+9+1 |
5+6 |
1+1 |
5 |
|
11 |
11 |
2 |
- |
- |
|
1+1 |
- |
5 |
|
|
|
|
9 |
|
87 |
33 |
6 |
9 |
|
84 |
30 |
3 |
18 |
|
|
|
|
|
|
1+7+1 |
6+3 |
- |
9 |
|
9 |
9 |
9 |
CREATORS REACTORS CREATORS
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
R |
= |
9 |
- |
8 |
REACTORS |
99 |
36 |
9 |
- |
- |
|
- |
16 |
First Total |
|
|
|
- |
- |
1+2 |
- |
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
1+8 |
- |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
7 |
Essence of Number |
|
|
|
|
- |
|
- |
- |
CREATORS |
|
- |
- |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
- |
- |
|
- |
8 |
CREATORS- |
|
|
|
- |
- |
3+6 |
- |
- |
- |
9+9 |
3+6 |
3+6 |
- |
- |
|
- |
8 |
CREATORS- |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
8 |
-CREATORS |
|
|
|
|
- |
|
- |
- |
REACTORS |
|
- |
- |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
- |
- |
3+6 |
- |
- |
- |
9+9 |
3+6 |
3+6 |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
B |
= |
2 |
- |
- |
BEING |
- |
- |
- |
``- |
``- |
- |
- |
1 |
B |
2 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
``- |
``- |
- |
- |
1 |
I |
9 |
9 |
9 |
``- |
``- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
B |
= |
2 |
- |
5 |
BEING |
37 |
28 |
10 |
- |
- |
- |
- |
- |
- |
3+7 |
2+8 |
1+0 |
B |
= |
2 |
- |
5 |
BEING |
10 |
10 |
10 |
- |
- |
- |
- |
|
- |
1+0 |
1+0 |
1+0 |
B |
= |
2 |
- |
5 |
BEING |
|
|
|
B |
= |
2 |
- |
5 |
BEING |
37 |
28 |
1 |
N |
= |
5 |
- |
3 |
NON |
43 |
16 |
7 |
B |
= |
2 |
- |
5 |
BEING |
37 |
28 |
1 |
- |
- |
9 |
- |
13 |
Add to Reduce |
117 |
72 |
9 |
- |
- |
- |
- |
1+3 |
Reduce to Deduce |
1+1+7 |
7+2 |
- |
- |
- |
9 |
- |
4 |
Essence of Number |
9 |
9 |
9 |
``- |
- |
- |
- |
- |
BECOMING |
- |
- |
- |
B |
= |
2 |
- |
1 |
B |
2 |
2 |
2 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
G |
``- |
7 |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
41 |
- |
8 |
BECOMING |
68 |
41 |
41 |
- |
- |
4+1 |
- |
1+0 |
- |
6+8 |
4+1 |
4+1 |
- |
- |
5 |
- |
|
BECOMING |
14 |
5 |
5 |
- |
- |
- |
- |
|
- |
1+4 |
- |
- |
- |
- |
|
- |
8 |
BECOMING |
|
|
|
``- |
- |
- |
- |
- |
BECOMING |
- |
- |
- |
B |
= |
2 |
- |
1 |
B |
2 |
2 |
2 |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
41 |
- |
8 |
BECOMING |
68 |
41 |
41 |
- |
- |
4+1 |
- |
1+0 |
- |
6+8 |
4+1 |
4+1 |
- |
- |
5 |
- |
|
BECOMING |
14 |
5 |
5 |
- |
- |
- |
- |
|
- |
1+4 |
- |
- |
- |
- |
|
- |
8 |
BECOMING |
|
|
|
THE MISSING NUMBERS 1 AND 8 = 9
|
|
|
|
7 |
|
98 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
1 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
3 |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
8 |
BECOMING |
68 |
41 |
41 |
|
|
|
|
|
10 |
6 |
7 |
|
9 |
- |
- |
4+1 |
- |
|
- |
6+8 |
4+1 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
- |
- |
5 |
- |
|
BECOMING |
14 |
5 |
5 |
|
|
|
|
|
1 |
|
|
|
|
- |
- |
- |
- |
|
- |
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
BECOMING |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE MISSING NUMBERS 1 AND 8 = 9
|
|
|
|
7 |
|
98 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
1 |
1 |
B |
2 |
2 |
2 |
|
1 |
|
|
|
|
|
|
8 |
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
3 |
1 |
C |
3 |
3 |
3 |
|
1 |
|
|
|
|
|
|
8 |
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
1 |
|
|
|
|
|
|
8 |
9 |
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
8 |
BECOMING |
68 |
41 |
41 |
|
|
|
|
|
10 |
6 |
7 |
|
9 |
- |
- |
4+1 |
- |
|
- |
6+8 |
4+1 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
- |
- |
5 |
- |
|
BECOMING |
14 |
5 |
5 |
|
|
|
|
|
1 |
|
|
|
|
- |
- |
- |
- |
|
- |
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
BECOMING |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
7 |
|
98 |
44 |
8 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
1 |
1 |
B |
2 |
2 |
2 |
|
1 |
|
|
|
|
|
|
8 |
|
C |
= |
3 |
3 |
1 |
C |
3 |
3 |
3 |
|
1 |
|
|
|
|
|
|
8 |
|
|
|
|
5 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
6 |
1 |
I |
9 |
9 |
9 |
|
1 |
|
|
|
|
|
|
8 |
9 |
|
|
41 |
- |
8 |
BECOMING |
68 |
41 |
41 |
|
|
|
|
|
10 |
6 |
7 |
|
9 |
- |
- |
4+1 |
- |
|
- |
6+8 |
4+1 |
4+1 |
|
|
|
|
|
1+0 |
|
|
|
|
- |
- |
5 |
- |
|
BECOMING |
14 |
5 |
5 |
|
|
|
|
|
1 |
|
|
|
|
- |
- |
- |
- |
|
- |
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
BECOMING |
|
|
|
|
|
|
|
|
|
|
|
|
|
SELF E FEELS
|
|
|
|
|
|
|
|
|
|
|
1 |
|
4 |
|
42 |
15 |
6 |
|
|
5 |
|
1 |
|
5 |
5 |
5 |
|
|
|
|
5 |
|
|
|
|
|
|
- |
|
- |
|
4+7 |
2+0 |
1+1 |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
1 |
|
4 |
|
42 |
15 |
6 |
|
|
5 |
|
1 |
|
5 |
5 |
5 |
|
|
6 |
|
5 |
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
1+2 |
|
1+0 |
|
9+4 |
4+0 |
1+3 |
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
|
|
1 |
|
|
|
|
|
|
1 |
|
4 |
SOUL |
67 |
13 |
4 |
|
|
1 |
|
4 |
SELF |
42 |
15 |
6 |
|
|
|
|
8 |
First Total |
|
|
|
|
|
- |
|
- |
Add to Reduce |
1+0+9 |
2+8 |
1+0 |
|
|
|
|
8 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
|
|
|
8 |
Essence of Number |
|
|
|
SELF E FEELS
SO U LIVE
|
SO U LIVE |
|
|
|
|
SO |
34 |
7 |
7 |
1 |
U |
21 |
3 |
3 |
5 |
LIVE |
48 |
21 |
3 |
8 |
|
|
|
|
- |
|
1+0+3 |
3+1 |
1+3 |
8 |
SO U LIVE |
|
|
|
SO U LOVE
|
SO U LOVE |
|
|
|
|
SO |
34 |
7 |
7 |
1 |
U |
21 |
3 |
3 |
5 |
LOVE |
54 |
18 |
9 |
8 |
|
|
|
|
- |
|
1+0+9 |
2+8 |
1+9 |
8 |
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
8 |
|
|
|
|
THE SPIRITUAL DIMENSION OF THE ENNEAGRAM
NINE
FACES OF THE SOUL
Sandra Maitri 2000
SOUL SO U LIVE
|
SO U LIVE |
|
|
|
|
SO |
34 |
7 |
7 |
1 |
U |
21 |
3 |
3 |
5 |
LIVE |
48 |
21 |
3 |
8 |
|
|
|
|
- |
|
1+0+3 |
3+1 |
1+3 |
8 |
SO U LIVE |
|
|
|
SOUL SO U LEARN
|
SO U LEARN |
|
|
|
|
SO |
34 |
7 |
7 |
1 |
U |
21 |
3 |
3 |
5 |
LEARN |
50 |
23 |
5 |
8 |
|
|
|
|
- |
|
1+0+5 |
3+3 |
1+5 |
8 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
SOUL SO U LOVE
|
SO U LOVE |
|
|
|
|
SO |
34 |
7 |
7 |
1 |
U |
21 |
3 |
3 |
5 |
LOVE |
54 |
18 |
9 |
8 |
|
|
|
|
- |
|
1+0+9 |
2+8 |
1+9 |
8 |
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
8 |
|
|
|
|
S |
= |
1 |
- |
4 |
SOUL |
67 |
13 |
4 |
S |
= |
1 |
- |
7 |
SO-U-LIVE |
103 |
31 |
4 |
S |
= |
1 |
- |
8 |
SO-U-LEARN |
105 |
33 |
6 |
S |
= |
1 |
- |
7 |
SO-U-LOVE |
109 |
28 |
1 |
S |
= |
1 |
- |
8 |
SOULIGHT |
111 |
39 |
3 |
S |
- |
5 |
|
34 |
First Total |
|
|
|
- |
- |
- |
- |
3+4 |
Add to Reduce |
4+9+5 |
1+4+4 |
1+8 |
- |
- |
5 |
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
4 |
SOUL |
67 |
13 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
SO YOU L |
107 |
26 |
7 |
4 |
LIVE |
48 |
21 |
3 |
2 |
I+O |
24 |
15 |
6 |
4 |
LOVE |
54 |
18 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+2+6 |
5+4 |
1+8 |
|
Essence of Number |
|
|
|
TALKIN G NUMBERS
1 + 8 - 9
AND 2 x 5
MORE THAN A CARPENTER
Josh Mc Dowell
Page 58 (number omitted)
Chapter
9
"Will the Real Messiah Please Stand up"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
AMEN ALL MEN ALL MEN AMEN
AMEN ALLWOMEN ALL WOMEN AMEN
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
2 |
Essence of Number |
|
|
|
Amen (gospel song)
Wikipedia
https://en.wikipedia.org › wiki › Amen_(gospel_song)
Lilies of the field amen WHO WROTE THIS from en.wikipedia.org
The song was arranged by Jester Hairston, for the Sidney Poitier film Lilies of the Field (1963), which popularized the song. Curtis Mayfield said "I'd gone to ...
"Amen" and Jester Hairston - Sing ...
Sing Out!
https://singout.org › amen-and-jester-hairston
Lilies of the field amen WHO WROTE THIS from singout.org
22 Mar 2008 — The song was written by Jester Hairston – an African American composer AND actor whose story has almost been forgotten.is another story about ...
23 Feb 2016 — The song is about a man coming to grips with his own mortality, being face to face with your own fate. Sort of the story of seeing the grim ...
4 answers
“Amen” Lyrics. Amen. Amen. Amen, amen, amen. Sing it over! Amen.
Amen lyrics – from The Lilies of the Field
Amen, amen, amen, Sing it over
“Amen” Lyrics.
Amen. Amen. Amen, amen, amen.
Sing it over!
Amen. Amen. Amen,amen, amen.
See the little baby., wrapped ina manger
On Christmas morning!
Singing in the temple, talking with the elders
Who marveled at His wisdom.
Down at the Jordan, John was baptizing
And savin' all sinners.
See Him at the seaside, talking with the fishermen
And made them disciples.
Marching in Jerusalem! Over palm branches
In pomp and splendor!
See Him in the garden, praying to His Father.
In deepest sorrow.
Led by Pilate, then they crucified Him
But He rose on Easter!
Hallelujah!
He died to save us.
And He lives forever!
amen, amen,
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
2 |
Essence of Number |
|
|
|
AMEN NAME MANE
7 |
|
|
|
|
- |
E+L+E+U |
43 |
16 |
7 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
7 |
ELEUSIS |
90 |
45 |
18 |
- |
- |
9+0 |
4+5 |
1+8 |
7 |
ELEUSIS |
9 |
9 |
9 |
6 |
ORACLE |
54 |
27 |
9 |
8 |
OMPHALOS |
99 |
36 |
9 |
5 |
|
58 |
31 |
4 |
5 |
|
56 |
29 |
2 |
5 |
SIGHT |
63 |
36 |
9 |
4 |
IGHT |
44 |
26 |
8 |
- |
HEAVEN EARTH HELL |
|
|
|
4 |
HELL |
37 |
19 |
1 |
5 |
|
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
15 |
|
|
|
|
|
|
1+4+4 |
7+2 |
- |
6 |
Reduce to Deduce |
9 |
9 |
9 |
15 |
H |
E |
L |
L |
- |
E |
A |
R |
T |
H |
- |
H |
E |
A |
V |
E |
N |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
8 |
- |
- |
- |
- |
5 |
+ |
= |
29 |
2+9 |
= |
11 |
1+1 |
= |
2 |
- |
8 |
- |
- |
- |
- |
- |
- |
-- |
- |
8 |
- |
8 |
- |
- |
- |
- |
14 |
+ |
= |
38 |
3+8 |
= |
11 |
1+1 |
= |
2 |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
V |
|
|
|
|
|
|
|
|
|
- |
- |
|
8 |
5 |
12 |
12 |
- |
5 |
1 |
18 |
20 |
8 |
- |
8 |
5 |
1 |
22 |
5 |
14 |
|
|
|
|
|
9 |
|
|
|
|
6 |
1 |
9 |
9 |
- |
9 |
1 |
9 |
9 |
1 |
- |
8 |
6 |
9 |
3 |
1 |
1 |
|
|
|
|
|
|
|
|
|
15 |
H |
E |
L |
L |
- |
E |
A |
R |
T |
H |
- |
H |
E |
A |
V |
E |
N |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
H+E+A |
14 |
14 |
|
|
V+E |
27 |
9 |
|
|
N+E+A |
20 |
11 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+L+L |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
E+A |
6 |
6 |
|
|
R |
18 |
9 |
|
|
T+H+H |
36 |
18 |
|
|
E+A |
6 |
6 |
|
|
V+E |
27 |
9 |
|
|
N+H+E |
27 |
18 |
|
|
L+L |
24 |
6 |
|
|
|
|
|
|
5 |
DEVIL |
52 |
25 |
7 |
3 |
|
26 |
17 |
8 |
8 |
|
|
|
|
|
|
7+8 |
4+2 |
1+5 |
8 |
|
15 |
6 |
6 |
- |
- |
|
- |
- |
8 |
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
5 |
|
55 |
10 |
1 |
8 |
|
|
|
|
|
|
8+1 |
2+7 |
- |
8 |
|
9 |
9 |
9 |
3 |
GOD |
26 |
17 |
8 |
4 |
|
37 |
19 |
1 |
7 |
|
|
|
|
|
|
6+3 |
3+6 |
- |
7 |
|
9 |
9 |
9 |
5 |
DEVIL |
52 |
25 |
7 |
4 |
|
37 |
19 |
1 |
9 |
|
|
|
|
|
|
8+9 |
4+4 |
- |
9 |
|
17 |
8 |
8 |
- |
- |
|
- |
- |
9 |
|
|
|
|
6 |
HEAVEN |
55 |
28 |
1 |
3 |
|
26 |
17 |
8 |
9 |
|
|
|
|
|
|
8+1 |
4+5 |
- |
9 |
|
9 |
9 |
9 |
5 |
DEVIL |
52 |
25 |
7 |
6 |
|
55 |
28 |
1 |
11 |
|
|
|
|
|
|
1+0+7 |
5+3 |
- |
2 |
|
8 |
8 |
8 |
5 |
DEVIL |
52 |
25 |
7 |
5 |
|
52 |
25 |
7 |
10 |
HELIOPOLIS |
120 |
57 |
3 |
6 |
|
66 |
21 |
3 |
5 |
|
58 |
13 |
4 |
11 |
ELEPHANTINE |
109 |
55 |
1 |
4 |
NILE |
40 |
22 |
4 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
|
R |
18 |
9 |
|
|
N |
14 |
5 |
|
|
I |
9 |
9 |
|
|
L+E |
17 |
8 |
|
|
|
|
|
|
8 |
POSITIVE |
115 |
43 |
7 |
8 |
|
83 |
38 |
2 |
16 |
|
|
|
|
|
|
1+9+8 |
8+1 |
- |
7 |
|
18 |
9 |
9 |
- |
- |
|
- |
- |
7 |
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
6 |
|
91 |
37 |
1 |
9 |
|
|
|
|
|
|
1+1+7 |
5+4 |
- |
9 |
|
9 |
9 |
9 |
|
|
|
|
|
|
P+O+S+I+T |
79 |
25 |
|
|
I+V+E |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
N+E+G+A+T |
79 |
25 |
|
|
I+V+E |
36 |
18 |
|
|
|
|
|
|
- |
POSITIVE NEGATIVE |
|
|
|
8 |
POSITIVE |
115 |
43 |
7 |
8 |
|
83 |
38 |
2 |
16 |
|
|
|
|
|
|
1+9+8 |
8+1 |
|
7 |
NEGATIVE POSITIVE |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
7 |
POSITIVE NEGATIVE |
9 |
9 |
9 |
I
AM
THAT I AM THAT
I AM I AM
|
|
|
|
|
THE NINETY NINE NAMES OF GOD |
|
|
|
T |
= |
2 |
|
3 |
|
33 |
15 |
|
N |
= |
5 |
|
6 |
|
87 |
33 |
|
N |
= |
5 |
|
4 |
|
42 |
24 |
|
N |
= |
5 |
|
5 |
|
52 |
16 |
|
O |
= |
6 |
|
2 |
|
21 |
12 |
|
G |
= |
7 |
- |
3 |
|
26 |
17 |
|
- |
- |
30 |
- |
|
THE NINETY NINE NAMES OF GOD |
|
|
|
- |
- |
3+0 |
- |
2+3 |
- |
2+6+1 |
1+1+7 |
3+6 |
- |
- |
3 |
- |
|
THE NINETY NINE NAMES OF GOD- |
|
|
|
LIVING THE MYTH
-t- |
THE MYTH |
- |
- |
- |
3 |
|
33 |
15 |
|
4 |
|
66 |
21 |
|
|
THE MYTH |
|
|
|
|
- |
9+9 |
3+6 |
|
|
THE MYTH |
|
|
|
|
- |
1+8 |
- |
|
|
THE MYTH |
|
|
|
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
DAILY TELEGRAPH
4-5-05
"A 2.300 year old mummy, decribed as the possibly the most finely decorated ever found, was unveiled by Egyptian archeologists yesterday."
It lay within the Necropolis of King Teti, a funerary area containing scenes of burial chambers, and will be displayed at Saqqara's Imhotep Museum"
3 |
THE |
33 |
15 |
6 |
10 |
|
126 |
54 |
9 |
2 |
|
21 |
12 |
|
4 |
TETI |
54 |
18 |
|
19 |
Add to Reduce |
|
|
|
1+2 |
|
2+3+4 |
9+9 |
|
|
Reduce to Deduce |
|
|
|
|
|
- |
1+8 |
|
|
Essence of Number |
|
|
|
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
YORKSHIRE POST
4-5-05
"FACE FROM THE PAST"
"A richly decorated mummy dating back more than 2,300 years is pictured on its wooden sarcophagus, at Egypt's Saqqara Pyramids complex south of Cairo"
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
YORKSHIRE POST
9-3-05
"Scan solves riddle of King Tuts murder"
EGYPTIAN KING TUTANKHAMUN
was not murdered 3,500 years ago, a CT scan on his remains has revealed.
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
SCIENTIFIC AMERICAN
updated from the 1996 issue
Page 68
Daily Life i Ancient Egypt
Andre G Mc Dowell
"Workmen and their families lived some 3000 years ago in the village now known as"
"Deir el Medina"
DEIR EL MEDINA
- |
|
- |
- |
- |
|
|
9 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
17 |
8 |
8 |
|
|
18 |
9 |
|
|
|
4 |
4 |
4 |
|
|
9 |
9 |
|
|
|
15 |
6 |
|
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
|
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
- |
|
- |
- |
- |
|
|
9 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
17 |
8 |
8 |
|
|
18 |
9 |
|
|
|
28 |
19 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
|
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
Denderah - Visit Denderah, Egypt
The sculptured Dendera zodiac (or Denderah zodiac) is a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and Libra (the scales). This chapel was begun in the late Ptolemaic period; its pronaos was added by the emperor Tiberius. This led Jean-François Champollion to date the relief to the Greco-Roman period, but most of his contemporaries believed it to be of the New Kingdom.
The relief, which John H. Rogers characterised as "the only complete map that we have of an ancient sky",[1] has been conjectured in the past to represent the basis on which later astronomy systems were based.[2] It is now on display at the Musée du Louvre, Paris.
The sculptured Dendera zodiac (or Denderah zodiac) is a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and Libra (the scales). This chapel was begun in the late Ptolemaic period; its pronaos was added by the emperor Tiberius. This led Jean-François Champollion to date the relief to the Greco-Roman period, but most of his contemporaries believed it to be of the New Kingdom.
The relief, which John H. Rogers characterised as "the only complete map that we have of an ancient sky",[1] has been conjectured in the past to represent the basis on which later astronomy systems were based.[2] It is now on display at the Musée du Louvre, Paris.
- |
|
- |
- |
- |
|
|
36 |
27 |
|
|
EL |
17 |
8 |
|
|
|
46 |
28 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
|
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
Denderah - Visit Denderah, Egypt
The sculptured Dendera zodiac (or Denderah zodiac) is a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and Libra (the scales). This chapel was begun in the late Ptolemaic period; its pronaos was added by the emperor Tiberius. This led Jean-François Champollion to date the relief to the Greco-Roman period, but most of his contemporaries believed it to be of the New Kingdom.
The relief, which John H. Rogers characterised as "the only complete map that we have of an ancient sky",[1] has been conjectured in the past to represent the basis on which later astronomy systems were based.[2] It is now on display at the Musée du Louvre, Paris.
The sculptured Dendera zodiac (or Denderah zodiac) is a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and Libra (the scales). This chapel was begun in the late Ptolemaic period; its pronaos was added by the emperor Tiberius. This led Jean-François Champollion to date the relief to the Greco-Roman period, but most of his contemporaries believed it to be of the New Kingdom.
The relief, which John H. Rogers characterised as "the only complete map that we have of an ancient sky",[1] has been conjectured in the past to represent the basis on which later astronomy systems were based.[2] It is now on display at the Musée du Louvre, Paris.
8 |
|
|
|
|
- |
D+E |
9 |
9 |
9 |
- |
N+D |
18 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
8 |
DENDERAH |
59 |
41 |
41 |
- |
- |
5+9 |
4+1 |
4+1 |
8 |
DENDERAH |
|
5 |
5 |
- |
- |
1+4 |
- |
- |
8 |
DENDERAH |
|
5 |
5 |
DENDERAH
Post by Theonetwo » 21 Jan 2025 17:47
https://973-eht-namuh-973.com/Alchemy/G ... LD%209.htm
In
the Osirian temple at Denderah, an inscription (translated by Budge, Chapter XV, Osiris and the Egyptian Resurrection) describes in detail the making of wheat paste models of each dismembered piece of Osiris to be sent out to the town where each piece is discovered by Isis. At the temple of Mendes, figures of Osiris were made from wheat and paste placed in a trough on the day of the murder, then water was added for several days, until finally the mixture was kneaded into a mold of Osiris and taken to the temple to be buried (the sacred grain for these cakes were grown only in the temple fields). Molds were made from the wood of a red tree in the forms of the sixteen dismembered parts of Osiris, the cakes of 'divine' bread were made from each mold, placed in a silver chest and set near the head of the god with the inward parts of Osiris as described in the Book of the Dead (XVII).
On the first day of the Festival of Ploughing, where the goddess Isis appeared in her shrine where she was stripped naked, paste made from the grain were placed in her bed and moistened with water, representing the fecund earth. All of these sacred rituals were "climaxed by the eating of sacramental god, the eucharist by which the celebrants were transformed, in their persuasion, into replicas of their god-man" (Larson 20).
...
the darkness of the underworld could be dispelled by the light of the Sungod (Re), Who would unite with Osiris in the bottommost caverns of the underworld, and hence resurrect the dead god to life.
In ancient Egypt, then, all of the ancient mysteries seem to come together. We have the light-in-the-underworld motif (Re). We have the divine child motif (Horus). And we have the life after death, or rebirth, motif (Osiris).
Unfortunately, we also have once again the forbidden knowledge motif. .The secrets of Re, Osiris, Isis and Horus are mysteries which have - been preserved intact for thousands of years, and they are not going to yield their secrets easily. Isis, for example, was The goddess whose temple at Sais boasted the following enigmatic inscription:
I, Isis, am all that has been, that is, or shall be. No mortal man hath ever unveiled me.75
These words seem intended to be not so much a statement of historical fact, but rather a warning tb the initiated: "Will you dare to unveil my secrets?"
A similar theme involving Isis was picked up by a Hermetic text, which was written in Alexandria some two thousand years ago. The text, entitled The Virgin of the World, is a typical example of what we have to deal with - it is .full of metaphors, allegories and code-words. It states, for example, that the highest level of initiation into the Egyptian Mysteries was the 'Black Rite' of Isis, which was connected to a mysterious something called 'Night' - not night as in the mundane sense of the night sky, but rather to Night as a higher power, which moved in Heaven, and 'weaved her web with rapid light' .76 This Night, whatever it was, supposedly honoured Isis and. 'gave her perfection'.77
What could this mean? How could Night be associated with light? The text informs us that the 'rapid light' of Night was 'less than the Sun's', i.e. the light was not that of the Sun. One is reminded of the words of Robert Hewitt Brown cited earlier - the Sun was 'only a symbol of the great Creator'. This, he said, was the crowning secret, along with a knowledge of what the true God really was.
'Night', then, was a code-word. So was 'light'. And so was 'Sun'. The uninitiated were not supposed to know what any of this meant.
The mystery is summed up perfectly in one of the most famous passages of The Virgin of the World, where Horus was made to ask Isis about the secret of his divine birth:"
Top
Theonetwo
Posts: 13
Joined: 27 Dec 2024 05:31
Contact: Contact Theonetwo
Re: DENDERAH
Post by Theonetwo » 21 Jan 2025 17:49
"The particular configuration of the planets among the constellations shown in the Zodiac of Dendera occurs only about once every thousand years. Two astrophysicists have dated it to between June 15 and August 15, 50 BCE."
Top
8 |
|
|
|
|
- |
D+E |
9 |
9 |
9 |
- |
N+D |
18 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
8 |
DENDERAH |
59 |
41 |
41 |
- |
- |
5+9 |
4+1 |
4+1 |
8 |
DENDERAH |
|
5 |
5 |
- |
- |
1+4 |
- |
- |
8 |
DENDERAH |
|
5 |
5 |
6 |
ZODIAC |
58 |
31 |
4 |
8 |
DENDERAH |
59 |
41 |
5 |
14 |
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+1+7 |
7+2 |
1+8 |
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ZODIAC |
58 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
8 |
DENDERAH |
59 |
41 |
5 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+7+1 |
9+9 |
1+8 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
- |
1+8 |
- |
1 |
Essence of Number |
|
|
|
6 |
|
|
|
|
- |
Z+O+D |
45 |
18 |
9 |
- |
I |
9 |
9 |
9 |
- |
A+C |
4 |
4 |
4 |
6 |
ZODIAC |
58 |
31 |
22 |
- |
- |
5+8 |
3+1 |
2+2 |
6 |
ZODIAC |
13 |
4 |
4 |
8 |
THIRTEEN |
99 |
45 |
9 |
6 |
ZODIAC |
58 |
31 |
4 |
8 |
DENDERA |
51 |
33 |
6 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+0+9 |
6+4 |
1+0 |
5 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+0+9 |
1+0 |
- |
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ZODIAC |
58 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
7 |
DENDERA |
51 |
33 |
6 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+6+3 |
9+1 |
1+9 |
9 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
9 |
Essence of Number |
|
|
|
CITY OF REVELATION.
John Michell. 1972
Page 36
" St Augustine in The City of God also writes of the perfection of number 6, for 'in this did God make perfect all his works. Wherefore this number is not to be despised, but has the esteem apparently con-firmed by many places of scripture. Nor was it said in vain of God's works: "Thou madest all things in number, weight and measure." ' It is the unique property of number 6, on account of which it was held perfect, that it is both the sum and the product of all its factors excluding itself, for 1 + 2 + 3 = 6 and 1 x 2 x 3 = 6.
6 is the number of the cosmos, and the Greek word,…" "…signifying the cosmic order, has the value by gematria of 600. The ancient astronomers adopted the mile as the unit which measures the cosmic intervals in terms of the number 6, and procured the following sacred numbers:
Diameter of sun = 864,000 miles ( 12 x 12 x 6000 )
Diameter of moon = 2160 miles ( 6 x 6 x 60 )
Diameter of earth = 7920 miles ( 12 x 660 )
Mean circumference of earth = 24,883.2 miles (12 x 12 x 12 x 12 x 1.2)
Speed of earth round sun = 66,600 miles per hour
Distance between earth and moon = 6 x 60 x 660 miles or 60 x earth's radius "
"Diameter of sun = 864,000 miles 8 + 6 + 4 = 18 1 + 8 = 9
"Diameter of moon = 2160 miles" 2 + 1 + 6 = 9
"Diameter of earth = 7920 miles" 7 + 9 + 2 = 18 1 + 8 = 9
"Mean circumference of earth = 24,883.2 miles" 2 + 4 + 8 + 8 + 3 + 2 = 27 2 + 7 = 9
"Speed of earth round sun = 66,600 miles per hour " 6 + 6 + 6 = 18 1 + 8 = 9
"Distance between earth and moon = 6 x 60 x 660 miles = 237600" 2 + 3 + 7 + 6 = 18 1 + 8 = 9
FINGERPRINTS OF THE GODS
Graham Hancock 1995
Chapter Nineteen
Page 153 1 + 5 + 3 = 9
"In Egypt's early dynastic period, more than 4500 years ago, an
'Ennead'
of
nine
- |
- |
- |
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
|
- |
|
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
1 |
E |
5 |
5 |
5 |
- |
|
- |
- |
2 |
A+D |
5 |
5 |
5 |
E |
= |
|
|
6 |
ENNEAD |
43 |
25 |
25 |
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
E |
= |
|
|
6 |
ENNEAD |
7 |
7 |
7 |
omnipotent deities was particularly adored by the priesthood at Heliopolis.
5 Likewise in central America both the Aztecs and the Mayas believed in an all-powerful system of nine deities."
|
|
33 |
15 |
|
|
|
66 |
30 |
|
9 |
First Total |
99 |
45 |
45 |
- |
Add to Reduce |
9+9 |
4+5 |
4+5 |
9 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
|
|
9 |
Essence of Number |
9 |
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
20 |
2 |
|
|
H |
8 |
8 |
|
|
|
5 |
5 |
|
|
|
- |
- |
- |
|
F |
6 |
6 |
|
- |
A |
1 |
1 |
1 |
|
|
13 |
4 |
|
|
I |
9 |
9 |
|
|
|
12 |
3 |
|
- |
Y |
25 |
7 |
7 |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
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1 |
|
20 |
2 |
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|
1 |
|
8 |
8 |
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1 |
|
5 |
5 |
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|
1 |
|
6 |
6 |
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|
1 |
|
1 |
1 |
|
|
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|
|
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|
|
1 |
|
13 |
4 |
|
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|
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|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
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|
|
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|
|
1 |
|
12 |
3 |
|
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|
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|
|
|
|
|
1 |
|
25 |
7 |
|
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|
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|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
- |
A |
1 |
1 |
1 |
|
|
20 |
2 |
|
|
|
12 |
3 |
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
F |
6 |
6 |
|
- |
Y |
25 |
7 |
7 |
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
|
- |
- |
- |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
- |
|
- |
- |
- |
|
|
11 |
2 |
|
|
EM |
18 |
9 |
|
|
|
25 |
7 |
7 |
|
KEMET |
|
|
|
1+2 |
|
5+4 |
1+8 |
|
|
KEMET |
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RA |
19 |
10 |
1 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+1 |
2+2+1 |
4+1 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+4 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RE |
23 |
14 |
5 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+5 |
2+2+5 |
4+5 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+8 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
2 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
3 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
4 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
|
6 |
|
89 |
53 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
7 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
8 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
9 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
10 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
5 |
|
81 |
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
13 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
15 |
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
4 |
|
56 |
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
1+0 |
|
|
5+4 |
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
1 |
1+5 |
- |
2+2+6 |
1+2+7 |
1+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
2 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
3 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
4 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
7 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
8 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
9 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
10 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
13 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
15 |
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
1+0 |
|
|
5+4 |
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
1 |
1+5 |
- |
2+2+6 |
1+2+7 |
1+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
2 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
13 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
15 |
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
10 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
8 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
7 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
3 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
4 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
9 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
1+0 |
|
|
5+4 |
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
1 |
1+5 |
- |
2+2+6 |
1+2+7 |
1+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANCRIBED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
|
|
|
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
2 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
S |
|
|
13 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
S |
|
|
15 |
|
S |
19 |
10 |
|
|
|
|
|
|
|
U |
|
|
10 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
O |
|
|
8 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
H |
|
|
7 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
I |
|
|
3 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
R |
|
|
4 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
I |
|
|
5 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
R |
|
|
9 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
|
|
|
1+0 |
|
5+4 |
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
|
|
|
- |
|
|
23 |
|
15 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
1 |
1+5 |
- |
2+2+6 |
1+2+7 |
1+9 |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
|
|
5 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
O |
|
|
|
|
OSIRIS |
89 |
53 |
|
H |
|
|
|
5 |
HORUS |
81 |
36 |
9 |
I |
|
|
|
|
ISIS |
56 |
38 |
|
|
|
23 |
|
15 |
|
|
|
|
- |
- |
2+3 |
1 |
1+5 |
- |
2+2+6 |
1+2+7 |
1+9 |
|
|
5 |
|
6 |
|
|
|
|
- |
- |
- |
1 |
- |
- |
1+0 |
1+0 |
1+0 |
|
|
5 |
|
6 |
|
|
|
|
ISIS IS ISIS
20 |
OSIRIS IRIS ISIS SIRIUS |
|
|
|
|
O |
15 |
6 |
|
|
S |
19 |
10 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
- |
I |
9 |
9 |
|
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
|
- |
U |
21 |
3 |
3 |
|
S |
19 |
10 |
|
20 |
|
|
|
|
20 |
|
|
|
|
|
OSIRIS |
89 |
53 |
|
|
ISIS |
56 |
38 |
|
|
IRIS |
55 |
37 |
|
|
SIRIUS |
95 |
50 |
|
20 |
|
|
|
|
2+0 |
- |
2+9+5 |
1+7+8 |
1+6 |
20 |
|
|
|
|
- |
- |
1+6 |
1+6 |
- |
20 |
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
|
6 |
|
89 |
53 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
4 |
|
56 |
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
4 |
|
55 |
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
6 |
|
95 |
50 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+5 |
|
2+0 |
|
2+9+5 |
1+7+8 |
1+1+5 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1+6 |
1+6 |
- |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+5 |
|
2+0 |
|
2+9+5 |
1+7+8 |
1+1+5 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1+6 |
1+6 |
- |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+5 |
|
2+0 |
|
2+9+5 |
1+7+8 |
1+1+5 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1+6 |
1+6 |
- |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
U |
|
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
1+1+5 |
|
2+0 |
|
2+9+5 |
1+7+8 |
1+1+5 |
|
|
|
|
9+9 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1+6 |
1+6 |
- |
|
|
|
|
1+8 |
|
|
|
|
|
OSIRIS ISIS IRIS SIRIUS |
|
|
|
|
|
|
|
|
OSIRIS ISIS SIRIUS ORION
|
|
|
|
|
|
OSIRIS |
89 |
53 |
|
4 |
ISIS |
56 |
38 |
|
|
SIRIUS |
95 |
50 |
|
|
ORION |
71 |
35 |
|
21 |
|
|
|
|
2+1 |
- |
3+1+1 |
1+7+6 |
2+3 |
3 |
|
|
|
|
- |
- |
- |
1+4 |
- |
3 |
|
|
5 |
|
|
|
|
|
|
OSIRIS ISIS SIRIUS ORION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
|
6 |
|
89 |
53 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
4 |
|
56 |
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
6 |
|
95 |
50 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
|
5 |
|
71 |
35 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OSIRIS ISIS SIRIUS ORION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+2 |
|
2+1 |
|
3+1+1 |
1+6+7 |
1+2+2 |
|
|
|
|
|
|
1+8 |
|
|
9+0 |
|
|
|
|
|
OSIRIS ISIS SIRIUS ORION |
|
|
|
|
|
|
|
|
|
|
|
|
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OSIRIS ISIS SIRIUS ORION |
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5 |
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OSIRIS |
89 |
53 |
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ISIS |
56 |
38 |
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SIRIUS |
95 |
50 |
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ORION |
71 |
35 |
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21 |
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GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
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IRIS |
55 |
28 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
5 |
7 |
KRISHNA |
80 |
35 |
8 |
7 |
SHRISTI |
102 |
39 |
3 |
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RISHI |
63 |
36 |
9 |
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ISHI |
45 |
27 |
9 |
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CHRIST |
77 |
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......
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
THE
LIVING GODS ENERGIES GODS LIVING
DIVINE THOUGHT THOUGHT DIVINE
THE
CREATORS
R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
GOD WITH US AND US WITH GOD
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Essence of Number |
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"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us).
Matthew 1:23 "The virgin will conceive and give birth to a ...
biblehub.com/matthew/1-23.htm
The Meaning of Immanuel, God with Us
www.orlutheran.com/html/immanuel.html
And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ...
Matthew 1:23 "The virgin will conceive and give birth to a ...
matthew/1-23.
“Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). New American Standard Bible "BEHOLD ...
Christ Emmanuel or God with Us - Grace Gems!
www.gracegems.org/W/e1.htm
"They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.
Isaiah 7:14 Explained - Immanuel God With Us
www.bibleanswerstand.org/immanuel.htm
This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).
Why wasn't Jesus named Immanuel? - GotQuestions.org
www.gotquestions.org/Immanuel-Jesus.html
by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.
Words Around "Emmanuel" in the English Dictionary
"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
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GOD WITH US |
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GOD WITH US |
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GOD WITH US |
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GOD WITH US |
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GOD WITH US 123456789 987654321 US WITH GOD
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54 |
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KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 253
Chapter 16
Message in a Bottle?
`We have reached this fascinating point in our evolution .. . we have reached the time when we know we can talk to each other across the distances between the stars .
Dr John Billingham, NASA Ames Research Center, 1995
Together with the ancient texts and rituals that are linked to them, could the vast monuments of the Giza necropolis have been designed to transmit a message from one culture to another - a message not across space, but across time?
Egyptologists reply to such questions by rolling their eyes and hooting derisively. Indeed they would not be 'Egyptologists' (or at any rate they could not long remain within that profession) if they reacted with anything other than scorn and disbelief to suggestions that the necropolis might be more than a cemetery, that the Great Sphinx might significantly predate the epoch of 2500 BC, and that the Pyramids might not be just 'royal tombs'. By the same token, no self-respecting Egyptologist would be prepared to consider, even for a moment, the outlandish possibility that some sort of mysterious `message' might have been encoded into the monuments.
So whom should we turn to for advice when confronted by what we suspect may be a message from a civilization so far distant from us in time as to be almost unknowable?
Anti-cipher
The only scientists actively working on such problems today are those involved in the Search for Extraterrestrial Intelligence - SETI for /Page 253/ short.- They endlessly sweep the heavens for messages from distant civilizations and they have therefore naturally had to give some thought to what might happen if they ever- did identify such a message. According to Dr Philip Morisson of the Massachusetts Institute of Technology:
To begin with we would know very little about it. If we received it we would not understand what we're getting. But we would have an unmistakable signal, full of structure, full of challenge. The best people would try to decode it, and it will be easy to do because those who have constructed i(would have made it easy to decode, otherwise there's no point. This is anti-cryptography: 'I want to make a message for you, who never got in touch with any symbols of mine, no key no clue, nevertheless you'll be able to read it . . I would have to fill it full of clues and unmistakable clever devices . . .1
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DECODE |
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DECODE |
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DECODE |
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DECIPHERED |
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DECIPHERED |
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DECIPHERED |
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1234 5 6789
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CIPHER |
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CIPHER |
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5 |
In his book, Cosmos, Professor Carl Sagan of Cornell University makes much the same point — and does so, curiously enough, with reference to the ancient Egyptian hieroglyphic system. He explains that the 'Egyptian hieroglyphics are, in significant part, a simple substitution cipher. But not every hieroglyph is a letter or syllable. Some are pictographs . . .' When it came to translation, this 'mix of letters and pictographs caused some grief for interpreters . . In the early nineteenth century, however, a breakthrough was made by the French scholar Champollion who deciphered the famous 'Rosetta Stone', a slab of black basalt bearing identical inscriptions in Egyptian hieroglyphics and in Greek. Since Champollion could read the Greek, all he needed was some kind of 'key' to relate specific hieroglyphs to specific Greek words or letters. This key was provided by the constant repetition in the Greek text of the name of Pharaoh Ptolemy V and an equal number of repetitions in the Egyptian text of a distinctive oblong enclosure — known as a cartouche — containing a repeated group of hieroglyphs. As Sagan comments:
The cartouches were the key . . . almost as though the Pharaohs of Egypt had circled their own names to make the going easier for Egyptologists two thousand years in the future . . . What a joy it must have been [for Champollion] to open this one-way communication channel with another civilization, to permit a culture that had been /Page 254/
mute for millennia to speak of its history, magic, medicine, religion, politics and philosophy.2
Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:
we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood? Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere.3
It seems to us that if there is indeed a very ancient 'message' at Giza then it is likely to be expressed in the language of science and mathematics that Sagan identifies — and for the same reason. Moreover, given its need to continue 'transmitting' coherently across thousands of years (and chasms of cultural change), we think that the composer of such a message would be likely to make use of the Precession of the Equinoxes, the one particular 'law of Nature' that can be said to govern, and measure — and identify — long periods of terrestrial time.
Durable vehicles
The Pyramids and the Great Sphinx at Giza are, above all else, as elegant, as complex, as internally consistent and as utterly 'alien' as the extraterrestrial intelligence that Sagan envisages (alien in the sense of the tremendous, almost superhuman scale of these structures and of their uncanny — and in our terms apparently unnecessary — precision).
Moreover, returning briefly to Dr Philip Morisson's remarks quoted earlier, we think that the Giza necropolis also qualifies rather well for the description 'packed full of clues and unmistakable clever devices'.4 Indeed, it seems to us that a truly astonishing quantum of /Page 255/ ingenuity was invested by the Pyramid builders to ensure that the four fundamental aspects of an 'unmistakable' message were thoroughly elaborated here:
1 the creation of durable, unequivocal markers which could serve as beacons to inflame the curiosity and engage the intelligence of future generations of seekers;
2 the use of the 'common language' of precessional astronomy;
3 the use of precessional co-ordinates to signal specific time-referents linking past to present and present to future;
4 Cunningly concealed store-rooms, or 'Halls of Records' that could only be found and entered by those who were fully initiated in the 'silent language' and thus could read and follow its clues.
In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context is understood, we have also to consider the amazing profusion of funerary texts that have come down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources.5 As we have seen, these texts operate like 'software' to the monuments' `hard charting the route that the Horus-King (and all other future seekers must follow.
We recall a remark made by Giorgio de Santillana Hertha von Dechend in Hamlet's Mill to the effect that the great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual story-tellers.6 In other words as long as a myth continues to be told true, it will also continue to transmit any higher message that may be concealed within its structure - even if neither the teller nor the hearer understands that message.
So, too, we suspect, with the ancient Egyptian funerary texts. We would be surprised if, the owners of many of the coffins and tomb walls onto which they were copied had even the faintest inkling that specific astronomical observations and directions were being duplicated at their expense. What motivated them was precisely what the texts offered - the lure of immortal life. Yet by taking that lure did they not in fact guarantee a kind of immortality for the texts themselves? Did they not ensure that so many faithful copies would /Page 256 /
be made that some at least would be bound to survive for many thousands of years?
We think that there were always people who understood the true `science of immortality' connected to the texts, and who were able to. read the astronomical allegories in which deeper secrets, not granted to the common herd, lay concealed. We presume that these people were once called the 'Followers of Horus', that they operated as an invisible college behind the scenes in Egyptian prehistory and history, that their primary cult centre was at Giza-Heliopolis, and that they were responsible for the initiation of kings and the realization of blueprints. We also think that the timetables they worked to — and almost everything of significance that they did — was in one way or another written in the stars.
Hints and memories
The powerfully astronomical character of the Giza necropolis, although ignored by Egyptologists, has been recognized by open-minded and intuitive researchers throughout history. The Hermetic Neoplatonists of Alexandria, for example, appear to have been acutely sensitive to the possibility of a 'message' and were quick to discern the strong astral qualities of the textual material and the monuments.7 The scholar Proclus (fifth century AD) also acknowledged that the Great Pyramid was astronomically designed — and with certain specific stars in mind. Indeed, in his commentary on Plato's Timaeus (which deals with the story of the lost civilization of 'Atlantis'), Proclus reported strangely that 'the Great Pyramid was used as an observation for Sirius'.8
Vague memories of an astronomically constructed 'message' at Giza appear to have filtered down to the Middle Ages. At any rate the Arab chroniclers in this period spoke of the Great Pyramid as 'a temple to the stars' and frequently connected it to the Biblical 'Flood' which they dated to circa 10,300 BC.9 Also of relevance is a report written by the Arab geographer Yakut al Hamawi (eleventh century an) to the effect that the star-worshippers of Harran, the Sabians (whose 'holy books' were supposedly the writings of Thoth-Hermes) came at that time on special pilgrimages to the Pyramids at Giza.'
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Add to Reduce |
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153 |
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Reduce to Deduce |
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1+5+3 |
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Essence of Number |
9 |
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9 |
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 253
Chapter 16
Message in a Bottle?
`We have reached this fascinating point in our evolution .. . we have reached the time when we know we can talk to each other across the distances between the stars .
Dr John Billingham, NASA Ames Research Center, 1995
Together with the ancient texts and rituals that are linked to them, could the vast monuments of the Giza necropolis have been designed to transmit a message from one culture to another - a message not across space, but across time?
Egyptologists reply to such questions by rolling their eyes and hooting derisively. Indeed they would not be 'Egyptologists' (or at any rate they could not long remain within that profession) if they reacted with anything other than scorn and disbelief to suggestions that the necropolis might be more than a cemetery, that the Great Sphinx might significantly predate the epoch of 2500 BC, and that the Pyramids might not be just 'royal tombs'. By the same token, no self-respecting Egyptologist would be prepared to consider, even for a moment, the outlandish possibility that some sort of mysterious `message' might have been encoded into the monuments.
So whom should we turn to for advice when confronted by what we suspect may be a message from a civilization so far distant from us in time as to be almost unknowable?
Anti-cipher
The only scientists actively working on such problems today are those involved in the Search for Extraterrestrial Intelligence - SETI for /Page 253/ short.- They endlessly sweep the heavens for messages from distant civilizations and they have therefore naturally had to give some thought to what might happen if they ever- did identify such a message. According to Dr Philip Morisson of the Massachusetts Institute of Technology:
To begin with we would know very little about it. If we received it we would not understand what we're getting. But we would have an unmistakable signal, full of structure, full of challenge. The best people would try to decode it, and it will be easy to do because those who have constructed i(would have made it easy to decode, otherwise there's no point. This is anti-cryptography: 'I want to make a message for you, who never got in touch with any symbols of mine, no key no clue, nevertheless you'll be able to read it . . I would have to fill it full of clues and unmistakable clever devices . . .1
- |
- |
- |
- |
- |
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27 |
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DECODE |
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2+7 |
2+7 |
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|
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9 |
9 |
9 |
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2 |
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9 |
9 |
9 |
2 |
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18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
6 |
DECODE |
36 |
27 |
34 |
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- |
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2+7 |
3+4 |
6 |
DECODE |
9 |
9 |
9 |
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- |
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DECIPHERED |
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|
10 |
DECIPHERED |
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59 |
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5+9 |
|
|
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|
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|
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DECIPHERED |
14 |
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1 |
DECIPHERED |
5 |
5 |
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1234 5 6789
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C+I+P+H |
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18 |
9 |
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5 |
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5 |
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9 |
9 |
6 |
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32 |
23 |
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6 |
CIPHER |
14 |
5 |
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- |
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6 |
CIPHER |
5 |
5 |
5 |
In his book, Cosmos, Professor Carl Sagan of Cornell University makes much the same point — and does so, curiously enough, with reference to the ancient Egyptian hieroglyphic system. He explains that the 'Egyptian hieroglyphics are, in significant part, a simple substitution cipher. But not every hieroglyph is a letter or syllable. Some are pictographs . . .' When it came to translation, this 'mix of letters and pictographs caused some grief for interpreters . . In the early nineteenth century, however, a breakthrough was made by the French scholar Champollion who deciphered the famous 'Rosetta Stone', a slab of black basalt bearing identical inscriptions in Egyptian hieroglyphics and in Greek. Since Champollion could read the Greek, all he needed was some kind of 'key' to relate specific hieroglyphs to specific Greek words or letters. This key was provided by the constant repetition in the Greek text of the name of Pharaoh Ptolemy V and an equal number of repetitions in the Egyptian text of a distinctive oblong enclosure — known as a cartouche — containing a repeated group of hieroglyphs. As Sagan comments:
The cartouches were the key . . . almost as though the Pharaohs of Egypt had circled their own names to make the going easier for Egyptologists two thousand years in the future . . . What a joy it must have been [for Champollion] to open this one-way communication channel with another civilization, to permit a culture that had been /Page 254/
mute for millennia to speak of its history, magic, medicine, religion, politics and philosophy.2
Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:
we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood? Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere.3
It seems to us that if there is indeed a very ancient 'message' at Giza then it is likely to be expressed in the language of science and mathematics that Sagan identifies — and for the same reason. Moreover, given its need to continue 'transmitting' coherently across thousands of years (and chasms of cultural change), we think that the composer of such a message would be likely to make use of the Precession of the Equinoxes, the one particular 'law of Nature' that can be said to govern, and measure — and identify — long periods of terrestrial time.
Durable vehicles
The Pyramids and the Great Sphinx at Giza are, above all else, as elegant, as complex, as internally consistent and as utterly 'alien' as the extraterrestrial intelligence that Sagan envisages (alien in the sense of the tremendous, almost superhuman scale of these structures and of their uncanny — and in our terms apparently unnecessary — precision).
Moreover, returning briefly to Dr Philip Morisson's remarks quoted earlier, we think that the Giza necropolis also qualifies rather well for the description 'packed full of clues and unmistakable clever devices'.4 Indeed, it seems to us that a truly astonishing quantum of /Page 255/ ingenuity was invested by the Pyramid builders to ensure that the four fundamental aspects of an 'unmistakable' message were thoroughly elaborated here:
1 the creation of durable, unequivocal markers which could serve as beacons to inflame the curiosity and engage the intelligence of future generations of seekers;
2 the use of the 'common language' of precessional astronomy;
3 the use of precessional co-ordinates to signal specific time-referents linking past to present and present to future;
4 Cunningly concealed store-rooms, or 'Halls of Records' that could only be found and entered by those who were fully initiated in the 'silent language' and thus could read and follow its clues.
In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context is understood, we have also to consider the amazing profusion of funerary texts that have come down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources.5 As we have seen, these texts operate like 'software' to the monuments' `hard charting the route that the Horus-King (and all other future seekers must follow.
We recall a remark made by Giorgio de Santillana Hertha von Dechend in Hamlet's Mill to the effect that the great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual story-tellers.6 In other words as long as a myth continues to be told true, it will also continue to transmit any higher message that may be concealed within its structure - even if neither the teller nor the hearer understands that message.
So, too, we suspect, with the ancient Egyptian funerary texts. We would be surprised if, the owners of many of the coffins and tomb walls onto which they were copied had even the faintest inkling that specific astronomical observations and directions were being duplicated at their expense. What motivated them was precisely what the texts offered - the lure of immortal life. Yet by taking that lure did they not in fact guarantee a kind of immortality for the texts themselves? Did they not ensure that so many faithful copies would /Page 256 /
be made that some at least would be bound to survive for many thousands of years?
We think that there were always people who understood the true `science of immortality' connected to the texts, and who were able to. read the astronomical allegories in which deeper secrets, not granted to the common herd, lay concealed. We presume that these people were once called the 'Followers of Horus', that they operated as an invisible college behind the scenes in Egyptian prehistory and history, that their primary cult centre was at Giza-Heliopolis, and that they were responsible for the initiation of kings and the realization of blueprints. We also think that the timetables they worked to — and almost everything of significance that they did — was in one way or another written in the stars.
Hints and memories
The powerfully astronomical character of the Giza necropolis, although ignored by Egyptologists, has been recognized by open-minded and intuitive researchers throughout history. The Hermetic Neoplatonists of Alexandria, for example, appear to have been acutely sensitive to the possibility of a 'message' and were quick to discern the strong astral qualities of the textual material and the monuments.7 The scholar Proclus (fifth century AD) also acknowledged that the Great Pyramid was astronomically designed — and with certain specific stars in mind. Indeed, in his commentary on Plato's Timaeus (which deals with the story of the lost civilization of 'Atlantis'), Proclus reported strangely that 'the Great Pyramid was used as an observation for Sirius'.8
Vague memories of an astronomically constructed 'message' at Giza appear to have filtered down to the Middle Ages. At any rate the Arab chroniclers in this period spoke of the Great Pyramid as 'a temple to the stars' and frequently connected it to the Biblical 'Flood' which they dated to circa 10,300 BC.9 Also of relevance is a report written by the Arab geographer Yakut al Hamawi (eleventh century an) to the effect that the star-worshippers of Harran, the Sabians (whose 'holy books' were supposedly the writings of Thoth-Hermes) came at that time on special pilgrimages to the Pyramids at Giza.'
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EQUINOXES |
129 |
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20 |
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306 |
153 |
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Essence of Number |
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9 |
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
THE LIGHT IS RISING NOW RISING IS THE LIGHT
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16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
4 |
|
|
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
1+8 |
1+4 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE
SUN RED SUN
- |
RED |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
2 |
E+D |
9 |
9 |
9 |
3 |
|
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
3 |
|
9 |
9 |
9 |